What do you think?
Rate this book
Vivaldi and the Number 3
“It’s not often that composers inspire such funny surrealism. I enjoyed these very much.”—Bernard MacLaverty In these playful episodes, Ron Butlin weaves delightful fables based on the lives of the great composers and Beethoven attempts pyramid selling; Haydn deliberates over the promotional boost he would receive by an appearance on Jerry Springer; Seneca tests the validity of stoicism by taking up residence in 21st century Edinburgh; and God entrusts Vivaldi with the gift of the number 3. Vivaldi and the Number 3 is a delightful mix of music and surreal humour by an acclaimed Scottish writer. Ron Butlin was born in 1949 in Edinburgh, where he now lives. Having worked variously as a footman, a male model and a barnacle scraper on Thames barges, he has become one of Scotland’s most acclaimed writers.
- GenresShort Stories
224 pages, Paperback
First published January 1, 2005
26 people want to read
About the author
Ron Butlin
50 books21 followersWith a reputation as an international prize-winning novelist, Ron Butlin has also been Edinburgh's Poet-Laureate.
Before becoming a writer he was a lyricist with a pop band, a footman attending embassy receptions and weekend house parties, a barnacle-scraper on the Thames and a male model.
He has published almost twenty books including novels, short stories, and poetry as well a novel and an illustrated book of verse for children.
His work has been widely translated and twice been awarded a Best Foreign Novel prize. His most recent novel, Ghost Moon, was nominated for the highly prestigious international IMPAC Award 2016. Ron has 3 new books coming out in 2017. See his Goodreads blog for details.
Before becoming a writer he was a lyricist with a pop band, a footman attending embassy receptions and weekend house parties, a barnacle-scraper on the Thames and a male model.
He has published almost twenty books including novels, short stories, and poetry as well a novel and an illustrated book of verse for children.
His work has been widely translated and twice been awarded a Best Foreign Novel prize. His most recent novel, Ghost Moon, was nominated for the highly prestigious international IMPAC Award 2016. Ron has 3 new books coming out in 2017. See his Goodreads blog for details.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 3 of 3 reviews
April 22, 2021
This is a collection of 26 short stories, none of which is longer then twelve pages and even that includes one of the illustrations. Their tenses shift from past to present and back again. Trappings of the present day irrupt into the past or vice versa, modern day phenomena like pizza deliveries precede composing by candlelight with quill pens. Within the context, though, it all makes a surreal heightened sense. Unlike a lot of Scottish fiction the writing is laced with humour. Seventeen of the stories are listed under the heading “The lives,” four under, “The letters,” three are “The thoughts,” and, finally, one is “The last word.”
All of it is delightful stuff.
The lives:-
Sheep being scarce in Venice would-be priest Antonio Vivaldi - familiar with McDonald’s, TV and spaghetti westerns - tries to sleep by counting cardinals jumping off the papal balcony, one of whom brings to him both God and music via the number 3. 500 concerti later Vivaldi tries to go on holiday but is caught up in a war. A later incarnation learns to walk on water by channelling his anger at a Stravinsky comment that he always writes the same concerto.
In the glass box of her marriage Alma Mahler writes down the notes of the string quartet she is composing only for them to disappear from the paper as soon as she’s finished. Bach, who in his youth had aspired to be a professional footballer until a retired player suggested his true vocation, struggles to respond to the deluge of parcels he receives following the publication of an article titled ‘If Only Bach Had a computer’ in the previous month’s Digital Digest. Beethoven anticipates the benefits due to flow to him from a pyramid scheme while striding the mean streets of Edinburgh till he comes to “the Zone-of-Everything-and-Nothingness” that is South Bridge, which always defeats him. A Hamburg perpetually mist-bound and stuck at 4.45 in the afternoon due to the composer’s previous failures waits for Brahms to complete his first symphony: a fantastic interlude brings resolution. Antonin Dvořák finds his knowledge of Science Fiction and fairy-tale useful while stalking the Bohemian wilds for musical inspiration. Fresh from an invitation onto The Jerry Springer Show, Haydn hears a voice telling him just how many trios he still has to compose. Enthused by a cable channel film noir series, Mozart decides on a new career as a private investigator in a story which also features him bicycling through the air like the ident scene at the start of a Dreamworks© film. Schubert glides through the streets of 1828 Vienna on his skateboard before being given a magic business card. In a manifestation which may be an indication of Schumann’s state of mind Liepzig morphs its architecture daily: then he takes the underground to Herr Wieck’s flat where he meets Clara. An aged Sibelius is in his last hours invited to join the circus by three clowns. Richard Strauss and Amenhotep IV share their dreams of finessing Nazi racial policies and building pyramids respectively. Tchaikovsky laments the madness of his marriage as he considers a last ballet. Georg Telemann writes his best-selling concertos amongst the mountain of mail order goods he has requested (or not) while his agent adopts his identity. One of the Mighty Handful of Russian composers who form a five-a-side football team conceives the idea of introducing passing to their game; their results get worse.
The letters:-
Composer Q makes a compact with the Mr Sinclair who turns up at his door: thereafter the music flows and Q’s domestic life becomes blissful. There is a catch of course. Composer X’s career creating music for films has given him all the trappings of success - girls, glamour and real estate. He flees the Calvinistic persecutions of messages in the Edinburgh sky to Tenerife only to find the stars have rearranged themselves into a message in Spanish. Composer Y labours under the affliction of coming between “the celebrated X and the no less renowned Z” (perhaps due to his fondness for the double-bass) till one day the world pauses and the sky becomes a Tiepolo-style ceiling of angels; suddenly he is in constant demand. Composer Z gazes from his window into the vista beyond the end of the alphabet through the large plate-glass window installed for just that purpose. In one universe the glass becomes insubstantial and he is pulled through. (This story contains a comparison between Scottish midges and the dead in Hades – both are summoned by human blood.)
