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The Little White Horse
In 1842, thirteen-year-old orphan Maria Merryweather arrives at Moonacre Manor, her family's ancestral home in an charmed village in England's West Country, and she feels as if she’s entered Paradise. Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.
The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?
A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.
(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)
The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?
A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.
(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)
238 pages, Paperback
First published January 1, 1946
663 people are currently reading
17574 people want to read
About the author
Elizabeth Goudge
77 books870 followersElizabeth Goudge was an English author of novels, short stories and children's books.
Elizabeth de Beauchamp Goudge was born on 24 April 1900 in Wells, Somerset, in Tower House close by the cathedral in an area known as The Liberty, Her father, the Reverend Henry Leighton Goudge, taught in the cathedral school. Her mother was Miss Ida Collenette from the Channel Isles. Elizabeth was an only child. The family moved to Ely for a Canonry as Principal of the theological college. Later, when her father was made Regius Professor of Divinity at Oxford, they moved to Christ Church, Oxford.
She went to boarding school during WWI and later to Arts College, presumably at Reading College. She made a small living as teacher, and continued to live with her parents. During this time, she wrote a few plays, and was encouraged to write novels by a publisher. As her writing career took off, she began to travel to other nations. Unfortunately, she suffered from depression for much of her life. She had great empathy for people and a talent for finding the comic side of things, displayed to great effect in her writing.
Goudge's first book, The Fairies' Baby and Other Stories (1919), was a failure and it was several years before she authored Island Magic (1934), which is based on Channel Island stories, many of which she had learned from her mother, who was from Guernsey. After the death of her father, Goudge and her mother went to Devon, and eventually wound up living there in a small cottage. There, she wrote prolifically and was happy.
After the death of her mother, and at the wishes of Goudge's family who wished her to live closer to them, she found a companion who moved with her to Rose Cottage in Reading. She lived out her life there, and had many dogs in her life. Goudge loved dogs, and much preferred their company to that of humans. She continued to write until shortly before her death, when ill health, successive falls, and cataracts hindered her ability to write. She was much loved.
Goudge was awarded the Carnegie Medal for The Little White Horse (1946), the book which J. K. Rowling, author of the Harry Potter stories, has said was her favorite as a child. The television mini-series Moonacre was based on The Little White Horse. Her Green Dolphin Country (1944) was made into a film (under its American title, Green Dolphin Street) which won the Academy Award for Special Effects in 1948.
A Diary of Prayer (1966) was one of Goudge's last works. She spent her last years in her cottage on Peppard Common, just outside Henley-on-Thames, where a blue plaque was unveiled in 2008.
Elizabeth de Beauchamp Goudge was born on 24 April 1900 in Wells, Somerset, in Tower House close by the cathedral in an area known as The Liberty, Her father, the Reverend Henry Leighton Goudge, taught in the cathedral school. Her mother was Miss Ida Collenette from the Channel Isles. Elizabeth was an only child. The family moved to Ely for a Canonry as Principal of the theological college. Later, when her father was made Regius Professor of Divinity at Oxford, they moved to Christ Church, Oxford.
She went to boarding school during WWI and later to Arts College, presumably at Reading College. She made a small living as teacher, and continued to live with her parents. During this time, she wrote a few plays, and was encouraged to write novels by a publisher. As her writing career took off, she began to travel to other nations. Unfortunately, she suffered from depression for much of her life. She had great empathy for people and a talent for finding the comic side of things, displayed to great effect in her writing.
Goudge's first book, The Fairies' Baby and Other Stories (1919), was a failure and it was several years before she authored Island Magic (1934), which is based on Channel Island stories, many of which she had learned from her mother, who was from Guernsey. After the death of her father, Goudge and her mother went to Devon, and eventually wound up living there in a small cottage. There, she wrote prolifically and was happy.
After the death of her mother, and at the wishes of Goudge's family who wished her to live closer to them, she found a companion who moved with her to Rose Cottage in Reading. She lived out her life there, and had many dogs in her life. Goudge loved dogs, and much preferred their company to that of humans. She continued to write until shortly before her death, when ill health, successive falls, and cataracts hindered her ability to write. She was much loved.
Goudge was awarded the Carnegie Medal for The Little White Horse (1946), the book which J. K. Rowling, author of the Harry Potter stories, has said was her favorite as a child. The television mini-series Moonacre was based on The Little White Horse. Her Green Dolphin Country (1944) was made into a film (under its American title, Green Dolphin Street) which won the Academy Award for Special Effects in 1948.
A Diary of Prayer (1966) was one of Goudge's last works. She spent her last years in her cottage on Peppard Common, just outside Henley-on-Thames, where a blue plaque was unveiled in 2008.
Ratings & Reviews
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Displaying 1 - 30 of 1,548 reviews
March 10, 2011
This is a book that revels, without shame, in the star-dusted dreams of young girls. It is pure wish fulfilment in the most delightful and honest of ways and does not pretend to be anything else. Miss Goudge's beautiful prose is descriptive in infinite detail. Each time you enter a room or meet a character or enjoy a meal it is explained in full; down to the colour of the napkins or the pattern of the curtains. She creates a world that is both welcoming and comforting, with an edge of danger and past mistakes that form a backdrop, like a shadow, making the beauty of Moonacre seem brighter.
Some may find the Christian themes of the book rather strong, or old fashioned, but they come at one less aggressively on rereading and are mostly inoffensive and gentle. I personally, never liked the Old Parson much, but as I love all the other characters I am willing to forgive him.
Since I first read this book I have visited Compton Castle in Devon, which is believed to have been the inspiration for Moonacre Manor. It truly shares the spirit, if not the exact layout, being the most lovely and cosy Castle I have yet seen. If you would like to find the Well it is out in the narrow alley that runs between the kitchen and the orchard, and is to this day, filled with ferns.
If you are able to, it is worth purchasing the collectors edition of this book, which has the wonderful illustrations of C. Walter Hodges including the colour plates and the maps. It makes for a doubly beautiful experience to read.
There has also been made a film of the book in 2008, under the title 'The Secret of Moonacre.' Although aesthetically lovely, it was poorly written and greatly changed from the book. I do not recommend it other than to look at the pretty costumes and sets.
Some may find the Christian themes of the book rather strong, or old fashioned, but they come at one less aggressively on rereading and are mostly inoffensive and gentle. I personally, never liked the Old Parson much, but as I love all the other characters I am willing to forgive him.
Since I first read this book I have visited Compton Castle in Devon, which is believed to have been the inspiration for Moonacre Manor. It truly shares the spirit, if not the exact layout, being the most lovely and cosy Castle I have yet seen. If you would like to find the Well it is out in the narrow alley that runs between the kitchen and the orchard, and is to this day, filled with ferns.
If you are able to, it is worth purchasing the collectors edition of this book, which has the wonderful illustrations of C. Walter Hodges including the colour plates and the maps. It makes for a doubly beautiful experience to read.
There has also been made a film of the book in 2008, under the title 'The Secret of Moonacre.' Although aesthetically lovely, it was poorly written and greatly changed from the book. I do not recommend it other than to look at the pretty costumes and sets.
