A masterful and tender debut collection of stories from the acclaimed author of The Anthropologists, about distance and closeness in the age of connectivity. "An exceptionally elegant, intelligent, and original writer.” -Sigrid Nunez "She is an author who simply, and astoundingly, knows." -Bryan Washington "The rigor of Didion and the tenderness of Sebald." -Catherine Lacey "One of my favorite writers." -Katie Kitamura A researcher abroad in Rome eagerly awaits a visit from her long-distance lover, only to find he is not the same man she remembers. An expat meets a childhood friend on a layover and is dismayed by her unexpected contentment. A newly pregnant woman considers the American taboo of sharing the news too soon, but can't resist when an opportunity comes to patch up a damaged friendship.
Long Distance showcases Savas's devastating talent for the short story. Her shrewd encapsulations of contemporary life often center on characters displaced more by choice than circumstance, characters both determined to install themselves in new lives and preoccupied with the people they've left behind.
Ayşegül Savaş grew up in London, Copenhagen, and Istanbul. Her work has appeared in The New Yorker, The Paris Review, and Granta, among others. She lives in Paris.
Nobody writes characters like Savas can. Even in short stories, she's capable of encapsulating so much depth and personality in them that they truly feel like real people. The stories in Long Distance blend so cohesively without veering into monotony, and I loved the parallel themes explored in each entry. The concept of distance takes physical meaning in the stories of immigrants and displacement, but she also explores it through the lens of friendship, intimacy, and family.
The stories end abruptly, but ultimately I think that's the point. Savas imposes distance between the subject and readers, and only offers us a glimpse into their present. In some cases, that may give us a few days or weeks with these characters, and for others, we only spend a few hours with them before moving on. There's nothing flashy about the stories, but they're heartfelt and deeply human.
I would struggle to identify a singular entry that stood out to me most in this collection, as I genuinely appreciated them all. Crafting a short story collection this strong is an art in itself, and now that I've read three of Savas' published works (The Anthropologists remains my favourite, but the ending of White on White is spectacular) I am in awe of her craft. Don't let this collection slip by your radar -- even if you're not a short story fan, I really think it's worth the read.
Thank you to Libro.fm for the free audiobook copy!
I cannot get enough of Savaş and her work. No one really executes the small moments of life, softly adding up to something more, quite like she does. Her short stories were like a trailer to what she delivers in her novels: pages that explore the themes of human connection expanding outward. Savaş has easily become one of my favorite authors and I’ll be eagerly awaiting more from her.
Long Distance @__aysegulsavas__ @bloomsburybooksus
I read this book nearly twice as I went through it. I bought a hardback, then was offered a free audio by @librofm . As I read these perfectly crafted, carefully worded, resonant, knowing stories in the lamplight of my bed, AC blasting on my face—inevitably the baby would wake up and start crying so I’d head upstairs to do some rocking. (Ironic if you’ve read all of these stories.)
Luckily, I didn’t have to quit reading once she fell asleep and I was nap trapped in the chair until she was in a little deeper. I listened as the author read it to me.
I wish I’d read Savaş sooner. I started The Anthropologists last year right before Booker season, then the list came out and I got distracted and never went back. That’s the curse of prioritizing a prize list, and I won’t do it again. Not for the booker. It’s not worth it. What else did I miss out on reading book after book after book, doodle after doodle, and for WHAT. FOR WHY?! ANYWAY.
This short story collection goes right up there with my favorites. Is the form having a durn renaissance this year or what?! The craft displayed here, the reflection noted by her exact word choices. It’s like a magician revealing to you only what she wishes at every turn, sleight of hand at its finest. There are hints of Jhumpa Lahiri here I loved, and even hints of Maxine Rosaler I recently became a fan of—but honestly comparing does nothing useful here. These are perceptive, insightful, emotional, and precisely unique stories. Cliché must have been nonexistent here, because every word and turn of phrase felt fresh.
My favorites? All of them? If you forced be to pick, I’ll go with the ones I can remember off the top of my head without referring to the book: Long Distance, The Room, Cry it Out, Twirl. But it’s like trying to say your favorite songs from an album best listened to all the way through each time.
Anthropologists time. Adding backlist to cart now. Take my money, Savaş.
Picked this up on a whim and ended up really loving it. An intimate collection of short stories that digs into all kinds of relationships (romantic, platonic, familial) and how different forms of distance, whether emotional or physical impact us.
There’s a long-distance couple struggling to hold onto the version of each other they first fell for, a new mom overwhelmed by exhaustion and shifting friendships, a woman in Paris craving solitude but still pulled toward connection. Savaş has a real talent for capturing the exact moment when closeness starts to slip into misunderstanding.
Most of the characters are in some kind of transition like moving cities, starting over or figuring out what they want. She writes those in-between spaces so beautifully. Even the quieter stories leave an impression.
I said it before, but I’ll say it again: I’m glad I live in a world where there are stories by Ayşegül Savaş.
After falling in love with last year’s The Anthropologists I knew I needed to get my hands on this story collection. Guys, this delivered so hard.