The thoughts:-
A drunken David Hume cosies up to a woman “who had come so close to freezing to death on the pavement outside the Caledonian Hotel she had never warmed up again” before he is, in a phrase which could summarise this whole book, “stranded in this makeshift world put together from the sweepings of history.” Nietzsche tries to break free from monetisation at the hands of his University by keeping chickens. Seneca settles on Edinburgh’s Southside as the perfect place to prove Stoicism firmly as number one of all the world’s philosophies. Socrates attends the opening of Greece’s first supermarket, ‘Zealous Hellas’.
The last word:-
On her death bed Nadia Boulanger is visited by other female composers - her sister Lili, Hildegard von Bingen, Elisabeth-Claude Jacquet de la Guerre, Fanny Mendelssohn and Clara Schumann.
All of it is delightful stuff.
The lives:-
Sheep being scarce in Venice would-be priest Antonio Vivaldi - familiar with McDonald’s, TV and spaghetti westerns - tries to sleep by counting cardinals jumping off the papal balcony, one of whom brings to him both God and music via the number 3. 500 concerti later Vivaldi tries to go on holiday but is caught up in a war. A later incarnation learns to walk on water by channelling his anger at a Stravinsky comment that he always writes the same concerto.
In the glass box of her marriage Alma Mahler writes down the notes of the string quartet she is composing only for them to disappear from the paper as soon as she’s finished. Bach, who in his youth had aspired to be a professional footballer until a retired player suggested his true vocation, struggles to respond to the deluge of parcels he receives following the publication of an article titled ‘If Only Bach Had a computer’ in the previous month’s Digital Digest. Beethoven anticipates the benefits due to flow to him from a pyramid scheme while striding the mean streets of Edinburgh till he comes to “the Zone-of-Everything-and-Nothingness” that is South Bridge, which always defeats him. A Hamburg perpetually mist-bound and stuck at 4.45 in the afternoon due to the composer’s previous failures waits for Brahms to complete his first symphony: a fantastic interlude brings resolution. Antonin Dvořák finds his knowledge of Science Fiction and fairy-tale useful while stalking the Bohemian wilds for musical inspiration. Fresh from an invitation onto The Jerry Springer Show, Haydn hears a voice telling him just how many trios he still has to compose. Enthused by a cable channel film noir series, Mozart decides on a new career as a private investigator in a story which also features him bicycling through the air like the ident scene at the start of a Dreamworks© film. Schubert glides through the streets of 1828 Vienna on his skateboard before being given a magic business card. In a manifestation which may be an indication of Schumann’s state of mind Liepzig morphs its architecture daily: then he takes the underground to Herr Wieck’s flat where he meets Clara. An aged Sibelius is in his last hours invited to join the circus by three clowns. Richard Strauss and Amenhotep IV share their dreams of finessing Nazi racial policies and building pyramids respectively. Tchaikovsky laments the madness of his marriage as he considers a last ballet. Georg Telemann writes his best-selling concertos amongst the mountain of mail order goods he has requested (or not) while his agent adopts his identity. One of the Mighty Handful of Russian composers who form a five-a-side football team conceives the idea of introducing passing to their game; their results get worse.
The letters:-
Composer Q makes a compact with the Mr Sinclair who turns up at his door: thereafter the music flows and Q’s domestic life becomes blissful. There is a catch of course. Composer X’s career creating music for films has given him all the trappings of success - girls, glamour and real estate. He flees the Calvinistic persecutions of messages in the Edinburgh sky to Tenerife only to find the stars have rearranged themselves into a message in Spanish. Composer Y labours under the affliction of coming between “the celebrated X and the no less renowned Z” (perhaps due to his fondness for the double-bass) till one day the world pauses and the sky becomes a Tiepolo-style ceiling of angels; suddenly he is in constant demand. Composer Z gazes from his window into the vista beyond the end of the alphabet through the large plate-glass window installed for just that purpose. In one universe the glass becomes insubstantial and he is pulled through. (This story contains a comparison between Scottish midges and the dead in Hades – both are summoned by human blood.)
The thoughts:-
A drunken David Hume cosies up to a woman “who had come so close to freezing to death on the pavement outside the Caledonian Hotel she had never warmed up again” before he is, in a phrase which could summarise this whole book, “stranded in this makeshift world put together from the sweepings of history.” Nietzsche tries to break free from monetisation at the hands of his University by keeping chickens. Seneca settles on Edinburgh’s Southside as the perfect place to prove Stoicism firmly as number one of all the world’s philosophies. Socrates attends the opening of Greece’s first supermarket, ‘Zealous Hellas’.
The last word:-
On her death bed Nadia Boulanger is visited by other female composers - her sister Lili, Hildegard von Bingen, Elisabeth-Claude Jacquet de la Guerre, Fanny Mendelssohn and Clara Schumann.
October 8, 2017
I liked this book, it is not the type of thing I would usually read but due to a course I was studying,saw this book was recommended reading. Some of the stories were really quite funny and I had a little laugh to myself over some of the scenarios the composers found themselves in.
I do have to confess there were also a few stories that I did not understand at all,just could not figure out their meaning,but I have no academic or writing background,perhaps this was why. This is a small criticism. I think this book is definitely worth a read,especially if you have an interest in classical composers.
I do have to confess there were also a few stories that I did not understand at all,just could not figure out their meaning,but I have no academic or writing background,perhaps this was why. This is a small criticism. I think this book is definitely worth a read,especially if you have an interest in classical composers.
Displaying 1 - 3 of 3 reviews