March 31, 2013
It seems a lot of those reviewers for whom this story didn't resonate are those who only learned about it as adults after hearing that J. K. Rowling liked it. I think this is one of those books where if you don't read it as a child, you will never fully appreciate it as an adult.
For me, I first read this book when I was probably seven or eight, and adored it at first read. It has remained one of my favorite childhood books. There's sheer magic in the descriptions - like Maria's room at the manor (I wanted a room like hers so badly, with that little silvery door that was too small for anyone else to use!), the clothes, Loveday's cottage, the manor itself, the symbolism of the moon and sun, the people, and of course the wonderful animals. The plot itself is just lovely - but if you go into this reading it from the perspective of a jaded, cynical, literary-minded adult, you won't be able to appreciate it.
If I had to sum up this book in one word, it would be "exquisite." This book is precious, beautiful, moral, and unsullied by modern ideals. Yes, people have called it dated, but when you read a book, you are leaving your world and entering into the book's world, which should be appreciated for its own worth. I feel bad for those who can't appreciate this story because it's old-fashioned or too religious, because they really missed out on an enriching experience.
So those of you with little girls or who know little girls who like reading Little Women, A Little Princess, etc., try adding this book to their pile.
For me, I first read this book when I was probably seven or eight, and adored it at first read. It has remained one of my favorite childhood books. There's sheer magic in the descriptions - like Maria's room at the manor (I wanted a room like hers so badly, with that little silvery door that was too small for anyone else to use!), the clothes, Loveday's cottage, the manor itself, the symbolism of the moon and sun, the people, and of course the wonderful animals. The plot itself is just lovely - but if you go into this reading it from the perspective of a jaded, cynical, literary-minded adult, you won't be able to appreciate it.
If I had to sum up this book in one word, it would be "exquisite." This book is precious, beautiful, moral, and unsullied by modern ideals. Yes, people have called it dated, but when you read a book, you are leaving your world and entering into the book's world, which should be appreciated for its own worth. I feel bad for those who can't appreciate this story because it's old-fashioned or too religious, because they really missed out on an enriching experience.
So those of you with little girls or who know little girls who like reading Little Women, A Little Princess, etc., try adding this book to their pile.
July 25, 2012
There are some beautiful aspects of this story, especially the descriptions -- nature, food, clothing -- there's a richness to them that is very appealing. And the characters were interesting, although I can't say I *loved* any of them.
But the didactic elements! Man, I see why Goudge set the story in 1842 instead of a century later, when it was actually written. Over and over, the emphasis on Maria having to learn to accept and embody feminine virtues (and they are explicitly denoted as feminine, repeatedly). Be obedient. Don't ask questions. Sacrifice for others (although, interesting, Maria never ends up having to sacrifice much, she pretty much gets her own way and leads a pretty princessy lifestyle). Don't be proud. Forgive everything. Above all, don't quarrel.
And the foil character of Maria's "blameworthy" ancestress who was too "proud" to forgive her husband for little offenses like, oh, pretending to be in love with her when he really was after her inheritance, and then probably killing her father and infant brother to secure them. And in real life . She is definitely presented as more culpable than her husband, who was only really blamed for taking away property from monks. I felt like the women were always blamed more. Except for the governess, because she was pious, modest, and obedient. Of course, that resulted in her losing the man she loved and becoming a servant so are you sure you want us to take this to its logical conclusion, Ms. Goudge?
Of course, Miss Heliotrope was a poor clergyman's daughter to start with. Poor people should stay poor and be happy and not try to change their social status. I see here the same trope several other reviewers mentioned regarding Linnets and Valerians with commoner woman marrying a nobleman, Oh Horror! and just Ruining Everything for everyone. Her descendants are the Bad Guys who do evil stuff like, um, reclaim their hereditary lands. Other than than their main crime seems to be poaching rabbits, which is pretty friggin' anticlimactic for the Dark Men who live in the Black Castle in the mysterious and frightening pine woods.
The ending was all too pat and easy, and OMG .
I'll take care not to reread anything else of this author's.
But the didactic elements! Man, I see why Goudge set the story in 1842 instead of a century later, when it was actually written. Over and over, the emphasis on Maria having to learn to accept and embody feminine virtues (and they are explicitly denoted as feminine, repeatedly). Be obedient. Don't ask questions. Sacrifice for others (although, interesting, Maria never ends up having to sacrifice much, she pretty much gets her own way and leads a pretty princessy lifestyle). Don't be proud. Forgive everything. Above all, don't quarrel.
And the foil character of Maria's "blameworthy" ancestress who was too "proud" to forgive her husband for little offenses like, oh, pretending to be in love with her when he really was after her inheritance, and then probably killing her father and infant brother to secure them. And in real life . She is definitely presented as more culpable than her husband, who was only really blamed for taking away property from monks. I felt like the women were always blamed more. Except for the governess, because she was pious, modest, and obedient. Of course, that resulted in her losing the man she loved and becoming a servant so are you sure you want us to take this to its logical conclusion, Ms. Goudge?
Of course, Miss Heliotrope was a poor clergyman's daughter to start with. Poor people should stay poor and be happy and not try to change their social status. I see here the same trope several other reviewers mentioned regarding Linnets and Valerians with commoner woman marrying a nobleman, Oh Horror! and just Ruining Everything for everyone. Her descendants are the Bad Guys who do evil stuff like, um, reclaim their hereditary lands. Other than than their main crime seems to be poaching rabbits, which is pretty friggin' anticlimactic for the Dark Men who live in the Black Castle in the mysterious and frightening pine woods.
The ending was all too pat and easy, and OMG .
I'll take care not to reread anything else of this author's.
March 8, 2022
One of my fav books from childhood & one I re-read annually. Not bad for a book which one the Carnegie Medal in 1946. Ever since I have wanted a round tower bedroom.
January 21, 2019
Some people may have seen the film loosely based on this book, I read this aloud to my daughter, who realised she had seen the film but as it turned out the book is quite different to the film.
Set in the Moonacre valley, a young girl who has recently been orphaned comes to live with her uncle who is Sir Merryweather owner of a wonderful house. When Maria is shown up to her room she discovers it has a tiny door with a tiny silver horse shoe knocker, only big enough for herself to go through. As with many parts of this book, the description of her room is wonderful and would really have captured my imagination as a child. We get to meet the various characters in the story and hear their stories which all interweave throughout the book.
Personally I wasn't so interested in the historical family feuds and good verses evil elements of the book but there was much we really loved. The animal characters in this book were wonderful. Wrolf who is Sir Merryweather's faithful hound who has been around for centuries and is large enough for Maria to ride upon an extra clever cat who has an ingenious way of communicating and Serena a hare saved from a trap that lives happily with the other animal companions and comes with them on adventures, and Perriwinkle the pony who comes inside for celebrations. We loved how appreciated these animal friends were, and I really liked the part when being chased up a cliff Maria who thought Wrolf had deserted them sees him waiting at the top so she can ride off on him stops to kiss him on the nose before escaping. We loved the way these animal friends were treated as members of the family and when treats were bought back for the human family members the animals were given some too.
