Here, Wendell Berry revisits for the first time his immensely popular Collected Poems , which The New York Times Book Review described as “a straightforward search for a life connected to the soil, for marriage as a sacrament, and family life” and “[returns] American poetry to a Wordsworthian clarity of purpose.” In New Collected Poems , Berry reprints the nearly two hundred pieces in Collected Poems , along with the poems from his most recent collections― Entries , Given , and Leavings ―to create an expanded collection, showcasing the work of a man heralded by The Baltimore Sun as “a sophisticated, philosophical poet in the line descending from Emerson and Thoreau . . . a major poet of our time.” Wendell Berry is the author of over forty works of poetry, fiction, and non-fiction, and has been awarded numerous literary prizes, including the T.S. Eliot Prize, a National Institute of Arts and Letters award for writing, the American Academy of Arts and Letters Jean Stein Award, and a Guggenheim Foundation Fellowship. While he began publishing work in the 1960s, Booklist has written that "Berry has become ever more prophetic," clearly standing up to the test of time.
Wendell Berry is a conservationist, farmer, essayist, novelist, professor of English and poet. He was born August 5, 1934 in Henry County, Kentucky where he now lives on a farm. The New York Times has called Berry the "prophet of rural America."
Wendell Berry is a sort of folk hero in the US midwest. When he isn’t farming or engaging in environmental activism, he’s penning gorgeous novels and poems, the latter of which have always been a sort of balm on my weary soul. I love to be outdoors in the peace of wild things, to sit on the banks of a stream and read with nothing but the rippling waters as my soundtrack, and this poem captures that feeling so elegantly. I just want to shout it out:
The Peace of Wild Things
When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
Likely his most famous poem, and one worth revisiting whenever that despair of the world nips at your heels. Berry is a perfect poet to recommend to people around West Michigan (and I do so often) as he captures the lovelier vibes of this region so well in his works. I once had a person enter the bookstore and was thrilled we had “so many books by his neighbor.” Come to find out they have neighboring farms and he told me how active Berry has always been in local politics and regional environmental protection work. So that was awesome. The Earth and all it’s treasures are a theme that permeate his works which often deal with existing peacefully within nature and cultivating it in a way that we can grow as people while nature grows wild around us. He deals with grief in very moving ways, and his poems are usually uplifting and healing. He is able to discuss love in ways that encompasses both love for one another and for nature so tightly bound together:
And when we speak together, love, our words rise like leaves, out of our fallen words. What we have said becomes an earth we live on like two trees, whose sheddings enrich each other, making both the source of each.
There’s a very spiritual aspect to his works that blend with an aim towards social justice, and when Berry wants to be cutting he throws heavy punches:
Questionnaire
1. How much poison are you willing to eat for the success of the free market and global trade? Please name your preferred poisons. 2. For the sake of goodness, how much evil are you willing to do? Fill in the following blanks with the names of your favorite evils and acts of hatred. 3. What sacrifices are you prepared to make for culture and civilization? Please list the monuments, shrines, and works of art you would most willingly destroy. 4. In the name of patriotism and the flag, how much of our beloved land are you willing to desecrate? List in the following spaces the mountains, rivers, towns, farms you could most readily do without. 5. State briefly the ideas, ideals, or hopes, the energy sources, the kinds of security, for which you would kill a child. Name, please, the children whom you would be willing to kill.
