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Set in the turbulent days of the founding of Hong Kong in the 1840s, Tai-Pan is the story of Dirk Struan, the ruler - the Tai-Pan - of the most powerful trading company in the Far East. He is also a pirate, an opium smuggler, and a master manipulator of men. This is the story of his fight to establish himself and his dynasty as the undisputed masters of the Orient.
732 pages, Mass Market Paperback
First published January 1, 1966
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About the author
James Clavell
185 books3,679 followersJames Clavell, born Charles Edmund Dumaresq Clavell was a British novelist, screenwriter, director and World War II veteran and POW. Clavell is best known for his epic Asian Saga series of novels and their televised adaptations, along with such films as The Great Escape, The Fly and To Sir, with Love.
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James Clavell. (2007, November 10). In Wikipedia, The Free Encyclopedia. Retrieved 23:16, November 14, 2007, from http://en.wikipedia.org/w/index.php?t...
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James Clavell. (2007, November 10). In Wikipedia, The Free Encyclopedia. Retrieved 23:16, November 14, 2007, from http://en.wikipedia.org/w/index.php?t...
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Displaying 1 - 30 of 1,634 reviews
May 7, 2019
***MOVIE ADDENDUM ADDED SEPT 13th, 2014***
”’Joss’ was a Chinese word that meant Luck and Fate and God and the devil combined.”
Hong Kong was just a cluster of fishing villages when the English traders arrived in 1841. The port quickly proved a safe haven to ships even impervious to Typhoons.
Dirk Lochlin Struan is a Scotsman who has spent a good part of his adult life in the orient amassing a fleet of clipper ships and a great fortune. He is called the Tai-Pan. He has made his own joss by being smarter, more ruthless, accumulating more wealth, and being stronger than his opponents. He calls his company The Noble House. The company is built along clan lines with loyalty being first among the most weighted characteristics for joining his empire, and by association, those selected, will also benefiting from his protection. Before anyone has a chance to show loyalty they have to prove something more than just competence. They have to be really good at something that is useful, something that will strengthen “the clan”. Struan is tough on people, but that comes from the struggles he experienced reaching the top of the mountain. He knows how merciless life can be and his primary goal every day is to protect what is his and the people he cares about.
He has a nemesis, Tyler Brock, who is as tough and unyielding as Struan. A man who has been equally successful, but always seems to come up second best. He simply isn’t as smart as the Tai-Pan, but he covets the honorary title. They hate and despise each other, but more than once as the plot unfolds they find themselves allied in a common cause. They are certainly nay gentlemen, but they do honor their own version of a gentlemanly code.
Dirk’s son Cullum comes out from London and is appalled to discover the man his father has become. He is rather harsh on Struan, long before he understands the circumstances that have shaped his father. Whatever rules Cullum may believe exist in England dinna necessarily translate to the rough and ready wilds of empire building.
”You used to be God to me. But in the thirty days I’ve been here I’ve come to know you for what you are. Killer. Murderer. Pirate. Opium smuggler. Adulterer. You buy and sell people. You’ve sired bastards and you’re proud of them and your name stinks in the nostrils of decent people.”
Well, Cullum, *sigh*, you have very set opinions for someone who hasn’t even walked a mile beside him yet, and certainly not a step in the very boots that built this empire . Struam is undeterred by Cullum’s assessment and plans to have him take over as the Tai-Pan when he decides to return to England to run for parliament. He will mold the lad whether the lad knows it or not.
Run for parliament you say? With a Chinese mistress and a slew of bastards in tow?
There are better options, half a dozen at least of the women/girls he knows who would help to open more doors for him, but there is just one damn problem...HE...LOVES...May-May. He will marry her and let them be damned if they dinna like it. He has never met a problem that a cascade of silver won’t fix, by God!
Joan Chen plays May-May in the 1986 film version.
May-May is breathtakingly lovely, descended from an honorable and rich family who made the decision to sell her to the Tai-Pan to have someone they trust close to the source of English power. This is 1841 and the first Opium War is in full flower. Concessions to the barbarians will have to be made (Hong Kong) and Struan, the devil man, has the ear of the English politician Longstaff or as the Chinese refer to him Odious Penis.
There is the rather odd, but refreshing character of Aristotle Quance, a man almost completely depended on the traders, mostly Struan, for his support. He is a painter, preferably of beautiful young women. He is graced with a silver tongue capable of talking them out of more clothes than they are...at first...willing to part with. He has a wife who hounds him from one whorehouse to the next as he tries to stay one step ahead of her iron grip. He might be the happiest person in this new world that is about to be carved out of the coast of China.
”And he realized he was witnessing the end of an era, he was also part of a new one. Now he had new history to eyewitness and record. New faces to draw. New ships to paint. A new city to perpetuate. And new girls to flirt with and new bottoms to pinch.”
Well if he can keep one step ahead of the wife, by God!
James Clavell explores the politics of the time. He brings to light the manipulations that occur behind locked doors over a glass or two of good port or brandy with results that benefit the few over the many. Profits are king and certainly the opium and tea trade were important to the British economy. The insistence of the Chinese in receiving only silver bullion for tea actually destabilizes the British economy as silver becomes scarce and afternoon tea became jeopardized. There have been grain riots, tax riots, draft riots, religious riots, but no one wants to see a British TEA riot, by God!
We see the rise of the Triads during this time as well, and in this story, Gordon Chen, a bastard of Struan with his head for intrigue, is the head of the movement. He is a man trapped between cultures, not fully accepted or rejected by either one. Chen is torn between his loyalty to his people and his loyalty to Struan. He plans for any contingencies and shows resilience in the face of a series of setbacks beyond his control.
This is an epic tale, with Shakespearean romance, typhoons, love and malaria, incest, discord between fathers and sons, the building of a city of trade, lust, complicated characters with tangled relationships, and an exploration of the power of possession. These larger than life figures are battling on a small and large scale for what is theirs, but also for what will be their childrens and their children’s children. I was very impressed with the depth of the plot, the deftness with which Clavell pulled me into the story, and the breadth and scope he was willing to manfully shoulder to bring these characters to life.