The detailed descriptions were wonderful, the vocabulary was really good, the feeling of magic in the book and an enjoyable final chapter that told you what happened in the years following. I was suprised that Maria married at 14 yrs, although she chose this I would rather she was older but I suppose as this was set in the 1840s this could have been something that would have happened then. There are many times in the book I saw parts that had perhaps influenced others I have known and loved. I thought that Wrolf was reminiscent of and another part mentions a yew tree man that she had been afraid of had now lost it's evil feeling, which reminded me of the children of Green Knowe, and it was interesting to read this knowing it was a childhood favourite of JK Rowling.
A very absorbing book with wonderful animal characters and a subtle magic feel that was very enjoyable escapism!
Set in the Moonacre valley, a young girl who has recently been orphaned comes to live with her uncle who is Sir Merryweather owner of a wonderful house. When Maria is shown up to her room she discovers it has a tiny door with a tiny silver horse shoe knocker, only big enough for herself to go through. As with many parts of this book, the description of her room is wonderful and would really have captured my imagination as a child. We get to meet the various characters in the story and hear their stories which all interweave throughout the book.
Personally I wasn't so interested in the historical family feuds and good verses evil elements of the book but there was much we really loved. The animal characters in this book were wonderful. Wrolf who is Sir Merryweather's faithful hound who has been around for centuries and is large enough for Maria to ride upon an extra clever cat who has an ingenious way of communicating and Serena a hare saved from a trap that lives happily with the other animal companions and comes with them on adventures, and Perriwinkle the pony who comes inside for celebrations. We loved how appreciated these animal friends were, and I really liked the part when being chased up a cliff Maria who thought Wrolf had deserted them sees him waiting at the top so she can ride off on him stops to kiss him on the nose before escaping. We loved the way these animal friends were treated as members of the family and when treats were bought back for the human family members the animals were given some too.
The detailed descriptions were wonderful, the vocabulary was really good, the feeling of magic in the book and an enjoyable final chapter that told you what happened in the years following. I was suprised that Maria married at 14 yrs, although she chose this I would rather she was older but I suppose as this was set in the 1840s this could have been something that would have happened then. There are many times in the book I saw parts that had perhaps influenced others I have known and loved. I thought that Wrolf was reminiscent of and another part mentions a yew tree man that she had been afraid of had now lost it's evil feeling, which reminded me of the children of Green Knowe, and it was interesting to read this knowing it was a childhood favourite of JK Rowling.
A very absorbing book with wonderful animal characters and a subtle magic feel that was very enjoyable escapism!
November 7, 2022
Perhaps 6 stars?? It was so wonderful; I didn't ever want to reach the end.
Elizabeth Goudge is a masterful writer and story-teller! She is superb with creating entirely charming characters that you not only can picture perfectly in your mind's eye, but characters that you feel like you truly know and want to know more deeply. Like the lovely and sweet Loveday, Marmaduke Scarlet and his mammoth vocabulary, the understanding and huggable Sir Benjamin, the mysterious and plucky Robin, and an admirable heroine in Maria. And the list does go on, because there are several others, with you caring what happens to each.
Goudge is also an expert at transporting her readers into an enchanting land; one with lush landscapes, tunnels that twist into the oddest of places, a moon that casts a silvery glow and has a story of it's own, and a village that possesses legends of old. Legends, that it seems, had not yet reached their final chapter ... until Maria entered the scene.
Love, love, love it! It's enchanting, romantic, so sweet ... and showcases writing at its finest. I emphatically recommend this book.
Ages: 9+
Cleanliness: there is a fairy-tale-like magic that is not explained with any real detail, and encompasses an old legend. Mentions alcohol and smoking. There are several romantic stories (one between tweens), none of which are mushy or detailed.
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Elizabeth Goudge is a masterful writer and story-teller! She is superb with creating entirely charming characters that you not only can picture perfectly in your mind's eye, but characters that you feel like you truly know and want to know more deeply. Like the lovely and sweet Loveday, Marmaduke Scarlet and his mammoth vocabulary, the understanding and huggable Sir Benjamin, the mysterious and plucky Robin, and an admirable heroine in Maria. And the list does go on, because there are several others, with you caring what happens to each.
Goudge is also an expert at transporting her readers into an enchanting land; one with lush landscapes, tunnels that twist into the oddest of places, a moon that casts a silvery glow and has a story of it's own, and a village that possesses legends of old. Legends, that it seems, had not yet reached their final chapter ... until Maria entered the scene.
Love, love, love it! It's enchanting, romantic, so sweet ... and showcases writing at its finest. I emphatically recommend this book.
Ages: 9+
Cleanliness: there is a fairy-tale-like magic that is not explained with any real detail, and encompasses an old legend. Mentions alcohol and smoking. There are several romantic stories (one between tweens), none of which are mushy or detailed.
**Like my reviews? Then you should follow me! Because I have hundreds more just like this one. With each review, I provide a Cleanliness Report, mentioning any objectionable content I come across so that parents and/or conscientious readers (like me) can determine beforehand whether they want to read a book or not. Content surprises are super annoying, especially when you’re 100+ pages in, so here’s my attempt to help you avoid that!
So Follow or Friend me here on GoodReads! And be sure to check out my bio page to learn a little about me and the Picture Book/Chapter Book Calendars I sell on Etsy!
April 25, 2017
‘The Little White Horse’ is one of a number of stories that Elizabeth Goudge wrote for children. It is set sometime in the 19th century, in the Devonshire countryside that the author so loved; and it is an engaging and old-fashioned tale, underpinned by both magic and faith.
Maria Merryweather was born and raised in London, but when was thirteen she was orphaned and sent to live with her last living relative – Sir Benjamin of Moonacre Manor – in the heart of the country. She travelled with her governess, Miss Heliotrope, and her beloved spaniel, Wiggins. Night was falling when arrived, and they were all enchanted by the sight of a moonlit castle set in a beautiful and expansive grounds.
The travellers are made wonderfully welcome, and immediately feel completely at home. Everything that they might want has been thought of and every detail is right. Maria is particularly taken with her tower bedroom, its ceiling covered in moons and stars, its silvery furniture, its little tin of sugar biscuits ….
There are no servants to be seen, and Sir Benjamin declares that no woman has set foot on the house for twenty years!
Maria finds that her imaginary friend from London is a real boy living in the nearby village of Silverdew.
Yes, there is magic in the air.
There is also something darker. Maria learns of her sadness and wrong-going in her family’s history, and she realises that it has fallen to her to set things right.
Elizabeth tells her story beautifully; she really was a mistress of the art of story-telling. Every sentence is beautifully wrought; every character is clearly and distinctively drawn; every place, every meal, every setting is perfectly explained; and there is a wealth of lovely detail.
I think that this is a book that would work best read in childhood – and I do wish I had discovered it as a child – but it still has a great deal to offer to the grown-up reader who is still in touch with her inner child who loved books.
I say ‘her’ because this is a very girly book.
My inner child loved this book.
