What do you think?
Rate this book
320 pages, Paperback
First published September 18, 1998
Max Rodenbeck's Cairo: The City Victorious examines the cyclical nature of Cairo and how it oscillates between vibrant life and supposed ashes, like a phoenix: "It was this resilient fluidity, above all, that I wanted to explain" (xvi). While Rodenbeck stresses that the main focal point is Cairo's cyclical nature instead of solely being an exhaustive history of the city, Rodenbeck still manages to provide a chronicle of Cairo from its mythical and profane origins to the contemporary setting of when the text was originally published.
Cairo: The City Victorious also includes the charm of a travelogue without being limited to that form. Throughout the book, Rodenbeck illuminates Cairo in a way that only a person with deep love and and admiration for the city would be able to: "So it comes as little surprise that the lure of Cairo is almost as old as the place itself" (20). Yet, Rodenbeck consistently grounds this illumination through the relationship of deep historical contextualization.
In fact, Rodenbeck's use of history is incredibly insightful. While reading I often found that I was aware of the many different pieces of history presented within the text, but I have never connected or examined how they were related to the specific history and context to the city of Cairo. This lack of connection ranged from the seemingly obvious- such as Napoleon's campaigns and subsequent entrapment in Egypt to his eventual exile to Saint Helena- to the more obscure- such as the scene of the meeting of the Khedivial Geographical Society that evoked the spirit and racism of the cabinets of curiosities. To expand upon this scene, it was eye-opening to view an instance of racism against indigenous populations within the text. In my opinion, this was one of the most memorable moments of the text. Yet, Rodenbeck also describes this scene as "quaint," which is a weird word choice considering the word's positive connotation.
Another strange element of the text is its fetishization and eroticism of the East. Similarly, Rodenbeck often genders Cairo as a woman. This gendering becomes even more strange when viewed in tandem with how the text is clearly filtered through a Western perspective. Granted it is clear that Rodenbeck has spent much of his life in Cairo. his background does lend itself to the possibility and potential of othering.
Despite these issues, Max Rodenbeck's Cairo: The Victorious City is a deeply interesting text that adeptly balances and provides the best elements of both travelogues and histories into one insightful text that clearly contextualizes Cairo.