James Clavell based Dirk Struan on William Jardine who built the "Princely House" of Jardine, Matheson & Co of Hong Kong.
Dirk Struan peers at the world through jaded eyes, but clearly and astutely. He sometimes knows the intentions of a person before they even know it themselves. He is harsh, but capable of great tenderness. He is unpredictable, but only seemingly so, because he gauges every situation by much more than just what is before him. His projections become truths adding a mystical quality to his persona. He devours information and knows how to use it. While others sleep he studies. He fixes what is broke before it snaps. As unearthly as it seems to those who know him it is no mystery to me why he is:
the Tai-Pan.
”Man is born to die, Father. I just try to protect mysel’ and mine as best I know how and to choose the time of my dying, that’s all.”
A very interesting link that explains the history of this time period. It was so kindly supplied by Margitte. http://www.china-mike.com/china-touri...
ADDENDUM: I watched the movie. There is so much missing from the plot of the book that I'm not really sure how anyone can watch the movie and understand what is going on. At different points Sean Connery, Roger Moore, and Steve McQueen were attached to the project, but negotiations fell through each time. Bryan Brown was cast to play Dirk Struan and actually plays the part well. Joan Chen is absolutely stunning as May-May, but despite the efforts of the two main actors the movie proves unsatisfactory. This story really should have been a mini-series like Shogun and Noble House. Anybody who may have had thoughts of watching the movie instead of reading the book (unlikely on GR) would be incredibly short changed from the epic experience that only the book can provide.
If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.com
I also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten
You can also find terrific reviews at: http://www.shelfinflicted.com/
”’Joss’ was a Chinese word that meant Luck and Fate and God and the devil combined.”
Hong Kong was just a cluster of fishing villages when the English traders arrived in 1841. The port quickly proved a safe haven to ships even impervious to Typhoons.
Dirk Lochlin Struan is a Scotsman who has spent a good part of his adult life in the orient amassing a fleet of clipper ships and a great fortune. He is called the Tai-Pan. He has made his own joss by being smarter, more ruthless, accumulating more wealth, and being stronger than his opponents. He calls his company The Noble House. The company is built along clan lines with loyalty being first among the most weighted characteristics for joining his empire, and by association, those selected, will also benefiting from his protection. Before anyone has a chance to show loyalty they have to prove something more than just competence. They have to be really good at something that is useful, something that will strengthen “the clan”. Struan is tough on people, but that comes from the struggles he experienced reaching the top of the mountain. He knows how merciless life can be and his primary goal every day is to protect what is his and the people he cares about.
He has a nemesis, Tyler Brock, who is as tough and unyielding as Struan. A man who has been equally successful, but always seems to come up second best. He simply isn’t as smart as the Tai-Pan, but he covets the honorary title. They hate and despise each other, but more than once as the plot unfolds they find themselves allied in a common cause. They are certainly nay gentlemen, but they do honor their own version of a gentlemanly code.
Dirk’s son Cullum comes out from London and is appalled to discover the man his father has become. He is rather harsh on Struan, long before he understands the circumstances that have shaped his father. Whatever rules Cullum may believe exist in England dinna necessarily translate to the rough and ready wilds of empire building.
”You used to be God to me. But in the thirty days I’ve been here I’ve come to know you for what you are. Killer. Murderer. Pirate. Opium smuggler. Adulterer. You buy and sell people. You’ve sired bastards and you’re proud of them and your name stinks in the nostrils of decent people.”
Well, Cullum, *sigh*, you have very set opinions for someone who hasn’t even walked a mile beside him yet, and certainly not a step in the very boots that built this empire . Struam is undeterred by Cullum’s assessment and plans to have him take over as the Tai-Pan when he decides to return to England to run for parliament. He will mold the lad whether the lad knows it or not.
Run for parliament you say? With a Chinese mistress and a slew of bastards in tow?
There are better options, half a dozen at least of the women/girls he knows who would help to open more doors for him, but there is just one damn problem...HE...LOVES...May-May. He will marry her and let them be damned if they dinna like it. He has never met a problem that a cascade of silver won’t fix, by God!
Joan Chen plays May-May in the 1986 film version.
May-May is breathtakingly lovely, descended from an honorable and rich family who made the decision to sell her to the Tai-Pan to have someone they trust close to the source of English power. This is 1841 and the first Opium War is in full flower. Concessions to the barbarians will have to be made (Hong Kong) and Struan, the devil man, has the ear of the English politician Longstaff or as the Chinese refer to him Odious Penis.
There is the rather odd, but refreshing character of Aristotle Quance, a man almost completely depended on the traders, mostly Struan, for his support. He is a painter, preferably of beautiful young women. He is graced with a silver tongue capable of talking them out of more clothes than they are...at first...willing to part with. He has a wife who hounds him from one whorehouse to the next as he tries to stay one step ahead of her iron grip. He might be the happiest person in this new world that is about to be carved out of the coast of China.
”And he realized he was witnessing the end of an era, he was also part of a new one. Now he had new history to eyewitness and record. New faces to draw. New ships to paint. A new city to perpetuate. And new girls to flirt with and new bottoms to pinch.”
Well if he can keep one step ahead of the wife, by God!
James Clavell explores the politics of the time. He brings to light the manipulations that occur behind locked doors over a glass or two of good port or brandy with results that benefit the few over the many. Profits are king and certainly the opium and tea trade were important to the British economy. The insistence of the Chinese in receiving only silver bullion for tea actually destabilizes the British economy as silver becomes scarce and afternoon tea became jeopardized. There have been grain riots, tax riots, draft riots, religious riots, but no one wants to see a British TEA riot, by God!
We see the rise of the Triads during this time as well, and in this story, Gordon Chen, a bastard of Struan with his head for intrigue, is the head of the movement. He is a man trapped between cultures, not fully accepted or rejected by either one. Chen is torn between his loyalty to his people and his loyalty to Struan. He plans for any contingencies and shows resilience in the face of a series of setbacks beyond his control.