But as a grown-up reader I have to point out a few failings.
It has a little too much squeezed into its pages, and as a result sometimes things feel rather rushed and there isn’t quite as much suspense and intrigue as there could have been.
Things fell into place a little too easily, and in the end everything was tied up rather too neatly, with happy-ever-afters for all.
I think I might understand why. I think that just after the war Elizabeth Goudge wanted to say – wanted to believe – that the world could be a better and happier place, that everything could be alright again.
Maria Merryweather was born and raised in London, but when was thirteen she was orphaned and sent to live with her last living relative – Sir Benjamin of Moonacre Manor – in the heart of the country. She travelled with her governess, Miss Heliotrope, and her beloved spaniel, Wiggins. Night was falling when arrived, and they were all enchanted by the sight of a moonlit castle set in a beautiful and expansive grounds.
The travellers are made wonderfully welcome, and immediately feel completely at home. Everything that they might want has been thought of and every detail is right. Maria is particularly taken with her tower bedroom, its ceiling covered in moons and stars, its silvery furniture, its little tin of sugar biscuits ….
There are no servants to be seen, and Sir Benjamin declares that no woman has set foot on the house for twenty years!
Maria finds that her imaginary friend from London is a real boy living in the nearby village of Silverdew.
Yes, there is magic in the air.
There is also something darker. Maria learns of her sadness and wrong-going in her family’s history, and she realises that it has fallen to her to set things right.
Elizabeth tells her story beautifully; she really was a mistress of the art of story-telling. Every sentence is beautifully wrought; every character is clearly and distinctively drawn; every place, every meal, every setting is perfectly explained; and there is a wealth of lovely detail.
I think that this is a book that would work best read in childhood – and I do wish I had discovered it as a child – but it still has a great deal to offer to the grown-up reader who is still in touch with her inner child who loved books.
I say ‘her’ because this is a very girly book.
My inner child loved this book.
But as a grown-up reader I have to point out a few failings.
It has a little too much squeezed into its pages, and as a result sometimes things feel rather rushed and there isn’t quite as much suspense and intrigue as there could have been.
Things fell into place a little too easily, and in the end everything was tied up rather too neatly, with happy-ever-afters for all.
I think I might understand why. I think that just after the war Elizabeth Goudge wanted to say – wanted to believe – that the world could be a better and happier place, that everything could be alright again.
October 13, 2009
If I could describe this book in one word, it would definatly be "gorgeous". The language, the atmosphere... I almost forgot about reality reading it! You may be thinking "who wants to read a book about a little white horse?" Honestly, its not like that at all. The book is much, much more than tea parties and riding sidesaddle, although we first meet the characters in a lovely horse-draw carrige...
Maria Merryweather, who recently became an orphan, is sent to live with her cousin Sir Benjamen with her governess and stubborn dog. She is instantly captivated by the magical beauty of Moonacre Manor and feels right at home the moment she enters the castle. But beneath all the whimsical beauty, Maria starts to unravel the strange history of the manor--something much darker and more mysterious than could ever be believed of her new, picturesque home. She will soon learn that everything is not what it seems in this beautiful world of hers...
A maze of caverns, forests, friendship and tangled-up love stories, The Little White Horse is sure to please even those who don't believe in fairytales.
Maria Merryweather, who recently became an orphan, is sent to live with her cousin Sir Benjamen with her governess and stubborn dog. She is instantly captivated by the magical beauty of Moonacre Manor and feels right at home the moment she enters the castle. But beneath all the whimsical beauty, Maria starts to unravel the strange history of the manor--something much darker and more mysterious than could ever be believed of her new, picturesque home. She will soon learn that everything is not what it seems in this beautiful world of hers...
A maze of caverns, forests, friendship and tangled-up love stories, The Little White Horse is sure to please even those who don't believe in fairytales.
February 27, 2024
Well, with regard to textual descriptiveness, Elizabeth Goudge’s 1946 The Little White Horse definitely reads like an on the surface most delightful plate of richly flavoured food, appealing to all of my senses and also making me very much and very strongly understand why The Little White Horse is such an enduring classic and fondly remembered by many (including it seems Harry Potter author J.K. Rowling, who considers The Little White Horse as a personal favourite). And yes, if I had in fact encountered The Little White Horse during my own childhood, I would more than likely have been willing to for the most part focus on how beautifully lush and nuanced Elizabeth Goudge’s descriptions are and to also have been able pretty much ignore the oh so very many elements of pedantic didacticism (as well as the rather inherent and ever-present misogyny) of much of The Little White Horse.
However, as an older adult reading The Little White Horse for the first time, no, I simply cannot and will not disregard the briefly already mentioned above strong and in my face overt didacticism, and I also and absolutely cannot pretend that it does not really and horribly bother me. For yes indeed, the pretty well constant narrational focus in The Little White Horse on Maria supposedly needing to learn and internalise a myriad of feminine virtues (such as obedience, humility, forgiveness and that self confidence seems to be a sign of unacceptable pride), this really does get majorly tedious and aggravating. Because while this might well feel and even be realistic for a novel set in 1846 (and in the Middle Ages), that Elizabeth Goudge’s text in my opinion rather exaggeratedly and continuously proverbially hits her readers over the head with this message (and not only with Maria but also with her ancestress who is utterly condemned and basically blamed for everything, even though her husband had likely killed her family in order to obtain her inheritance), this all really has majorly chafed my feelings and has also quite majorly diminished much of my reading pleasure regarding The Little White Horse (and so much so that if I am to be brutally honest, the three star rating is probably rather personally generous and only remains as three stars because so very many of my Goodreads friends seem to totally adore The Little White Horse).
However, as an older adult reading The Little White Horse for the first time, no, I simply cannot and will not disregard the briefly already mentioned above strong and in my face overt didacticism, and I also and absolutely cannot pretend that it does not really and horribly bother me. For yes indeed, the pretty well constant narrational focus in The Little White Horse on Maria supposedly needing to learn and internalise a myriad of feminine virtues (such as obedience, humility, forgiveness and that self confidence seems to be a sign of unacceptable pride), this really does get majorly tedious and aggravating. Because while this might well feel and even be realistic for a novel set in 1846 (and in the Middle Ages), that Elizabeth Goudge’s text in my opinion rather exaggeratedly and continuously proverbially hits her readers over the head with this message (and not only with Maria but also with her ancestress who is utterly condemned and basically blamed for everything, even though her husband had likely killed her family in order to obtain her inheritance), this all really has majorly chafed my feelings and has also quite majorly diminished much of my reading pleasure regarding The Little White Horse (and so much so that if I am to be brutally honest, the three star rating is probably rather personally generous and only remains as three stars because so very many of my Goodreads friends seem to totally adore The Little White Horse).
January 1, 2011
I opened this book thinking it would be akin to The Last Unicorn or The Secret Garden. No. It is not. It is.... a watered-down version of a cheap Gothic romance (no offense to fine, cheesy Gothic romances) with an overt Christian agenda. I don't mind books that introduce a Christian ethic. This was not an ethic; THIS was an agenda. As in, deliberately stating that all the "evil" charaters are Atheists. One of the characters even goes so far as to say that he was an Atheist until he fell off his horse, knocked his head and came to his senses as a result. That pretty much did it for me. I skipped to the last chapter, which was vomitously happy, as everyone finds their long-lost loves and gets married and have dozens (quiver-fulls?) of children.