I was trying to explain to a friend what works so well here for me and I’m not sure I can put it into the right words. Savaş has this magical and subtle way of exploring the, for lack of a better term, liminal spaces in relationships. Relationships change, be it through time, space, or even death. People have babies, people move, people realize that those friendships weren’t that deep or the opposite- that friend you weren’t that excited to see is actually someone you should have kept in your life. What makes all these stories so relatable is just that living is hard, add people to the mix and it’s even harder. What makes me love them so much is the melancholy and spareness found throughout.
Honestly this is one of my favorite books of the year. Savaş’ writing just does something to my brain that makes it attach to every word. She also goes for my heart, tenderly breaking it and putting it back together. I'll keep coming back for more.
I’m such a fan of Savas’ writing - she pays acute attention to the minor details in human interaction, specifically the places where people meet and also miss each other. Many of these stories pay follow friendships between women and how they shift in adulthood. If I had to boil it down I’d say in this collection she is writing about young women, at different stages of life, and the mistakes that can come at each stage - and she does so without judgement. Thank you to Bloomsbury for the galley and look out for Long Distance on July 8, 2025.
Savas clearly has a gift for language. Her writing is clean, observant, and quietly intelligent. The stories are often filled with a gentle melancholy, circling themes of disconnection, longing, and the ache of modern relationships strained across time zones and emotional distances. There’s a subtle power in her restraint, and fans of quiet literary fiction will likely appreciate the craftsmanship.
🎶"Moon Song" – Phoebe Bridgers 🎶"Call It Fate, Call It Karma" – The Strokes 🎶"Past Life" – Tame Impala
no notes. this is the best short story collection I've ever read. nothing more beautiful than these vignettes of life's fleeting moments. 🫶🏼 so matter of fact in the stories, it's like peering between the slits of the window blind to catch a glimpse of a scene. it inspires me to write short stories ⭐⭐⭐⭐⭐
Distance is both a physical measure of space between two things, but it can also be an emotional state of dislocation, a separation of shared interests or the effects of the passage of time. In Aysegül Savas Long Distance: Stories these themes are explored through 13 short stories from a wide variety of situations and viewpoints, beginning with the titled story about a long distance relationship.
All the stories are centered on relationships, but the issues are different. Becoming a new parent, looking for a new apartment, studying abroad, aging, immigration, grief or failing to find 'the one' through dating apps all featured in their own stories. Savas has constructed the tales well, quickly establishing the narrator and provided lots of small details to make the characters feel drawn from true life. Many of our narrators are flawed, selfish with their time, failing to understand the needs of others or simply in a transitional stage. Many are not quite ready to leave the familiar and comfortable but feel trapped or stifled by their situations.
Perhaps because they were at the end, but the stories that have stayed with me the most are the last two: 'Cry It Out' and 'Twirl.' 'Cry It Out' is about two parents of a newborn in the throws of sleep deprivation trying to establish routines while their friend group falls apart due to differing politics about a war. 'Twirl' focuses on a woman looking to find a boyfriend who has started using dating apps and begins to notice common mannerisms or actions from the various dates and stumbles upon a dating tips website, all while forming a friendship with an older woman who might not have been completely honest about her family life.
A set of stories that speak to the difficulties of maintaining ties in our contemporary world.
Recommended to readers of contemporary fiction, short stories or slice of life fiction.
I received a free digital version of this book via NetGalley thanks to the publisher.
Most of these short stories were contemplative, nostalgic, a bit sad, and had abrupt endings. The terrible formatting of my copy didn’t help the transition from one story to another, but I’d still enjoy good writing no matter what.
Thanks to Edelweiss and the publisher for the arc.
Schöne Kurzgeschichten, sehr atmosphärisch und Geschichten, die wirklich resonieren. Manche fand ich wirklich unglaublich gut. Definitiv eine spannende Autorin :)
not a single miss in this collection. thoroughly enjoyed each story, the themes and her writing overall but with they were all longer... I think I realized I prefer full length novels. But this was my ideal short story collection.
i appreciated this collection! i loved the writing, and i love how clear the theme here is, the stories make sense and explore different aspects of distance in relationships. towards the end they do start to blur together a bit, and i am not sure how memorable they will be, but they did make me excited to pick up the author's novel
This is between 2 and 3 stars, but I decided to round down because I don't see myself recommending this book often.
There were some stand out stories that I really enjoyed, like Freedom to Move and Cry It Out. While all of the stories in this collection are vignettes of people's lives, I enjoyed these two in particular because they felt more fully formed. There's a glimpse at the wider world around the characters that anchor the story in a more concrete time and place. They also both spoke of more universal experiences of how to love those that can't care for themselves (an ailing grandfather and a new baby, respectively) and how that changes you. You're no longer an individual with their own problems and other relationships, but a caregiver. Finally, they both felt like they had natural beginnings, middles, and endings leaving me feeling satisfied and reflective rather than confused, bored, or indifferent like for some of the other stories. I don't necessarily need stories to follow a traditional arc, but these stories are barely plot- nor character-driven, so I needed something to rely on!
