In a time when the Industrial Revolution has become an all-out war, Mad Science rules the World...with mixed success. At Transylvania Polygnostic University, Agatha Clay was a student with trouble concentrating and rotten luck. Dedicated to her studies but unable to build anything that actually "worked," she seemed destined for a lackluster career as a minor lab assistant. But then the University was overthrown and Agatha was taken aboard the giant airship "Castle Wulfenbach" -- where it begins to look like she might carry a spark of Mad Science after all.
A popular science fiction fan artist in the 1970s, Phil Foglio began writing and drawing cartoons and comics professionally in the 1980s. His work includes Magic: The Gathering,Buck Godot, and the popular series of comics and novels, Girl Genius, co-written with his wife, Kaja Foglio.
Awards: Hugo Award for Best Fan Artist (1977 and 1978) Hugo Award for Best Graphic Story (2009, 2010, 2011)
Agatha and the other older people in the dorm are supposed to be teenagers? Hmm.
There's something about the coloring in this volume that I don't like. Not a huge deal--it doesn't obscure the cute background details in the art, and that's what's important.
It has been a while since I read this story last. I found this copy in my local comic shop discount bin and I have no idea why. The story is great, it is unique with a great female lead character. The world is very high end steampunk - it is not really our world though they throw in names of people and places from our world. This is a wonderful read.
In the second book in the Girl Genius series, we receive a closer look into the workings of Baron Wulfenstein's empire; Agatha and Gilgamesh, the Baron's only son, become better acquainted; and, at the end, we meet an unlikely character who yet is destined to play a central role in Agatha's life story. Book 2 also includes a classic Heterodyne Bros. tale, The Heterodyne Boys and the Dragon King of Mars.
The artwork changes remarkably with the transition to color. I think I like the new color art better, but it lacks the baroque steampunk flavor of Book 1. The story is still mostly in the development phase, and the Jägers have yet to differentiate into all colors, shapes and horn sizes.
Agatha, free of the controls that protected her childhood, vacillates between being the butt of comedic set pieces and her reawakening spark. Given the name of the series, her real identity should be no surprise to any reader. It's fun, and sad, to see her frustration and delight in regard to being treated seriously as an inventor.
Recommendation: Still just as wonderful a whimsical 19th-century mad scientist comic, only now in vivid color and with a lot more world and character development than in volume 1.
Critique: There's full color this time, but the artwork is still showing that it's an early web comic from 19 years ago: while it just keeps getting better and better, if you're going back to these early volumes from having read more recent volumes (or online) in recent years, it's a bit startling to see how rough the characters are. But this volume really builds and/or begins to deliver on the story promises of volume 1. There's a LOT of the recurring characters that are introduced here, and more of the power dynamics between the different great Spark families of the world are presented. For all that, though, it is still largely building the plot to the payoff of volume 3. Not a lot happens here, but you don't miss it, because the setting and the characters are developed so much. It's definitely rewarding to re-read after going much further into the story, too, as so much that happens later is hinted at and referenced in this volume.
More good silly fun from this series. Can't wait to dive into #3. I notice that both the men and women are sexualized, which makes sense given the Foglios wrote a sex comic for years. I didnt care for Agatha's "yech" about the baron's only having kids in jars--sounds homophobic and hope it's referring to the adorable yet probably pesky mimmoth. Some reviewers complain about the color in volumes 1 and 2. Take another look. The color changes depending on how "blocked" Agatha is.
A good second volume, with most of the same pluses and minuses as the first. Once again, the art is terrific, even beter than the first volume for being full-color. The plot developments continue to interest as well. However, each graphic novel so far seems like the equivalent of a single hour-long episode of a TV show. It's satisfying... but it just doesn't feel like enough. (I suppose, perhaps, that this was a deliberate sales strategy, but I've only got one more collection left to read!)
A potentially interesting strong female character once again ruined by a perceived need to be cartoonishly well endowed and inexplicably running around in underwear.
It's hard to find words for how stupid and boring this is. Apparently steampunks think it's all that. Maybe I'm missing something, but I just don't get it.
Everything entertained in the second volume of this series, right down the fantastical author blurbs. (Speaking as a speculative fiction writer, I’m envious. :)) Once more, Agatha Heterodyne reminded me of Harry Potter in how she was catapulted into character interaction by crisis after crisis, which showcased the unique world she lived in.
This time, Agatha was on Baron Wulfenbach’s mobile airship. The Baron himself revealed a sense of humour mixed with stern authority and temper, along with some intriguing hints about his past. Readers got to know Von Zinzer and the Jagermonsters, err, Jagerkin a little better, plus we were introduced to a host of new characters. Agatha and the mystery around her deepened, while she coped with crisis after change, each being hurdled at her. She dealt (or ducked) them all with spark like speed, leaving this reader wondering what she’d do next.
For a fast moving plot peppered with plenty of character development and mystery, this book gets four stars.
I actually started out reading the novelization of this--you know, the version without pictures. When I went back to look at the comics, I hated the art. I thought it was cartoony and silly and busy and hard to understand what's going on. But I'd enjoyed the novelization, so I skimmed the first and second volume of the comics, then skipped to volume four. This series had won three Hugo Awards so I figured there had to be something to it. By volume 8 I was sold. I've now read the first thirteen volumes and am officially a die-hard fan. I think the art did get a little better as the volumes progressed, but mostly I think I just got used to it. I can't say I like how much Agatha ran around in her underwear in the first volumes, or that all the women have perfectly globular gravity-defying breasts, but after a while we get a lot of shirtless princes which sort of evens the playing field.
Started reading this with plenty of time to finish before we left on our trip, but I just couldn't get engaged. Wound up finishing it in a rush on the drive to the airport, so I don't suppose I gave the visual aspects of the story as much consideration as they deserve. As before, the artistic style is a ton of fun (even if facial expressions occasionally seem so overdone as to be absurd - that's what style is, no?) with amusing details sprinkled throughout. I want to know more about the story and the characters, I'm just not sure that graphic novel is a style that really suits me.
I got this book randomly in the mail and now I love gaslamp fantasy (not steampunk). Although I didn’t understand much of it because I didn’t read the first one, I still liked this printed webcomic thing a lot. I like the whole alternate 19th century world and the crazy gadgets Sparks create, especially the titular airship city. I fell in love with Agatha as she was slowly discovering her real past, and the side characters are good too, like Gilgamesh and Sleipnir. All in all, I’m glad I discovered the world of Girl Genius through a random copy of this book.
I was still on board at this point. It was interesting, and there was enough going on that I was interested in continuing the series, but I wasn't so super excited about it that I couldn't wait to get my hands on the next volume, either. TBH this series is better consumed as the web comic it started out as.
Graphic novel version of cliff hanger serials. Each issue needs to be read several times, important action sometimes takes place in the background. Not as dark as the little steampunk I've read, probably due to the Young Adult target audience.
More adventures of the woman who saves the world with her wits and inventions, while everyone ignores her. I hope that last part will change by the end of these adventures.