Ten years in the making, A History of Architecture ranges from the first prehistoric environments on record to the most recent examples of urban design. A landmark work of impressive scope, the book is enhanced by 700 halftone illustrations and 150 drawings especially prepared by architect Richard Tobias. Kostof's range of study includes not only the monumental religious, governmental and upper-class structures around which architectural history has usually been written but also the diversity of ordinary domestic, rural, and urban buildings, and landscapes which surround them. Moreover, Kostof evaluates Western achievement in the context of contemporary cultures elsewhere. Thus he duscusses the high points of imperial Rome along with Buddhist stupas and Han palaces, compares medieval Florence with medieval Cairo, and introduces Inca and Aztec cities as the Spanish conquistadores would have seen them. The author's premise is that buldings are conditioned by the social, economic, and political frame of their time; in this sense, Kostof concludes, the history of architecture can be considered an aspect of the history of human institutions. "Architecture, in the end," he writes, "is nothing less than the gift of making places for some human purpose."
About the
Spiro Kostof is Professor of Architectural History at the University of California at Berkeley. He is a former president of the Society of Architectural Historians and is the author of several books, among them Caves of God and The Third Rime, 1870-1950: Traffic and Glory, and editor of The Chapters in the History of the Profession
Spiro Konstantine Kostof was a leading architectural historian, and professor at the University of California, Berkeley. His books continue to be widely read and some are routinely used in collegiate courses on architectural history.
In 1993, following his death, the Society of Architectural Historians established the "Spiro Kostof Award," to recognize books "in the spirit of Kostof's writings," particularly those that are interdisciplinary and whose content focuses on urban development, the history of urban form, and/or the architecture of the built environment.
Full disclosure: this was a book to skim, not read. I imagine it was created as a college textbook, with all that implies. Anyway, I enjoyed seeing the evolution of medieval stone villages to Florentine palaces to Turkish mosques. Buildings are fascinating things, and as varied as the imaginations of their creators (as well as the treasuries of their commissioners). Good browsing material here, thanks largely to the intriguing photos and drawings.
Incredible textbook of architecture history. Kostof was an amazingly knowledgeable historian; his tome is filled with the social/cultural history of the world and the connections to architecture. A simple history of great buildings is really insufficient to understand the history of the development of how societies have built the various edifices throughout history. What an amazing journey I have taken with Mr. Kostof.
This is a huge textbook, I didn't really read it all, but it is a beautiful introduction to architecture from the caves of Lascaux to 1945. The sections on Istanbul, Venice, Rome, and the U.S. are especially good, and the pictures, drawings, and commentary are excellent. Kostof taught at Berkeley for many years.
Hefty tome taking in a few thousand odd years of history. A history of the winners, focussed on the names and places, skewed toward a Western European tradition. Great as a foundational text.
Similar to my “The Experts” review, my goodness, this was a slog. It is so dry in some places. It is so hard to visualize the architectural descriptions sometimes. Being an older book, it doesn’t cover the twenty-first century. Several hundred pages seem to just be church after church after church. I was going to call out the author’s assumption that the reader already knew architectural terms, but then I saw that the book’d had a glossary in the back the whole time. Oops.
On the other hand, it presents a lot of big, mind-expanding ideas to chew on, it is thoughtful about historical and political contexts, and now I can identify a bunch of architectural styles. I also really liked when the author got on his soapbox - there were dozens of well-crafted lines (no pun intended). The book also does a great job of drawing from a variety of textual and image sources (also no pun intended).
In short, you’ll absolutely get something out of this book, but know what you’re getting into! Consider only reading sections that interest you (e.g. I especially enjoyed the ancient civ and American architecture chapters).
Man, I sold this book back to the bookstore after my freshman year - then I had to buy the same damn book back the next year for History of Architecture 2. Let this be a lesson to you.