Giulio Cesare in Egitto (Julius Caesar in Egypt), to give the opera its rarely used full name, was composed by Handel in 1723–24 and first performed at the King's Theatre, Haymarket, London, in 1724. It remains one of the most popular of Handel's Italian-language operas, enjoyed for its many gorgeous melodies, inspired orchestration, and exciting the time-honored story of Caesar and Cleopatra in Egypt. One of the composer's mature works, Giulio Cesare offers an impressive stage spectacle, punctuated with scenes of great dramatic power. However, it is also a work in which Handel began to expand the operatic conventions of the day. Thus we find greater clarity and depth of characterization, more effective use of orchestral color, and the use of recitatives both to carry the action forward and to provide a more forceful vehicle of expression. Musicians, music scholars, and music lovers will welcome this handsome reprint of the full score of Giulio Cesare, reproduced complete and unabridged from the definitive Deutsche Handelgesellschaft edition. Moreover, the affordability of the Dover volume brings a baroque masterpiece within reach of all music lovers.
Born the same year as Johann Sebastian Bach, Händel desired to study against the wishes of his father. He, a violinist in the opera house of Hamburg, then at 21 years of age in 1706 traveled to Italy. On his return, he accepted the position of director to the elector of Hannover but quickly left for England. After arrival of Handel, the elector of Hannover reigned as king of England adn secured position of Händel within the sphere of the country.
His first operas for the royal academy of operated as a public house; however, when Italians lost their popularity, he turned to the most fame. Händel went blind but continued to play the harpsicord at his performances before his death. People later buried the body of Charles Dickens next to his grave in the corner of poets of Westminster abbey.