Overall, these stories are best for those that regularly consume and enjoy literary fiction. That's not typically me. I got this book for free through Libro.fm and was interested in widening my reading. I went into it blind and didn't love the experience. Sooooo, don't do what I did?
Below are my ratings for each individual story. (I think I might be missing one, but I really don't want to try to figure out which one.)
Long Distance - 2 The Room - 2 We Are Here - 3 Marseille - 2 Ghosts - 1 (note I left for myself: What am I reading, honestly?) The Guest - 3 Practicality - 3 Future Selves - 2 Freedom to Move - 4 Cry It Out - 4 Twirl - 3
Savas's gossamer prose belies a depth and complexity that reveal themselves over the course of each of her novels, but her style is fully at home in the short form, too. The individual stories in this collection highlight her attunement to the mystery and paradox of moments of transition or indecision, and on their own, they are quite affecting; a week later, I'm still particularly haunted by the poignant humanism of an early work about aging, "We Are Here," and by a more recent work about infancy, "Cry It Out."
But the gestalt of these stories is also striking. While most of them feature protagonists who are living in a land not their own, we gradually discover that the real crisis is not that they feel adrift in a foreign country but that they suddenly realize they are not at home in their own lives. This happens to all of us at some point: we discover that our life has taken an irrevocable turn, sometimes quite gradually and unconsciously, and we have become someone other than who we expected ourselves to be. We might feel as unequipped to process this twist of fate, Savas seems to imply over the course of these stories, as a study-abroad student trying to figure out a new culture or a new language. This may be the "long distance" of her anthology's title: not a geographic one, but an existential one, a distance between one's persona and one's soul.
Thank you NetGalley and Bloomsbury Publishing for an ARC of this book!
This was definitely one of my most anticipated releases of 2025, and I am happy to say it definitely met the hype! If you have not read any Ayşegül Savaş, take this as your sign to pick up some of her previous releases!! (“White on White” has to be an all time favorite book for me!)
“Long Distance” is a short story collection that chronicles snippets of life from a variety of different characters, all at a slightly different point in their life, yet some how feel tied together by Savaş’s prose. Savaş is able to wonderfully render succinct and moving short stories, perfect to dip in and out of!
I did find the first few stories a little slow, but the stories then quickly grew in pacing. The final story “Tw irl” felt so poignant, that I know so many woman will identify with so many feelings it evokes. I will definitely be thinking and revisiting that story later!
Overall, I think so many readers will enjoy and find something special in this collection of stories!
Long Distance, the excellent, just-released collection of short stories from Ayşegül Savaş, author of The Anthropologists and The Wilderness (one of my favorite reads of 2024), navigates the physical and emotional separation that exists between people, within relationships, against the backdrop of a particular city or space. On the surface, the stories appear simple. People, often immigrants in foreign cities, go about their day interacting with lovers or friends or strangers, details of life as it is being lived emerge. Exhausted parents attempt to sleep train a baby. A single woman falls pregnant and becomes reacquainted with a long-lost friend. A long-distance relationship shifts when a woman discovers that the idea of her lover is different than the reality. A distant war divides a group of friends. People live lives in translation. But the heart of each story is anything but simple. Told with an effortless grace, every word in this collection is precise and perfectly placed, everyday details and connections feel rich and full of depth under Savaş's deft touch.
I’ve read most of the stories in this collection before — in magazines and online — but it was good to reread them, take them in again, own in book form. My favorite Aysegül’s short format work is actually not a story but an essay: The Story Collector, or How Not to Write a Novel | On the Fiction Writer as Ethnographer, published in August of 2018 on lithub.com. For me, a well-written essay is right up there with great, even exceptional short fiction, now and then surpassing the latter. The Story Collector is just such an essay — quietly gut-punching, memorable, entirely non-judgemental.
3.7 stars for the collection as a whole; 4.5 stars for some of the stories and 3 for some others. On occasion it has been hard to separate the heroines and their personal opinions from the author, I’ve wondered if she shared the stated opinions and to which degree. In a couple of stories the biases took center stage, which came as a surprise to me (it probably shouldn’t have). I was taken aback and am still scratching my head, wondering if that was a portrait of a particularly hypocritical character or not a portrait at al.
This is a nice, brief collection of short stories mainly focused on expat life in contemporary Europe. Most of the stories are very similar. Many feel very true to life, especially a White Lotus-like one about three female friends (“Marseille”). I didn’t care for one (“Ghosts”) that felt discordant from the others. Several stories perfectly encapsulate the complex emotions of being a mother (“Cry It Out”). Trigger warning: miscarriage.
*I received an ARC and have voluntarily provided a review.
Long Distance takes the world-building talents of Savas to another level. The idea of living long distance in one way or another is the thread connecting this collection of short stories each exploring a new type of character and relationship. The stories are just the right length to make this a quick read. My only complaint is wanting more out of the stories--solely because Savas expertly weaves stories and worlds with a minimum of words. I'd love to see some of these characters again in a longer format.