This is an epic tale, with Shakespearean romance, typhoons, love and malaria, incest, discord between fathers and sons, the building of a city of trade, lust, complicated characters with tangled relationships, and an exploration of the power of possession. These larger than life figures are battling on a small and large scale for what is theirs, but also for what will be their childrens and their children’s children. I was very impressed with the depth of the plot, the deftness with which Clavell pulled me into the story, and the breadth and scope he was willing to manfully shoulder to bring these characters to life.
James Clavell based Dirk Struan on William Jardine who built the "Princely House" of Jardine, Matheson & Co of Hong Kong.
Dirk Struan peers at the world through jaded eyes, but clearly and astutely. He sometimes knows the intentions of a person before they even know it themselves. He is harsh, but capable of great tenderness. He is unpredictable, but only seemingly so, because he gauges every situation by much more than just what is before him. His projections become truths adding a mystical quality to his persona. He devours information and knows how to use it. While others sleep he studies. He fixes what is broke before it snaps. As unearthly as it seems to those who know him it is no mystery to me why he is:
the Tai-Pan.
”Man is born to die, Father. I just try to protect mysel’ and mine as best I know how and to choose the time of my dying, that’s all.”
A very interesting link that explains the history of this time period. It was so kindly supplied by Margitte. http://www.china-mike.com/china-touri...
ADDENDUM: I watched the movie. There is so much missing from the plot of the book that I'm not really sure how anyone can watch the movie and understand what is going on. At different points Sean Connery, Roger Moore, and Steve McQueen were attached to the project, but negotiations fell through each time. Bryan Brown was cast to play Dirk Struan and actually plays the part well. Joan Chen is absolutely stunning as May-May, but despite the efforts of the two main actors the movie proves unsatisfactory. This story really should have been a mini-series like Shogun and Noble House. Anybody who may have had thoughts of watching the movie instead of reading the book (unlikely on GR) would be incredibly short changed from the epic experience that only the book can provide.
If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.com
I also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten
You can also find terrific reviews at: http://www.shelfinflicted.com/
January 31, 2020
A masterful work from an extremely talented storyteller.
Truth be told, I think this was better written than Shōgun even though I actually liked the 1975 book set in Japan better. Tai-Pan is more streamlined, more focused on its subject and narrative.
Tai-Pan was Clavell’s second book, first published in 1966, and is coincidentally also the second chronological book in his Asian saga of books. (Shogun was his third published book but first in chronological order). It was an immediate best-seller and fan favorite.
Set in the budding village of Hong Kong in 1841 this is a historical fiction about that time and place, and its place in the socio-economic world of that time, as much as it is a character study about the Tai-Pan – Dirk Struan.
Tai-Pan is a title - the leader, strong man, big man on campus – of the richest trading company on Hong Kong. Struan is shown to be a master manipulator of men and a bold and clever strategist. And he was also a pirate, opium smuggler, adulterer, strong arm and all around badass. Clavell reveals our central protagonist to be an alpha male’s male that would make Ted Nugent look like Wallace Shawn.
Clavell’s narrative describes international intrigue, romance, violence and a keen eye for the historically relevant for this period piece. Like all of the Asian saga stories in his canon, the dominant element is the contrast between western and eastern cultures, with a sympathetic tone towards the oriental, and ultimately about how the synergistic combination of cultures creates a prosperous result.
Highly entertaining and recommended.
Truth be told, I think this was better written than Shōgun even though I actually liked the 1975 book set in Japan better. Tai-Pan is more streamlined, more focused on its subject and narrative.
Tai-Pan was Clavell’s second book, first published in 1966, and is coincidentally also the second chronological book in his Asian saga of books. (Shogun was his third published book but first in chronological order). It was an immediate best-seller and fan favorite.
Set in the budding village of Hong Kong in 1841 this is a historical fiction about that time and place, and its place in the socio-economic world of that time, as much as it is a character study about the Tai-Pan – Dirk Struan.
Tai-Pan is a title - the leader, strong man, big man on campus – of the richest trading company on Hong Kong. Struan is shown to be a master manipulator of men and a bold and clever strategist. And he was also a pirate, opium smuggler, adulterer, strong arm and all around badass. Clavell reveals our central protagonist to be an alpha male’s male that would make Ted Nugent look like Wallace Shawn.
Clavell’s narrative describes international intrigue, romance, violence and a keen eye for the historically relevant for this period piece. Like all of the Asian saga stories in his canon, the dominant element is the contrast between western and eastern cultures, with a sympathetic tone towards the oriental, and ultimately about how the synergistic combination of cultures creates a prosperous result.
Highly entertaining and recommended.
March 22, 2011
Having begun with King Rat, I proceeded to work my way through most of James Clavell's Asian Saga before running out of steam - and interest - with the overly-long and rather lacklustre Whirlwind; and of them all, Tai-Pan was my favorite. Shogun was fantastic, mysterious, complex, cruel, violent, erotic, dressed with elaborate manners and rituals, alien thought patterns, ironclad honor, smelly Europeans, the whole works - but it didn't have the Struans versus the Brocks, which crackling, bloody, rollicking, cutthroat competitive maneuverings grabbed me by the collar and yanked me into this Southwest Pacific tale, hanging me on the yardarm so that I could marvel at the entirety of the colorful, frantic pageant unfolding before my young and excited eyes.
From the very opening, with a virgin Hong Kong awaiting its annexation by the British, recently victorious in the First Opium War, and the first taste of the rough-and-ready, brutal-on-a-dime sensibilities of the coarse and cunning Brock, the somewhat more subdued and disciplined Yanks of Cooper-Tillman, and then the magnificent entrance of the swashbuckling-but-practical hero himself, Dirk fucking Struan, the Tai-Pan of the commercial empires, and his half-brother Robb - who so dearly wished to be like Dirk, but just wasn't - all of these heads of Western trading houses and the differing-in-details, but similar-in-spirit dreams of the almost endless potential for Hong Kong - serving as a leverage point for the commercial crowbar they wished to wield to crack open the unimaginable riches of the mysterious and vast Orient - everything is laid out to give the reader a taste of the excitement, the possibility that lay heavy in the humid air.