Also, the main character is so clearly a Mary Sue. Her name is even Maria. She has captivating silver eyes and an impetuous nature (when she isn't being chided by every fatherly character to keep her "female curiosity" in check). Ptooey! Impossibly sexist!
The third strike is the language. It's as contrived as an imitation of Jane Austen or the Brontes; it has the tone and diction of someone who is desperately trying to tell a fairy tale. Also, instead of saying that a character "exclaims" something, she says "ejaculated." I know, I should be more mature, but it was distracting. Everybody going around ejaculating all the time... it's just jarring. OH, and Maria [Sue] keeps going through all the book's events "with a beating heart." ...well, she's alive isn't she? Admittedly, the third strike is really against the editor who should've caught the vanity-pressness of the language.
Anyway, I probably would have LOVED this book when I was 12 or 13. I hadn't yet given up the ghost on religious credulosity and I would've been won over by penetrating silver eyes and the detailed descriptions of a too-good-to-be-true setting that smacks of fairy. That got it one star.
Also, the main character is so clearly a Mary Sue. Her name is even Maria. She has captivating silver eyes and an impetuous nature (when she isn't being chided by every fatherly character to keep her "female curiosity" in check). Ptooey! Impossibly sexist!
The third strike is the language. It's as contrived as an imitation of Jane Austen or the Brontes; it has the tone and diction of someone who is desperately trying to tell a fairy tale. Also, instead of saying that a character "exclaims" something, she says "ejaculated." I know, I should be more mature, but it was distracting. Everybody going around ejaculating all the time... it's just jarring. OH, and Maria [Sue] keeps going through all the book's events "with a beating heart." ...well, she's alive isn't she? Admittedly, the third strike is really against the editor who should've caught the vanity-pressness of the language.
Anyway, I probably would have LOVED this book when I was 12 or 13. I hadn't yet given up the ghost on religious credulosity and I would've been won over by penetrating silver eyes and the detailed descriptions of a too-good-to-be-true setting that smacks of fairy. That got it one star.
This entire review has been hidden because of spoilers.
May 29, 2022
The little white horse by Elizabeth Goudge is a book that I have read once every year or two since I was 10. It is old-fashioned, romantic with lashings of fantasy. It is a fun adventure, set in a pure and innocent world where good overcomes evil, enemies reconcile and hope is restored.
Set in 19th century England, it is a magical story of the newly orphaned Maria who has to leave her London home to stay with her guardian Sir Benjamin Merryweather, at Moonacre Manor. Before they arrive Maria and her devoted governess Miss Heliotrope expect the place to be cold and uncomfortable but from the carriage window Maria is delighted to see an enchanted, silvery landscape, and the brief vision of a white horse running past.
She soon learns about the long-lasting story of magic, sadness, greed and darkness that has haunted her family for generations. That the Merryweather’s are under a curse that means until a couple of pure heart can be found to break the curse then the Lord and Lady of the manor are destined to quarrel and part; and the sinister black men who live in the forest will continue to steal from the villagers and prevent them from accessing the beach are part of the story. Maria and her friend Robin need to find a way to make past wrongs right and break the spell. They manage this with the help of several unusually intelligent animals, including a very large dog, a lazy Cavalier King Charles Spaniel, an elderly pony, a majestic cat and a wise hare.
Overall THE LITTLE WHITE HORSE is a lovely heart-warming story of innocence, friendship, discovery, magic and ultimately good fighting evil. It is a pure delight to read and I am never disappointed when I read this book, finding something new each time.
Set in 19th century England, it is a magical story of the newly orphaned Maria who has to leave her London home to stay with her guardian Sir Benjamin Merryweather, at Moonacre Manor. Before they arrive Maria and her devoted governess Miss Heliotrope expect the place to be cold and uncomfortable but from the carriage window Maria is delighted to see an enchanted, silvery landscape, and the brief vision of a white horse running past.
She soon learns about the long-lasting story of magic, sadness, greed and darkness that has haunted her family for generations. That the Merryweather’s are under a curse that means until a couple of pure heart can be found to break the curse then the Lord and Lady of the manor are destined to quarrel and part; and the sinister black men who live in the forest will continue to steal from the villagers and prevent them from accessing the beach are part of the story. Maria and her friend Robin need to find a way to make past wrongs right and break the spell. They manage this with the help of several unusually intelligent animals, including a very large dog, a lazy Cavalier King Charles Spaniel, an elderly pony, a majestic cat and a wise hare.
Overall THE LITTLE WHITE HORSE is a lovely heart-warming story of innocence, friendship, discovery, magic and ultimately good fighting evil. It is a pure delight to read and I am never disappointed when I read this book, finding something new each time.
February 16, 2021
The first time I read this children's classic, I was bowled over by the magical world that Goudge created. It was the sheer gorgeousness of the details of it which really registered with me. This time, I think I've reflected more on the theme of reconciliation/reunion which takes places on so many different levels and in all of the relationships in the book. That process is not just about forgiveness, either; it also requires making some very concrete reparations.
It also really struck me that this book was published in 1946, and that date is way too auspicious to assume anything other than that the long war years (1939-45) must have affected the book's creation. I remember noticing the delectable (and lavish) food descriptions on my first reading, but this time the context really struck me: magic and wish-fulfilment, indeed, for the readers used to deprivation.
It's an old-fashioned book now, and was so even in 1946; for instance, the details of dress and chaperonage are far more 19th century than 20th century. But for the right reader, it's a timeless book. The setting of spring and the uplifting ending were just as welcome to me during the long #coronaviruslockdownwinter of 2021 as they undoubtedly were to a war-weary country in 1946.
It also really struck me that this book was published in 1946, and that date is way too auspicious to assume anything other than that the long war years (1939-45) must have affected the book's creation. I remember noticing the delectable (and lavish) food descriptions on my first reading, but this time the context really struck me: magic and wish-fulfilment, indeed, for the readers used to deprivation.
It's an old-fashioned book now, and was so even in 1946; for instance, the details of dress and chaperonage are far more 19th century than 20th century. But for the right reader, it's a timeless book. The setting of spring and the uplifting ending were just as welcome to me during the long #coronaviruslockdownwinter of 2021 as they undoubtedly were to a war-weary country in 1946.
March 15, 2018
Sweet, enchanting, quirky, and a little bit magical. This was a wonderful children’s classic that swept me away with its enchanted setting (and lovely writing) and had me giggling in equal parts. My only regret is that I didn’t read it as a child. I would have LOVED the descriptions of moonacre manor. So beautiful!!