Which, alright man, yea, fuck ‘em up, Berry. He has a series of longer poems titled The Mad Farmer Poems such as the Manifesto: The Mad Farmer Liberation Front with lines like ‘what man / has not encountered he has not destroyed. / Ask the questions that have no answers.’ and sure it’s a bit corny and gets pretty religiously preachy at times but his heart is in the right place and its cool I guess. It is a very West Michigan “cool liberal white Christian” vibe, trust me that’s a thing here but without them we wouldn’t have most of the social justice marches that get organized locally. But anyways here’s another well known Berry poem:
Our Real Work It may be that when we no longer know what to do we have come to our real work, and that when we no longer know which way to go we have come to our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
Berry is rather prolific, with many novels and collections of essays. He has a sort of cranky old man vibe he likes to cultivate and it is rather endearing. You hear it in his essays, but you can really feel it in his poems in a way that seems like hanging with your grandfather. I’ve always enjoyed his self-reflection in the poem A Warning to My Readers:
Do not think me gentle because I speak in praise of gentleness, or elegant because I honor the grace that keeps this world. I am a man crude as any, gross of speech, intolerant, stubborn, angry, full of fits and furies. That I may have spoken well at times, is not natural. A wonder is what it is.
He also can write really succinct poems that say a lot, and for that I really appreciate him. I have a public poetry project where I write poems I love on little paintings I’ve made and I use Berry quite often for that reason (well, and people around here love him. If you ask people in West Michigan who say they like poetry, the most common answer is Mary Oliver but Berry is a close second.
To Think of the Life of a Man In a time that breaks in cutting pieces all around, when men, voiceless against thing-ridden men, set themselves on fire, it seems too difficult and rare to think of the life of a man grown whole in the world, at peace and in place. But having thought of it I am beyond the time I might have sold my hands or sold my voice and mind to the arguments of power that go blind against what they would destroy.
While it can be a bit corny, I do have a huge soft spot for ole Wendell. Those who tend to enjoy religious-themed poetry will really enjoy him as well, as he has a huge collection of what he calls his Sabbath Poems, which are poems he writes about his walks he takes every sunday, and are often very religious in theme. Berry can capture nature so well, and especially the need to protect it and live sustainably to keep the world nourished and thriving so that we, too, can be nourished and thrive within it. A sweet and healing collection.
⅘
What We Need is Here
Horseback on Sunday morning, harvest over, we taste persimmon and wild grape, sharp sweet of summer's end. In time's maze over fall fields, we name names that rest on graves. We open a persimmon seed to find the tree that stands in promise, pale, in the seed's marrow. Geese appear high over us, pass, and the sky closes. Abandon, as in love or sleep, holds them to their way, clear in the ancient faith: what we need is here. And we pray, not for new earth or heaven, but to be quiet in heart, and in eye, clear. What we need is here.
Not long ago I saw an interview of Peter Matthiessen in which he was asked which writers he admires. The first he mentioned was Wendell Berry. His saying that was gratifying to me because Berry is one of 3 poets I've recently become attracted to because of his pastoral sensitivity, whose work creates a recognizable reality through the reflection of it. But it was also the way Matthiessen spoke of him I thought interesting: he called him a man in Kentucky who speaks the truth. And I recognized at once that it's so. Berry's poems strike the bell of being.
“Suppose we did our work Like the snow, quietly, quietly, Leaving nothing out.”
(Like Snow)
This is how Berry did his writing. He quietly left nothing out. The humanity, relatability, and conviction make this collection a true pleasure from which to both read and learn.
I checked this out on impulse at the library from a display. Prior to this, I had no familiarity with Wendell Berry as a poet; I had only a vague familiarity with him as a novelist, essayist, and lover of nature. While reading it, I began post-it flagging my favorite poems, only to find that I ended up with dozens of flags jutting out from the pages. Berry encapsulates much of the human experience in eloquent yet simple terms that speak to me. "Window Poems," for example, gives a glimpse of his life as he works by and gazes through a window. He writes:
He is given a fragment of time in this fragment of the world. He likes it pretty well.
--My feelings about life that I have never enunciated as well.
Possibly my favorite was his description of conversation with a loved one that matches my feelings of communication with my husband:
And when we speak together, love, our words rise like leaves, out of our fallen words. What we have said becomes an earth we live on like two trees, whose sheddings enrich each other, making both the source of each.
I intend to hurry and purchase this book at Amazon before its library due date. Wendell Berry is my new favorite poet.