And then fate and chance work their inevitable twists and unforeseen disasters into the mix, and we are plunged into a complex, interrelated web of schemes, ploys, conspiracies, violence, lusts, and desperation, as the House of Struan strives to recover from happenstance misfortune without selling the British portion of Hong Kong's soul, whilst the House of Brock, under the glint-eyed, heavy-handed leadership of Brock and the brutal energies of his hulking son, Gorth, do everything in their power to ensure that Struan and Company flounder and sink, thus enabling Brock to assume to title of Tai-Pan that he holds by right should be his. Into this mix the talented Clavell tosses wizened Chinese bigwig merchants and secret societies, four mysterious halved coins, stiff-lipped British naval officers, conniving Russian Grand Dukes, corrupt and incompetent English plenipotentiaries, Aye, matey pirates and lice-infested British rogue mercenaries, typhoons, storms, crazy oceanic currents and, topping it all, the heady and blossoming love between Dirk and his Chinese mistress May-May, an interesting microcosm of the tentative-but-burgeoning relationship between Western and Oriental civilizations, each with their own conceptions of pride, honor, barbarism, and justice; perhaps only in love do they operate on jointly familiar ground.
I have since come across plenty of criticisms of Clavell, about how much he got wrong, or mangled irredeemably in the process of crafting his complicated thrillers featuring clashing, pre-modern cultures. Whatever. The man could tell a tale, and one with enough recognizable features enmeshed within the exotic and the historic to propel his literary vessel across roiling, tempestuous seas. It is a magnificent and vastly entertaining book, one I've read several times, never failing to tense up when Struan is ghosting across the water, nursing his fortune-saving forty lacs of silver from a hungry Brock; or dearly wish Gorth would, at any point, receive a desperately deserved thrashing; or marvel at the long-range thinking of the wise Jing-Qua; or cringe when May-May, bedecked in all of the gaudy accoutrements of a European lady, earns an unexpected and humiliating look of horrified shock from her surprised lover; or feel a melancholy heaviness when the typhoon smashes the island towards the end of the book, dealing harshly with Dirk and May-May, but opening up new vistas of opportunity for Culum to emerge from his father's formidable shadow. It's been a long time since I last cracked it open, but do I harbor any doubts that it would still prove to be a first-rate page turner? Ha!
From the very opening, with a virgin Hong Kong awaiting its annexation by the British, recently victorious in the First Opium War, and the first taste of the rough-and-ready, brutal-on-a-dime sensibilities of the coarse and cunning Brock, the somewhat more subdued and disciplined Yanks of Cooper-Tillman, and then the magnificent entrance of the swashbuckling-but-practical hero himself, Dirk fucking Struan, the Tai-Pan of the commercial empires, and his half-brother Robb - who so dearly wished to be like Dirk, but just wasn't - all of these heads of Western trading houses and the differing-in-details, but similar-in-spirit dreams of the almost endless potential for Hong Kong - serving as a leverage point for the commercial crowbar they wished to wield to crack open the unimaginable riches of the mysterious and vast Orient - everything is laid out to give the reader a taste of the excitement, the possibility that lay heavy in the humid air.
And then fate and chance work their inevitable twists and unforeseen disasters into the mix, and we are plunged into a complex, interrelated web of schemes, ploys, conspiracies, violence, lusts, and desperation, as the House of Struan strives to recover from happenstance misfortune without selling the British portion of Hong Kong's soul, whilst the House of Brock, under the glint-eyed, heavy-handed leadership of Brock and the brutal energies of his hulking son, Gorth, do everything in their power to ensure that Struan and Company flounder and sink, thus enabling Brock to assume to title of Tai-Pan that he holds by right should be his. Into this mix the talented Clavell tosses wizened Chinese bigwig merchants and secret societies, four mysterious halved coins, stiff-lipped British naval officers, conniving Russian Grand Dukes, corrupt and incompetent English plenipotentiaries, Aye, matey pirates and lice-infested British rogue mercenaries, typhoons, storms, crazy oceanic currents and, topping it all, the heady and blossoming love between Dirk and his Chinese mistress May-May, an interesting microcosm of the tentative-but-burgeoning relationship between Western and Oriental civilizations, each with their own conceptions of pride, honor, barbarism, and justice; perhaps only in love do they operate on jointly familiar ground.
I have since come across plenty of criticisms of Clavell, about how much he got wrong, or mangled irredeemably in the process of crafting his complicated thrillers featuring clashing, pre-modern cultures. Whatever. The man could tell a tale, and one with enough recognizable features enmeshed within the exotic and the historic to propel his literary vessel across roiling, tempestuous seas. It is a magnificent and vastly entertaining book, one I've read several times, never failing to tense up when Struan is ghosting across the water, nursing his fortune-saving forty lacs of silver from a hungry Brock; or dearly wish Gorth would, at any point, receive a desperately deserved thrashing; or marvel at the long-range thinking of the wise Jing-Qua; or cringe when May-May, bedecked in all of the gaudy accoutrements of a European lady, earns an unexpected and humiliating look of horrified shock from her surprised lover; or feel a melancholy heaviness when the typhoon smashes the island towards the end of the book, dealing harshly with Dirk and May-May, but opening up new vistas of opportunity for Culum to emerge from his father's formidable shadow. It's been a long time since I last cracked it open, but do I harbor any doubts that it would still prove to be a first-rate page turner? Ha!
October 22, 2014
I've read this before & really liked it, but it is even better as an audio book. Incredible, really. John Lee has great accents & intonations & really makes the book come alive.
Clavell is most famous for Shōgun, the first of his Asian series, which was made into a mini series starring Richard Chamberlain. It was excellent & takes place about 2.5 centuries earlier in Japan. Tai-Pan is about the founding of Hong Kong about 1840 & takes place over a period of 6 months. It was made into a movie in the mid 80's, but wasn't nearly as good. Too much was left out & a movie just can't capture Dirk Struan.
Dirk Struan is quite possibly my favorite heroic figure in fiction. He comes from the early Victorian culture & Clavell does an excellent job contrasting attitudes. Where the rest of the British believe their culture is far superior to the 'heathen Chinese', Struan has adopted many of the Chinese customs that make sense to him. He rejects others to the dismay of his mistress & the resulting dialog is often hilarious, especially with John Lee's fantastic reading. Through it all, Dirk Struan strides like a giant. He's just a man, but he dominates those around him, disparate cultures, cut-throat business, & murky politics through sheer nerve, will & intelligence. He's open handed with those less fortunate & the devil himself to those who wrong him or his.