February 16, 2020
Maria Merryweather, a thirteen-year-old is heading from London into the country, to Moonacre Manor where she is to live with her cousin, Sir Benjamin Merryweather, as she has lost her father, while her mother had died when she was younger. With her are her strict but loving governess Miss Heliotrope, and King Charles spaniel, Wiggins. Maria is sceptical of going to the country which she feels will be dull after life in London, and the way there has not been very promising. But as soon as they begin to approach Moonacre Manor, it begins to work its magic on her and when they arrive and she meets Sir Benjamin and they are shown their rooms, she knows she is home. So begins her life at Moonacre where there is much that is mysterious and magical, mostly in a good way (little sugary biscuits placed in her room, her clothes being laid out for her everyday when there seems to be no maid in the house). But life there has its share of troubles too, with broken hearts and relationships, and a band of wicked men out to cause trouble, and Maria finds that it is up to her and her friends, new and old, but much of the time the band of animals at Moonacre--Wrolf the dog, Zacariah the cat, Perriwinkle the pony, Serena the Hare, and Wiggins (well, Wiggins doesn’t really do anything), to put things to rights, as has been foretold by a prophecy. To do this of course, she must also overcome her own shortcomings.
I simply loved this one right from the start, mostly because there is something very magical about the atmosphere Goudge creates—she makes you want to almost step into the book and live in Moonacre manor which is a warm, welcoming place, with lovely surroundings—so are the other houses described, like the old parsonage and Loveday’s house. Her descriptions too are beautiful. As usual I never remember to mark them when I read them but this for instance:
Never in all her short life had she seen such wonderful trees; giant beeches clad in silver armour, rugged oaks, splendid chestnuts, and delicate birches shimmering with light. They had no leaves as yet but the buds were swelling, and there seemed a mist of pale colour among their branches—amethyst and chrome and rose and blue, all melting into each other like the colours of a rainbow that shines for a moment through the clouds and then changes its mind and goes away again.
There are plenty of others as well. Here what she has to say of Wiggins:
But it is difficult to draw up a list of Wiggins' virtues... In fact impossible because he hadn't any... Wiggins was greedy, conceited, bad-tempered, selfish and lazy. ... But though Wiggins' moral character left much to be desired, it must not be thought of that he was a useless member of society, for a thing of beauty is a joy for ever, and Wiggins' beauty was of that high order that can only be described by that tremendous trumpet sounding word 'incomparable'. He was a pedigree King Charles Spaniel. His coat was deep cream in colour, smooth and glossy everywhere except his chest where it broke into an exquisite cascade of soft curls like a gentleman's frilled shirt cuff....
While the plot may have its issues if looked at from a present-day point of view, I didn’t think those issues took away the generally magical atmosphere of it or affected my enjoyment of it. I loved the characters too—I thought they were quite unique and likeable. But they are realistic too, some of them allowing their egos to get in the way and taking the wrong decisions, as human beings are apt to do. And there are those that are a mix of the real and the fantastical, like Maria's friend Robin (who she magically knows in London but meets once again at Moonacre), who might be real but has elements of Pan (I initially thought Puck since he was called Robin but then realised from his playing the pipe and connection with animals that he was more Pan). All the animals too are wonderful—from the lion-like Wrolf to Zacariah who can write in hieroglyphics (a tad much, but fun all the same, it’s a fantasy after all). Wiggins might do nothing but he's still a sweet fellow.
And of course, I can’t not mention all the food—that was pretty much the level of Enid Blyton, plenty of it, delicious sounding too, and makes one hungry reading about it. This was a lovely read—I thoroughly enjoyed it. Four and a half stars!
May 4, 2017
One of the sweetest, most picturesque books I've ever read. It's a sentimental and happily-ever-after fairytale, but there is just enough realism for me. The life lessons of trust, getting along, and making peace were priceless. The setting was intriguing and hard to categorize--a pocket of idyllic landscape in the real world of Victorian England, with idealized circumstances and fanciful creatures. The animals were actual species of animals who couldn't talk, but they acted as intelligent as humans and helped save the day. I suppose it's the world as a happy, innocent child would imagine it: anthropomorphic animals, paradisiacal nature, fascinating places to explore, all the scrumptious food you could eat, and evil that can be defeated with love.
As always, Elizabeth Goudge's writing takes my breath away, full of color and rich imagery and uncanny insights. I only wish I had read this book when I was ten or twelve and that it had been one of those books that shaped my childhood. It would have inspired spin-off stories for sure. :)
As always, Elizabeth Goudge's writing takes my breath away, full of color and rich imagery and uncanny insights. I only wish I had read this book when I was ten or twelve and that it had been one of those books that shaped my childhood. It would have inspired spin-off stories for sure. :)
March 31, 2008
Do you like adventure? Family pets that are not really, um ,family pets? Feasting? Ponies? Feisty heroines? Little boys who drop in for a play date that no one can see but you? Long family feuds that threaten to wreck everything unless someone very brave acts quickly with a clear head and great courage? This book's got'em! The story of young Maria Merryweather and her friend, Robin, is a classic. The scene at tea, where Robin and Maria agree to marry, had me rolling on the floor! It can be a bit wordy, so sit back, relax and take your time. Read it aloud if you can, you'll love it.
October 11, 2009
A sweet tale, and enjoyable enough to read, but so much of the story unnecessarily focuses on how important it is for women not to be curious. Don't ask questions, don't go exploring, wait for the men to explain things to you and tell you where to go. Additional important moral lesson: Don't ever quarrel with someone you love, because they will totally leave you forever.
The story is about a young girl who finds herself an orphan and moves from high-society London to her only surviving relative's castle in the countryside. Her cousin's town is a magical fairyland where everything is wonderful except that there are horrible people living in the woods and increasingly wreaking havoc (stealing food and animals at night, pretty much). Everyone in the town accepts Maria instantly as being the Chosen One who will mend ways with the bad people. She has to uncover the town's secrets - and those of its inhabitants - while all the time remembering not to be too curious in her pursuit of this information. She is routinely rewarded for not asking questions or going exploring on her own by being handed the piece of information she was waiting for in the next scene.
Everything in this book happens so much in Maria's favor that there isn't really any plot tension. The one time in the entire book that something goes wrong for her, it's completely clear that she will try again and get it on her second try. Also, the "secrets" in the book are made so painfully obvious that it's nearly impossible to be surprised with Maria when X is actually revealed to be Y!
Regardless, a sweet story at its core, though it really hasn't aged well, I don't think.
The story is about a young girl who finds herself an orphan and moves from high-society London to her only surviving relative's castle in the countryside. Her cousin's town is a magical fairyland where everything is wonderful except that there are horrible people living in the woods and increasingly wreaking havoc (stealing food and animals at night, pretty much). Everyone in the town accepts Maria instantly as being the Chosen One who will mend ways with the bad people. She has to uncover the town's secrets - and those of its inhabitants - while all the time remembering not to be too curious in her pursuit of this information. She is routinely rewarded for not asking questions or going exploring on her own by being handed the piece of information she was waiting for in the next scene.
Everything in this book happens so much in Maria's favor that there isn't really any plot tension. The one time in the entire book that something goes wrong for her, it's completely clear that she will try again and get it on her second try. Also, the "secrets" in the book are made so painfully obvious that it's nearly impossible to be surprised with Maria when X is actually revealed to be Y!