Lots of my favorite writers serve as antidotes, in some way, to the pettiness and misery of the digital age. I love some of Wendell Berry’s poems way more than others, but all his writing is unified in an authentic vision of the world that’s unmoored to political and cultural trends: left, right, or center.
This was a mixed bag for me. As you can see it took me a year to read this, some of these poems I loved, some I didn't care for. I was a little surprised, because I sped through "A Timbered Choir" last year and loved it. But, that's life. And it won't stop me from trying others of his books in the future.
Even love must pass through loneliness, * All that has come to us has come as the river comes, given in passing away. * To love is to suffer—did I know this when first I asked you for your love? I did not. And yet until I knew, I could not know what I asked, or gave. I gave a suffering that I took: yours and mine, mine when yours; and yours I have feared most. [...] You look at me, you give a light, which I bear and return, and we are held, and all our time is held, in this touching look—this touch that, pressed against the touch returning in the dark, is almost sight. We burn and see by our own light.
When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children's lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
I was preconditioned to love this collection. Wendell Berry is among my favorite writers - of poetry, short story, novel, essay - and this volume gathers together some of the best poems of his career.
If you've heard friends rave about the man's work but haven't yet gotten your feet wet in it, this is a good place to start. Don't read it from cover to cover, but dip in at random spots and splash around a little.
When I first sat down with New Collected Poems (a rather hefty volume), I counted the poems in it, and calculated how long it would take to finish if I read two a day. Assured that I would get through it before the end of the year, I gamely set off, not entirely sure what I would find in its pages. People kept dropping Berry's name in my path--different people, the sort I wouldn't expect to agree on books--so clearly, it was time to try him out, and a newfound love of reading poetry made this particular volume a good first choice.
But then, instead of stopping at two, I found myself reading "just one more", which turned into two or three or seven or fifteen. Some of them are bite-sized, so I needed very little encouragement to keep going. And then I found myself picking the book up during times of the day I've allotted to other sorts of reading, and then filling my commonplace book with lines and lines of the poems that made me smile and made me ache.
It's only the knowledge that I came so late to a true joy in poetry (rather than simply an appreciation for the talents of those who can write it beautifully) and that there is so much yet to read and to fall in love with that keeps me from simply starting over again at the beginning of New Collected Poems and reading them all again. But I will certainly be picking it up again, after I've gotten to spend some time with other poets.
Wendell Berry is one of those poets you hear about, whose name sound like a poet's name, whose work promises to be a return to the good dark loam of rural life and verse, but you never seem to get around to reading anything substantial by the man. He is an accomplished poet but this 400 page book does not help his cause. There are too many long poems whose themes get lost in a morass of "serious thoughts," somewhat like having and centric old guy lecture at you about life and death and marriage. On the other hand, his shorter poems are gems. When he relaxes and tells of his farmer's life, he is charming and vibrant. I'm not sure his feeble attempt at humor in the "mad farmer" poems works all that well, but his letters to other poets do swivel on a mordant wit. My favorite line in the book: "Practice resurrection ."
Wendell Berry takes the reader into the hillside farmland of Henry County, Kentucky to connect both himself and his readers with what is authentic in life. He removes the false notes of what passes for poetry--what is often jumbled, arrogant, and pretentious reflections of a poet in a mirror--to remind us that when properly cultivated words, like the soil can yield a bountiful harvest. These poems remind us of the beauty we can be rewarded with when we take the time to live responsibly and with open hearts. This is a book I am unable to say I finished. I will return to it again and again.
This new collection encompasses eleven previous books of poetry. Some I found inaccessible. Others I want to memorize. I smiled at the irony of reading "stay away from screens" as I read this book on my Kindle. I smiled at the two line poem entitled "Seventy Years" Well, anyhow, I am not going to die young.
Death is the subject of many poems; death, funerals, remembering, membership.