The historical aspect of all Clavell's books is also really interesting. The broad strokes are accurate such as why the opium trade exists, Hong Kong is so important, & more. The people & events are mostly fictional, though. I'm not sure how accurate his portrayal of the culture is, but don't really care. It certainly came alive & immersed me. Best of all was the way he managed to compare & contrast the cultures. For instance, people are basically bought & sold by the Chinese, Americans, & British, yet they each think the others are awful in the way they do it. The differences in medicine, politics, business, religion, sex, & every day life are extraordinary. He does a great job of bringing alive alien concepts such as 'face'(similar to reputation) & 'joss', a sort of luck/karma/fate mix.
John Lee narrates Gai-Jin & Noble House, too. I'll be listening to both soon since they're continuations of this story. David Case narrates Shōgun & King Rat, neither of which is tied closely to the Noble House, although all are part of Clavell's Asian Saga. Whirlwind, the last of the series & another of the Noble House novels, isn't owned by my library, unfortunately. I'm going to try to find it else where.
Here is the Wikipedia entry for Clavell's Asian Saga (contains spoilers):
http://en.wikipedia.org/wiki/The_Asia...
Tai-Pan novel:
http://en.wikipedia.org/wiki/Tai-Pan_...
Film:
http://en.wikipedia.org/wiki/Tai-Pan_...
I can't recommend this book highly enough, especially read by Lee. I think it's 25 hours long, so would be perfect for a long trip. Beware, you might just keep driving so you can finish it!
Clavell is most famous for Shōgun, the first of his Asian series, which was made into a mini series starring Richard Chamberlain. It was excellent & takes place about 2.5 centuries earlier in Japan. Tai-Pan is about the founding of Hong Kong about 1840 & takes place over a period of 6 months. It was made into a movie in the mid 80's, but wasn't nearly as good. Too much was left out & a movie just can't capture Dirk Struan.
Dirk Struan is quite possibly my favorite heroic figure in fiction. He comes from the early Victorian culture & Clavell does an excellent job contrasting attitudes. Where the rest of the British believe their culture is far superior to the 'heathen Chinese', Struan has adopted many of the Chinese customs that make sense to him. He rejects others to the dismay of his mistress & the resulting dialog is often hilarious, especially with John Lee's fantastic reading. Through it all, Dirk Struan strides like a giant. He's just a man, but he dominates those around him, disparate cultures, cut-throat business, & murky politics through sheer nerve, will & intelligence. He's open handed with those less fortunate & the devil himself to those who wrong him or his.
The historical aspect of all Clavell's books is also really interesting. The broad strokes are accurate such as why the opium trade exists, Hong Kong is so important, & more. The people & events are mostly fictional, though. I'm not sure how accurate his portrayal of the culture is, but don't really care. It certainly came alive & immersed me. Best of all was the way he managed to compare & contrast the cultures. For instance, people are basically bought & sold by the Chinese, Americans, & British, yet they each think the others are awful in the way they do it. The differences in medicine, politics, business, religion, sex, & every day life are extraordinary. He does a great job of bringing alive alien concepts such as 'face'(similar to reputation) & 'joss', a sort of luck/karma/fate mix.
John Lee narrates Gai-Jin & Noble House, too. I'll be listening to both soon since they're continuations of this story. David Case narrates Shōgun & King Rat, neither of which is tied closely to the Noble House, although all are part of Clavell's Asian Saga. Whirlwind, the last of the series & another of the Noble House novels, isn't owned by my library, unfortunately. I'm going to try to find it else where.
Here is the Wikipedia entry for Clavell's Asian Saga (contains spoilers):
http://en.wikipedia.org/wiki/The_Asia...
Tai-Pan novel:
http://en.wikipedia.org/wiki/Tai-Pan_...
Film:
http://en.wikipedia.org/wiki/Tai-Pan_...
I can't recommend this book highly enough, especially read by Lee. I think it's 25 hours long, so would be perfect for a long trip. Beware, you might just keep driving so you can finish it!
April 3, 2025
I wanted so much to like this more than I did (I loved Shōgun). But I had a lot of emotional problems with this book:
1. Aside from May-May, none of the women are written as characters of any worth (even Tess didn't live up to what I was expecting).
2. The annexation has always bothered me. The British had no business being there in the first place (they had no business being anywhere where they occupied, annexed, colonized, imperialized, etc., and neither did any of the other countries that did the same). Wreaks of white centrism, white supremacy, white saviorship.
3. Because it was written with Struan as the central character, so was the worldview written from his perspective - a white, Christian, alpha male's (my least favorite kind of male). The first time he lays hands on May-May made me want to scratch out his eyes to blindness.
4. Hated the broken English ascribed to all the Chinese characters. I get why Clavell chose to do it, but it was still triggering for me (as an immigrant who grew up in the US, I will always remember the racism and xenophobia my parents were particularly subjected to because of their imperfect English).
5. He was a terrible father, a terrible husband, and a hypocrite to his precious Christian god, and he got through life fairly unscathed. (May-May must've been devoted to a lot of gods to make that happen for him!)
If I ignored all these emotional barriers, if I could pretend I didn't care about any of it, then yeah, the story is full of adventure and triumph. But in the end, I felt too disturbed by all this and more.
The British were the outsiders, but Struan was constantly trying to subject the people in his life to western morality, never mind that the Chinese had lived by their own codes without any issues until then. And although Struan admits Chinese are wiser (e.g., how British never showered or washed their clothes*), the distinctions between the cultures might be the only thing I liked about the book. May-May (my only favorite character) was constantly reminding Struan about how the whites were the barbarians and their civilizations were far more immature. I especially loved May-May's rants about why it's acceptable to follow and pray to both the Chinese gods and the Christian one as well as her insistence on fengshui. May-May was the only one who made me laugh. She also evoked in me sadness for her, as well as awe. She made this book worth reading, and Struan did not deserve her.
Undecided if I want to read the next book in the series...