Regardless, a sweet story at its core, though it really hasn't aged well, I don't think.
January 20, 2020
A Simple Story. A story for young kids. But it is equally good for adults.
Elizabeth Goudge blends skillfully fairy tales, folk songs, real life events and suspenseful episodes. Thee are wild and domestic animals that live with human beings, there are unicorns playing important roles in the novel, there are dwarf like people, there is the allegorical clash between the Sun & Moon (Light) vs Darkness & Night, there are moral lessons teaching one (1) to give to God what He deserves; (2) to control one's emotions and never to lose relationships for a moment of anger; (3) never to be proud always - to be humble to accept mistakes; (4) to believe in miracles. These are very wonderfully woven into an enchanting story. Liked it.
Elizabeth Goudge blends skillfully fairy tales, folk songs, real life events and suspenseful episodes. Thee are wild and domestic animals that live with human beings, there are unicorns playing important roles in the novel, there are dwarf like people, there is the allegorical clash between the Sun & Moon (Light) vs Darkness & Night, there are moral lessons teaching one (1) to give to God what He deserves; (2) to control one's emotions and never to lose relationships for a moment of anger; (3) never to be proud always - to be humble to accept mistakes; (4) to believe in miracles. These are very wonderfully woven into an enchanting story. Liked it.
December 2, 2020
2 stars.
DNF @ 25%
I just couldnt get into this. I enjoy historical stories and this one is set in the 1800s but there wasn't much of a story. It was too dull for me. I will watch the movie though. I'm giving it two stars because it seemed like it could be good, but you really need to be in the mood for something very slow. Maybe I'll pick it up one day.
Update: 2nd December 2020
I watched the movie and really enjoyed it. For me personally, this time, the movie was better than the book. Plus, I really want that girls bedroom with the moving stars on the ceiling.
DNF @ 25%
I just couldnt get into this. I enjoy historical stories and this one is set in the 1800s but there wasn't much of a story. It was too dull for me. I will watch the movie though. I'm giving it two stars because it seemed like it could be good, but you really need to be in the mood for something very slow. Maybe I'll pick it up one day.
Update: 2nd December 2020
I watched the movie and really enjoyed it. For me personally, this time, the movie was better than the book. Plus, I really want that girls bedroom with the moving stars on the ceiling.
December 27, 2020
Nu îmi amintesc să mai fi citit vreodată un roman cu atât de multe adjective și descrieri. Sunt șase scaune la masă? Trebuie neapărat să aflu cum sunt așezate. Iar viața mea va fi schimbată dacă aflu și cum arată în fiecare zi vesta unui bărbat. Nu știu cum ar putea avea un copil răbdare să citească așa ceva.
Cât despre poveste, este absurdă. Feminism pueril amestecat cu misoginism, care la final dispare, feminismul rămânând astfel cel mai tare. Încercări forțate și penibile de a construi un basm, scriitură plictisitoare și personaje neinteresante. Ca să nu mai spun că doi adolescenți de 13-14 ani se căsătoresc în realitate după ce se îndrăgostesc în vis. Iar semnele de punctuație au fost un lux. Inutilă și obositoare carte.
,,[...] câteodată o poveste pe care o aude cineva îl determină să facă lucruri pe care nu le-ar fi făcut dacă n-ar fi auzit povestea."
,,[...] dacă reușești să surprinzi oamenii, poți să faci multe cu ei."
Cât despre poveste, este absurdă. Feminism pueril amestecat cu misoginism, care la final dispare, feminismul rămânând astfel cel mai tare. Încercări forțate și penibile de a construi un basm, scriitură plictisitoare și personaje neinteresante. Ca să nu mai spun că doi adolescenți de 13-14 ani se căsătoresc în realitate după ce se îndrăgostesc în vis. Iar semnele de punctuație au fost un lux. Inutilă și obositoare carte.
,,[...] câteodată o poveste pe care o aude cineva îl determină să facă lucruri pe care nu le-ar fi făcut dacă n-ar fi auzit povestea."
,,[...] dacă reușești să surprinzi oamenii, poți să faci multe cu ei."
February 24, 2017
This book is the best. Everyone should read it. It's just so sweet and magical. :)
June 7, 2022
A fabulously whimsical, beautifully written fairy with the breath of magic on every page. If ever a book was written for a Libran, this is it!
March 1, 2022
This is a beautiful little story about good triumphing over evil, light triumphing over darkness. Yes, it's a fairytale, and a children's book, but I did not feel like I was reading a children's book. Literature has deteriorated over the years, and I find it very annoying when people say a book hasn't aged well because it doesn't fit today's society. Perhaps it would be more accurate to say that the world hasn't aged well. I wish this book had lasted longer. 238 pages seemed to fly by, and I'm left here with no other option but to start it over right away...which I will do.
Of the characters, I especially loved Maria and Robin, and Marmaduke Scarlet. While Marmaduke Scarlet seems harsh at first, it seems to be merely a façade, and he makes the funniest remarks. Of course, all the dear animals hold a special place, but I find myself particularly fond of Wrolf and Zechariah.
Some favorite quotes:
Of the characters, I especially loved Maria and Robin, and Marmaduke Scarlet. While Marmaduke Scarlet seems harsh at first, it seems to be merely a façade, and he makes the funniest remarks. Of course, all the dear animals hold a special place, but I find myself particularly fond of Wrolf and Zechariah.
Some favorite quotes:
February 4, 2008
I reread this book a few years ago (after J.K. Rowling spoke of it as her one childhood favorite) and loved it. I'm eager to see what they do with the movie. I haven't heard of any kids today reading it and am afraid, frankly, to give it to any. Feels a bit of its time somehow. But I love it.
July 5, 2016
A completely adorable book from start to finish! I'm sorry I didn't run into this one sooner in my reading life, it's a sweet, perfectly balanced adventure for the young and imaginative, and is overloaded with all the best things one thinks of when one thinks of England.
I wonder if Devon is even half as enchanting in real life as it is portrayed in this book!!! If so, I want to go...
I liked the cleverness of the wording, the author shows a facility with language that is a true delight, with puns and inverted jokes tucked here and there without ever drawing attention to themselves, the narrative simply ripples right over them like a river over rocks, unless you take a moment to stop and laugh at them.
The story-line was well thought out and did not fall prey to "because I said it"-itis like so many YA books; and that was a great comfort. I hope others will be encouraged to find a copy of this delightful tale, and read to themselves, to their family, or to the dog, because this one deserves to be savored slowly, and perhaps more than once.
I wonder if Devon is even half as enchanting in real life as it is portrayed in this book!!! If so, I want to go...
I liked the cleverness of the wording, the author shows a facility with language that is a true delight, with puns and inverted jokes tucked here and there without ever drawing attention to themselves, the narrative simply ripples right over them like a river over rocks, unless you take a moment to stop and laugh at them.
The story-line was well thought out and did not fall prey to "because I said it"-itis like so many YA books; and that was a great comfort. I hope others will be encouraged to find a copy of this delightful tale, and read to themselves, to their family, or to the dog, because this one deserves to be savored slowly, and perhaps more than once.