I don't foresee me reading through this book again, but I will revisit my favorites: "Her First Calf", "At a Country Funeral", "The Gathering", "The Blue Robe", "To My Mother".
Wendell Berry's poetry changes how I think about life, about faith, about creation, and about community. I have intentionally read through this book as slowly as possible, only breaking it open when I am in a quiet or beautiful setting. My only disappointment was finishing it.
Truly a joy to read- able to traverse the realms of politics, faith, love, and farming with staggering beauty.
Some favorite quotes:
"Sowing the seed, my hand is one with the earth. Wanting the seed to grow, my mind is one with the light. Hoeing the crop, my hands are one with the rain. Having cared for the plants, my mind is one with the air. Hungry and trusting, my mind is one with the earth. Eating the fruit, my body is one with the earth."
"Geese appear high over us, pass, and the sky closes. Abandon, as in love or sleep, holds them to their way, clear, in the ancient faith: what we need is here. And we pray, not for a new earth or heaven, but to be quiet in heart, and in eye clear. What we need is here."
"When my last breath grows large and free in air, don't call it death...say that my flesh has a perfection in compliance with the grass, truer than any it could have striven for. You will recognize the earth in me, as before I wished to know it in myself."
"I part the out thrusting branches and come in beneath the blessed and the blessing trees. Though I am silent there is singing around me. Though I am dark there is vision around me. Though I am heavy there is flight around me."
"Our hair turns white with our ripening as though to fly away in some coming wind, bearing the seed of what we know."
Wendell Berry is my favorite poet and, unsurprisingly, this collection of poetry is my favorite out of the 20+ books of poetry that I’ve read this year. There are many poems I’ll be revisiting but a particular highlight is this one:
We Who Prayed And Wept
We who prayed and wept for liberty from kings and the yoke of liberty accept the tyranny of things we do not need. In plenitude too free, we have become adept beneath the yoke of greed.
Those who will not learn in plenty to keep their place must learn it by their need when they have had their way and the fields spurn their seed. We have failed Thy grace. Lord, I flinch and pray, send Thy necessity.
It took me over a year to read this collection. It was honestly one of those collections/books I wish would never end. Easy to pick up, enjoy a poem or two, and just think on the thoughtfulness Berry puts into every line. He is a rare breed of writer in America. He has not bought into political agenda, consumerism, or self-fulling religion. His reflections capture that tension between consumerism and a life of simplicity. Earth and natural beauty are to be admired more than beauty of human hands. It is a must read.
My friend gave me this book. At a time when I needed it, this book gave me peace.
It is poetry of the earth. The plowing and the harvest. The weight of the rocks and of the trees. It is sometimes drought and sometimes flood. It is poetry of people. His family, his neighbors, writers he knows and the shared craft. It is poetry of time. Months, seasons, generations. History and the future.
Yes!! I have finished this book of poetry. It feels like I’ve just climbed Mount Everest.
It’s so hard to describe how I felt about these poems. Many of them feel so grumpy. Wendell Berry would not, I am sure, approve of my very nomadic, non-agrarian lifestyle. But he is so perfectly consistent, and so clear, and so poetic in his portrayal of the good life, it’s almost unthinkable to give this collection anything less than the perfect mark. And many of these poems are actual masterpieces.
Honor, respect, the natural world, commitment, hard work, community, friendship and family, marriage, faith, and farming. All woven together into simple, insightful, piercing, beautiful poetry. Berry is a prophet of our time. Praise God for this man!!
This was my introduction to Berry and I must say: it was more lovely than I imagined it would be. His vision is so sharp, his words so haunting, that at times I could not follow. I wanted to go where his prophetic mind was leading, but I could not always get there. I want to try some of his essays next. I have a feeling they will be tender and spicy and prescient.
I simply love the poetry of Wendell Berry. It is earthy, melodious, intimate and intellectual all at the same time. He finds expression for the joy and sorrow and the full range of emotions that I experience and sometimes cannot put into words. He is simply put, a treasure.