* I think Clavell might be extra sensitive about hygiene. It had a pretty noticeable presence in Shōgun too.
1. Aside from May-May, none of the women are written as characters of any worth (even Tess didn't live up to what I was expecting).
2. The annexation has always bothered me. The British had no business being there in the first place (they had no business being anywhere where they occupied, annexed, colonized, imperialized, etc., and neither did any of the other countries that did the same). Wreaks of white centrism, white supremacy, white saviorship.
3. Because it was written with Struan as the central character, so was the worldview written from his perspective - a white, Christian, alpha male's (my least favorite kind of male). The first time he lays hands on May-May made me want to scratch out his eyes to blindness.
4. Hated the broken English ascribed to all the Chinese characters. I get why Clavell chose to do it, but it was still triggering for me (as an immigrant who grew up in the US, I will always remember the racism and xenophobia my parents were particularly subjected to because of their imperfect English).
5. He was a terrible father, a terrible husband, and a hypocrite to his precious Christian god, and he got through life fairly unscathed. (May-May must've been devoted to a lot of gods to make that happen for him!)
If I ignored all these emotional barriers, if I could pretend I didn't care about any of it, then yeah, the story is full of adventure and triumph. But in the end, I felt too disturbed by all this and more.
The British were the outsiders, but Struan was constantly trying to subject the people in his life to western morality, never mind that the Chinese had lived by their own codes without any issues until then. And although Struan admits Chinese are wiser (e.g., how British never showered or washed their clothes*), the distinctions between the cultures might be the only thing I liked about the book. May-May (my only favorite character) was constantly reminding Struan about how the whites were the barbarians and their civilizations were far more immature. I especially loved May-May's rants about why it's acceptable to follow and pray to both the Chinese gods and the Christian one as well as her insistence on fengshui. May-May was the only one who made me laugh. She also evoked in me sadness for her, as well as awe. She made this book worth reading, and Struan did not deserve her.
Undecided if I want to read the next book in the series...
* I think Clavell might be extra sensitive about hygiene. It had a pretty noticeable presence in Shōgun too.
May 29, 2023
Fantastic, by God. It's joss that I was able to read this again and love it just as much as the first time. This is the book that sparked my obsession with trading houses. A fabulous historical fiction for anyone with interest in Hong Kong.
August 13, 2007
Wanted to get a nice concise history of Hong Kong, ended up with James Clavell's Tai Pan. I read Shogun when I was 14, and remember liking it enough to read through the 1000+ pages (and that sex scene with the anal beads? Blew my 14 year old mind. And my DAD had read the book. Yikes.)
Maybe my taste is different now but Tai Pan is pretty dissapointing. Lots of cool historical details, but they feel a bit shoe-horned in, and the main character is, well, basically perfect. At least in James Clavell's mind. Big lusty Scottish pirate with a crazy dream to unite the traditions of China and Europe. I dunno, still weird to have an unambiguously good character who is basically a wealthy drug dealer that started a war with China to protect his opium trade. I gave up on this 200 pages in.
Maybe my taste is different now but Tai Pan is pretty dissapointing. Lots of cool historical details, but they feel a bit shoe-horned in, and the main character is, well, basically perfect. At least in James Clavell's mind. Big lusty Scottish pirate with a crazy dream to unite the traditions of China and Europe. I dunno, still weird to have an unambiguously good character who is basically a wealthy drug dealer that started a war with China to protect his opium trade. I gave up on this 200 pages in.
May 6, 2023
A highly compelling book with a whopper of an ending that's somehow simultaneously epic and subtle. I don't feel this book reached the heights of Shogun in terms of thematic content or characterization, but O marveled at the political and interpersonal intrigues with a large cast of characters, all with very interesting motivations. This was a very well plotted book that rarely sagged, and took a story about an era and event that frankly I'm not really that interested in reading about highly enjoyable. I definitely look forward to reading more of Clavell's Asian Saga.
October 7, 2013
Big, chewy, lip smacking, gut busting fiction. How appropriate that I should have finished it on Thanksgiving - a day given to gastronomical excess.Whew.
This is not a historical tome. It is a fictionalized account of the first year of the British colony of Hong Kong (1841). The characters are all loosely based on actual people - as are their trading companies. That is what Clavell did in his novels and it's important that one understand that.
Clavell was also an ardent supporter of Free Trade, an avowed opponent of Communism and Fascism and an admirer of certain aspects of both Asian and Western culture. Much has also been written about Clavell's fondness of blending those aspects that he believed were the best of both worlds to make a new culture. I would have to agree with those folks. All these aspects of Clavell come out strongly in his novels and will either drive you crazy or have you nodding in agreement. Whatever route you take it might be helpful to be prepared.
Finally, and this is something that many seem to never take into account, James Clavell made his career for many years as a Hollywood screenwriter and movie director. He wrote popular entertainment (The Great Escape, The Fly and To Sir, with Love) and they were mainstream, big budget (mostly) affairs. Clavell brought this aspect to all of his novels as well.
Being aware of the before mentioned details are important. They all play a major part in Clavell's writing.
When you get right down to it Tai-Pan is a historical romance in the older sense (a literary genre of high culture, romance or chivalric romance is a style of heroic prose and verse narrative that was popular in the aristocratic circles of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a knight errant portrayed as having heroic qualities, who goes on a quest) only in this case Dirk Straun's quest is the never ending struggle to ensure that his company continue to thrive. As has been pointed out by others there is no grand battle to fight in this story, no Uber Villain to be brought down, no single event at all. The journey is the story. As a result there is a never ending series of "mini-adventures" within the story. Schemes are enacted, others are discovered, moves and counter-moves, friends are enemies and enemies are friends, and sailing ships race across the South China Sea. Grand adventure - not academia.
It's entertaining. It's not historical scholarship. Are there problems? Of course there are. At times Dirk Straun does become tiresome. He's too perfect - a paragon of male virtue. Or at least what James Clavell considered to be male virtue. He's lucky (too lucky at times), smarter than most, better looking, wiser, etc. etc. I would be willing to bet that Dirk Straun is probably the idealized version of James Clavell. Not unheard of for authors to do that - especially in this type of fiction. However styles and tastes change over the years and this novel was written in the mid-1960's. For many younger readers Dirk Straun might grow tiresome and that's understandable.