April 10, 2011
Seventh book of the twenty-four hour readathon. Gosh, I'm sleepy.
The Little White Horse is a little fairytale, really. I remember a friend in first year recommendng it to me over and over again, so I had quite high hopes, but I don't think it's really that special. Everything is very predictable, and often slightly silly -- mistaking a lion for a dog, really? It's kind of sweet, at times, but it edges into too sweet. I'd have liked more of a sense of risk, and for things to come a bit less easily. The characters are not really characters at all, just archetypes -- barely more believable and emotional than card-board cutouts.
I would probably enjoy this one more if I'd read it when I was younger...
The Little White Horse is a little fairytale, really. I remember a friend in first year recommendng it to me over and over again, so I had quite high hopes, but I don't think it's really that special. Everything is very predictable, and often slightly silly -- mistaking a lion for a dog, really? It's kind of sweet, at times, but it edges into too sweet. I'd have liked more of a sense of risk, and for things to come a bit less easily. The characters are not really characters at all, just archetypes -- barely more believable and emotional than card-board cutouts.
I would probably enjoy this one more if I'd read it when I was younger...
June 15, 2024
One of the loveliest children's books I've ever read! 😍
I've found that I missed out on reading many classic children's books when I was young, this book included. But, now that I have found it (thanks to the Elizabeth Goudge Book Club!), I'm so happy to read it over again.
Elizabeth Goudge's writing is slightly magical, always highly descriptive and overall wonderful. She has a special way of infusing a fairytale-like quality into her stories for both children and adults. I find that I often learn something new from each novel she writes and end the book with a cleansed, refreshed and hopeful feeling. It's one of the most impressive qualities about Ms. Goudge's style.
The Little White Horse has the flavor of The Last Unicorn by Peter S. Beagle (or maybe it's the other way around?), along with the most unique and colorful characters of all time. The animals, especially Wrolf, won my heart and I only wish that it was possible to have such protective, caring and courageous friends such as these (Wiggins, Zachariah, Serena, Periwinkle, and the Unicorn) by my side.
Mary, of course, is a sweetheart and I love how brave she is throughout the entire book. Her friend Robin reminds me so much of Colin from The Secret Garden, too! (another classic children's book favorite character). From Sir Benjamin and Marmaduke Scarlett to Loveday Minette and Robin to The Old Parson and Jane Heliotrope, every character is appealing and helps to guide or teach Mary what she needs to know to bring peace to the village of Silverydew (the perfect name for a village!).
The ending is perfection and I always get a lump in my throat when it comes to the last part. Lovely, lovely, lovely in all ways!
Highly, highly recommended!
P.S. I've named my Kindle "Loveday Merryweather" because I adored this character so much.
I've found that I missed out on reading many classic children's books when I was young, this book included. But, now that I have found it (thanks to the Elizabeth Goudge Book Club!), I'm so happy to read it over again.
Elizabeth Goudge's writing is slightly magical, always highly descriptive and overall wonderful. She has a special way of infusing a fairytale-like quality into her stories for both children and adults. I find that I often learn something new from each novel she writes and end the book with a cleansed, refreshed and hopeful feeling. It's one of the most impressive qualities about Ms. Goudge's style.
The Little White Horse has the flavor of The Last Unicorn by Peter S. Beagle (or maybe it's the other way around?), along with the most unique and colorful characters of all time. The animals, especially Wrolf, won my heart and I only wish that it was possible to have such protective, caring and courageous friends such as these (Wiggins, Zachariah, Serena, Periwinkle, and the Unicorn) by my side.
Mary, of course, is a sweetheart and I love how brave she is throughout the entire book. Her friend Robin reminds me so much of Colin from The Secret Garden, too! (another classic children's book favorite character). From Sir Benjamin and Marmaduke Scarlett to Loveday Minette and Robin to The Old Parson and Jane Heliotrope, every character is appealing and helps to guide or teach Mary what she needs to know to bring peace to the village of Silverydew (the perfect name for a village!).
The ending is perfection and I always get a lump in my throat when it comes to the last part. Lovely, lovely, lovely in all ways!
Highly, highly recommended!
P.S. I've named my Kindle "Loveday Merryweather" because I adored this character so much.
August 11, 2011
I had never heard of this classic English book until a friend said it was the favourite book of her childhood . . . and, indeed, a "comfort read" well into adulthood. Now I see it everywhere -- and I marvel that I could have been unaware of it for so long.
By the third paragraph, I knew that I would love it.
"Humanity can be roughly divided into three sorts of people -- those who find comfort in literature, those who find comfort in personal adornment, and those who find comfort in food; and Miss Heliotrope, Maria, and Wiggins were typical representatives of their own sort of people."
The writing is completely charming --in the sense that great charm is always allied to intelligence and wit. All of the sentences are beautifully wrought, and the magical setting ("Moonacre")is so lovingly described that the reader can perfectly imagine it.
Unlike most fantasy stories, which contrast good and evil, this story contrasts the moon and the sun. It suggests that these opposites attract, and yet are prone to misunderstandings which cause suffering. Pride, mischief and obstinancy are the besetting sins, and the young heroine (Maria) has to undo several generations of misunderstanding in order to bring peace and happiness to Moonacre.
I would thoroughly recommend this book for a read-aloud, especially for girls. We are going to be reading it for the Book Club that I am doing for 11 year olds this year.
By the third paragraph, I knew that I would love it.
"Humanity can be roughly divided into three sorts of people -- those who find comfort in literature, those who find comfort in personal adornment, and those who find comfort in food; and Miss Heliotrope, Maria, and Wiggins were typical representatives of their own sort of people."
The writing is completely charming --in the sense that great charm is always allied to intelligence and wit. All of the sentences are beautifully wrought, and the magical setting ("Moonacre")is so lovingly described that the reader can perfectly imagine it.
Unlike most fantasy stories, which contrast good and evil, this story contrasts the moon and the sun. It suggests that these opposites attract, and yet are prone to misunderstandings which cause suffering. Pride, mischief and obstinancy are the besetting sins, and the young heroine (Maria) has to undo several generations of misunderstanding in order to bring peace and happiness to Moonacre.
I would thoroughly recommend this book for a read-aloud, especially for girls. We are going to be reading it for the Book Club that I am doing for 11 year olds this year.
October 8, 2015
OMG I am so glad to finally find this book! This was my favorite of favorites in childhood, and I've been looking for this, not remembering the title. It's about a girl moving to this old castle or something . . . where there is a harpsichord . . . and a unicorn in the nearby woods . . . and men who seem scary and bad but not really. Make sense? What was it called? Google couldn't help . . . Hey, GR just "suggested" it to me!
Got to reread this sometime soon.
Got to reread this sometime soon.
September 26, 2007
my older sister (nerd) gave me this book for christmas one year. i was not open enough to know how amazing it was, but when i did find out how amazing it is, i now read EVERY book she gives me. she is a genius, this book is phenomenal! so beautiful i only mourn i cannot crawl into the world created here.
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