I arrived at the last page of this book of poems last night but am not finished with the book. In fact, I am not finished with any of the Wendell Berry books that I've read. He writes in a simple, logical way that causes me to slow down and think, and wrestle and ponder. His works sticks with me and draws me back for reference. The bookseller (that sold me this book) matter-of-factly stated, "The world would be a better place if everyone would read a Wendell Berry book." I agree.
Here are some of my favorite poems and lines:
- The Peace of Wild Things (google this and read it AND then try to do it!) - Manifesto: The Mad Farmer Liberation Front - "Praise ignorance, for what man has not encountered he has not destroyed..." -The Law That Marries All Things, "It is the great chorus of parts. The only outlawry is division." -The Reassurer, (against political Bravo Sierra) -Some Further Words; "the world is whole beyond human knowing." -On the Theory of the Big Bang as the Origin of the Universe "What banged? Before banging how did it get there? When it got there where was it?" -Questionnaire asks brutal but necessary questions...
My favorite of all and my "mission" poem and maybe the best human description of the mission of the church:
February 2, 1968 In the dark of the moon, in flying snow, in the dead of winter, war spreading, families dying, the world in danger, I walk the rocky hillside, sowing clover.
If there is such a thing as Father Earth, then this natural, mystic poet surely must be it. Berry’s collected poems cover a significant time frame, spanning almost 40 years. We delve deep into American roots; we become farmers, family, lovers and caretakers of the land. Berry mourns for his fallen beloved, he wages war against the very act of war, and he begs us to maintain an environment that we can all thrive within. His poetry is a communion with one another and he asks us to embrace the earth with our entire being. His earliest poetry is often prophetic as he predicts the destruction mankind will cause upon itself through over industrialization and the misuse of our natural resources. Wendell Berry is a gift to humanity and with his collection of poems he asks us to return to our original blessing, the earth.
Wendell Berry is one of the more under-rated poets of the last 50 years. His new collection of his best over that time demonstrates time and again his deep connection with the land, his profound but complex religious faith, and his lyrical ear. His poems can be read and appreciated by those who regularly read verse and those who seldom do.
That accessibility and his impatience with artifice in poetry or politics may suggest why some in the academic world ignore or disparage his writing.
The later collections are not as strong as those from 1994 and before. His elegies, especially the one for his grandfather, are haunting and universal. I highly recommend living with this collection for a while.
I don't read (or teach) enough poetry, so I feel a bit hesitant about providing any technical analysis of Berry's poetry. But, that said, I have certainly enjoyed reading through his poems and have vowed to return to them often (the book now sits beside my bed), as they are so wise and insightful. Many of the poems are impressionistic, particularly those on the natural world, some are quite sharp and satirical (see, for instance, his "Mad Farmer" poems, which are a hoot), while others are deeply informed reflections on the human experience, most tellingly on love, faith, commitment, and death.
In reading these poems one embarks on a journey to become a more aware, caring, and wiser person.
Wendell Berry is an enormously accomplished poet, and when writing of his love for his wife or his family or the landscape surrounding his farm, his poetry is brilliant and profound. But his poem-rants never have the resonance of his other pieces, and all too often when he does write of his wife, or of social issues, I find that his implied views of women would exclude me from the world he's building.
Still, his absolutist stand against change of all kinds and in all contexts is vastly overwhelmed by the many brilliant pieces in the collection. So four stars it is.
These words are scenes of human simplicity, of which we’re all composed. Such is who we truly are no matter our efforts to feel ourselves more complex.
These words, then, are touch points with reality, contacts with what it means to be a human being in God's grand masterpiece. We find ourselves coming back to this simple state of being and Berry has provided a simple road map.
My favorite poems are the rural stories, the ones where it feels like Berry and I are out in the meadow and he's telling me about his farmstead like he wants me to make one of my own.