The role of women in the story will be jarring to younger readers as well. They are important and capable, but only to a point. Then the men have to take over. There are things that are just best when handled by the men. Ultimately women are about bearing children and taking care of the home. Their occasional forays into intrigue are ultimately motivated by their desire to protect their families and help their men. To a 1960's reader this wouldn't have been unacceptable, but in 2012 I have to agree that it might be difficult to swallow. Just keep reminding yourself when the book was written and that it was written by an adult male who had made his living writing for Hollywood.
But despite these aspects (and a few others that I just don't want to get into right now - such as the pidgeon English conversations - ugh) Tai-Pan is entertaining. It grabs you and keeps you interested. Though it took me a month to get through it (it was a very busy month and novel reading had to take a back seat) when I did sit down with it I would often go through fifty and sixty pages with no effort. In other words it's a "page turner" and that's okay as well. As I noted at the beginning this isn't a work of historical research. It's a big thick piece of popular entertainment. So dig in and enjoy.......or not depending on your tastes.
Ironically enough this is one book that I classify as a Beach Read that I actually finished at the beach (Lincoln City, Oregon). It's appropriate.
This is not a historical tome. It is a fictionalized account of the first year of the British colony of Hong Kong (1841). The characters are all loosely based on actual people - as are their trading companies. That is what Clavell did in his novels and it's important that one understand that.
Clavell was also an ardent supporter of Free Trade, an avowed opponent of Communism and Fascism and an admirer of certain aspects of both Asian and Western culture. Much has also been written about Clavell's fondness of blending those aspects that he believed were the best of both worlds to make a new culture. I would have to agree with those folks. All these aspects of Clavell come out strongly in his novels and will either drive you crazy or have you nodding in agreement. Whatever route you take it might be helpful to be prepared.
Finally, and this is something that many seem to never take into account, James Clavell made his career for many years as a Hollywood screenwriter and movie director. He wrote popular entertainment (The Great Escape, The Fly and To Sir, with Love) and they were mainstream, big budget (mostly) affairs. Clavell brought this aspect to all of his novels as well.
Being aware of the before mentioned details are important. They all play a major part in Clavell's writing.
When you get right down to it Tai-Pan is a historical romance in the older sense (a literary genre of high culture, romance or chivalric romance is a style of heroic prose and verse narrative that was popular in the aristocratic circles of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a knight errant portrayed as having heroic qualities, who goes on a quest) only in this case Dirk Straun's quest is the never ending struggle to ensure that his company continue to thrive. As has been pointed out by others there is no grand battle to fight in this story, no Uber Villain to be brought down, no single event at all. The journey is the story. As a result there is a never ending series of "mini-adventures" within the story. Schemes are enacted, others are discovered, moves and counter-moves, friends are enemies and enemies are friends, and sailing ships race across the South China Sea. Grand adventure - not academia.
It's entertaining. It's not historical scholarship. Are there problems? Of course there are. At times Dirk Straun does become tiresome. He's too perfect - a paragon of male virtue. Or at least what James Clavell considered to be male virtue. He's lucky (too lucky at times), smarter than most, better looking, wiser, etc. etc. I would be willing to bet that Dirk Straun is probably the idealized version of James Clavell. Not unheard of for authors to do that - especially in this type of fiction. However styles and tastes change over the years and this novel was written in the mid-1960's. For many younger readers Dirk Straun might grow tiresome and that's understandable.
The role of women in the story will be jarring to younger readers as well. They are important and capable, but only to a point. Then the men have to take over. There are things that are just best when handled by the men. Ultimately women are about bearing children and taking care of the home. Their occasional forays into intrigue are ultimately motivated by their desire to protect their families and help their men. To a 1960's reader this wouldn't have been unacceptable, but in 2012 I have to agree that it might be difficult to swallow. Just keep reminding yourself when the book was written and that it was written by an adult male who had made his living writing for Hollywood.
But despite these aspects (and a few others that I just don't want to get into right now - such as the pidgeon English conversations - ugh) Tai-Pan is entertaining. It grabs you and keeps you interested. Though it took me a month to get through it (it was a very busy month and novel reading had to take a back seat) when I did sit down with it I would often go through fifty and sixty pages with no effort. In other words it's a "page turner" and that's okay as well. As I noted at the beginning this isn't a work of historical research. It's a big thick piece of popular entertainment. So dig in and enjoy.......or not depending on your tastes.
Ironically enough this is one book that I classify as a Beach Read that I actually finished at the beach (Lincoln City, Oregon). It's appropriate.
October 17, 2014
One absolutely brilliant book, but I didn't expect this ending, something similar yes, but the way it ended - NO!! It broke my heart a little bit and I cried, usually this would ruin the book for me, but this one was a masterpiece and I can't say even one bad thing about it.
There were so many great characters especially Dirk and his Mei Mei, they were so well suited,yin and yang.
Some books and characters fade with time, but I'm not sure I will ever forget those two.
This is a book I will be rereading a lot in the future.
There were so many great characters especially Dirk and his Mei Mei, they were so well suited,yin and yang.
Some books and characters fade with time, but I'm not sure I will ever forget those two.
This is a book I will be rereading a lot in the future.
June 7, 2024
I finished up the year my 2023 reading challenge with James Clavell's Shogun. So I just had to read the next book in his series.
The beauty of James Clavell's writing is there is no highbrow prose, there are no inventive plots, there are no moral lessons, there are no ambiguous passages, there are no subtle allegories.
The writing is simple and the books have just one purpose, to enthrall the reader.
And his books so far have been astoundingly good at doing that, captivating readers.
Incredible stuff, reminds me why I fell in love with reading books in the first place.
The beauty of James Clavell's writing is there is no highbrow prose, there are no inventive plots, there are no moral lessons, there are no ambiguous passages, there are no subtle allegories.
The writing is simple and the books have just one purpose, to enthrall the reader.
And his books so far have been astoundingly good at doing that, captivating readers.
Incredible stuff, reminds me why I fell in love with reading books in the first place.
July 19, 2020
Tai-Pan is an excellent historical fiction about the early days of Hong Kong and British-Chinese trade. Technically taking place in the same (slightly) alt-timeline of Shogun, Tai-Pan easily on its own merits and, truth be told, has little to no direct linkages to the events in Shogun. It is a wide ranging story about Western trade interests in China and the establishment of Hong Kong as a British colony.
The story is told through a wide array of POV characters, giving the reader a well rounded view of their motivations, passions, agendas, and blind spots that would otherwise be absent if told in a different manner. There aren't really good guys and bad guys (except, you know, Imperialism), just competing interests and agendas. We see things from both British perspectives as well as a Chinese ones, each with their own unique view on the matters at hand and a diverse range of opinion within each respective camp. Like in Shogan, Clavell allows all sides to have good reason to pursue the agendas they do and he avoids any cliched portrayal of characters, Western or Asian.
I found the story itself gripping and the plot turns both compelling and unexpected. I was engrossed the entire time and sad to see the journey come to an end. Like Shogun the characters were so vividly portrayed ending the book was like saying good bye to real people. If you enjoy historical fictions and morally ambiguous characters acting during a pivotal moment in history you could do much worse than Tai-Pan.
The story is told through a wide array of POV characters, giving the reader a well rounded view of their motivations, passions, agendas, and blind spots that would otherwise be absent if told in a different manner. There aren't really good guys and bad guys (except, you know, Imperialism), just competing interests and agendas. We see things from both British perspectives as well as a Chinese ones, each with their own unique view on the matters at hand and a diverse range of opinion within each respective camp. Like in Shogan, Clavell allows all sides to have good reason to pursue the agendas they do and he avoids any cliched portrayal of characters, Western or Asian.
I found the story itself gripping and the plot turns both compelling and unexpected. I was engrossed the entire time and sad to see the journey come to an end. Like Shogun the characters were so vividly portrayed ending the book was like saying good bye to real people. If you enjoy historical fictions and morally ambiguous characters acting during a pivotal moment in history you could do much worse than Tai-Pan.
March 27, 2021
Страхотна книга, както и очаквах!
June 14, 2017
I meant to start with Shogun and this book was available at the library so I started here first. It was a great story of how Hong Kong was under British rule. It was a great read and James Clavell is a talented author. I plan on reading more of these Asian Saga's.
September 20, 2021
You know that feeling where you just wanna dedicate a slow jam to a book? You ever get that? If I ever had to have something playing while I clutched a totally fucked up and battered paperback to my chest, I would want this to be that song: https://www.youtube.com/watch?v=AR8D2...
This shit is that good. It covers a very tempestuous 1841 as lived by a host of characters ranging from traders to pirates to admirals to slaves. We concern ourselves most primarily with Dirk Struan, Tai-Pan (Supreme Leader or Big Shot) of Struan and Company. Dirk has been involved in the complicated and profitable world of opium trading for several years and, as the book starts, sees his plan to win the first opium war with China succeed. As a result of this victory, the British take Hong Kong for themselves and Dirk seems poised to rise to even further heights of success. Unfortunately, not everyone is cool with this whole thing, chiefly his rival of decades Tyler Brock of Brock and Sons.
The first thing to know about this book is that it’s not an immersive look into 19th century China in the manner of something like Shogun. This story is primarily about the foreigners living and scheming in Canton and Hong Kong. This works for the most part because, according to Clavell, foreigners were pretty much strictly forbidden from going anywhere other than those two places. We get a little bit of history about the Manchu invasion and the Qing dynasty but other than it’s pretty much epic (melo)drama about the British, Scots, Welsh, Americans etc. trying to get what they want out of China (this is usually purely financial gain but, as we come to discover, not always.) Of course Clavell doesn’t hesitate to push the idea that Europeans of this time were fucking disgusting hygiene-wise compared to most Asian cultures, so you get to learn that for like the 200th time with him.
So while there is obviously massive historical context here, Clavell relies on his huge cast of fictional characters to churn up the plot and propel the story for themselves. Thankfully for the most part they’re at least interesting, if not captivating. Struan is the manly adventurer-businessman supreme, obviously. He’s tall, good-looking, brilliant, loyal to his woman, a master of grand strategy and manipulation, generous to his friends and ruthless to his enemies and all that good stuff. You really could write an essay about what an awesome character he is for this type of book but I’ll avoid doing that here. I also loved his clever, funny, ultra-sweetheart mistress May-May and loved hating cruelly violent psycho nemesis Brock. There were a ton of others worth mentioning but I also enjoyed Culum, Quance, Mary, Gordon and their stories.
This makes Clavell two for two with me for megabooks. I mean megabooks in the sense that this is a pretty long one at around 7-800 pages but it’s also unashamedly full of pure entertainment. Clavell obviously enjoyed writing these and wanted people to have fun reading them, so he takes the time to fill the book with The Good Shit; sex, violence, piracy, ruthless capitalism, war, constant intrigue and plotting, forbidden love, and cool 19th-century fashion like frock coats, cravats, and top hats. I usually will get kinda bored with most romances but there was a lot of that stuff in this one and I somehow got into it, which was surprising. Struan and May-may’s relationship was certainly full of shit that made me a little uncomfortable as a 21st-century dude (which is really probably a good thing with historical fiction) but there was also a warmth and sweetness to it that was nice.
So I guess I’m reading these in chronological order instead of publication date. Next up is Gai-Jin, kind of oddly his last book and one that a lot of people seem to think was kinda boring. I did already kinda peek at the beginning and was certainly not bored with his version of the Namamugi attack. I was gonna go with Noble House but that one seems like it has a lot of shit having to do with finance, which I pretty much don’t understand a lot about. There was finance stuff in this one but it was pretty much limited to Struan and others going back and forth between financial ruin and stunning wealth, with like, bullion and actual gold and stuff. I basically can understand finance when it’s in the form of a giant fucking pile of gold.
This shit is that good. It covers a very tempestuous 1841 as lived by a host of characters ranging from traders to pirates to admirals to slaves. We concern ourselves most primarily with Dirk Struan, Tai-Pan (Supreme Leader or Big Shot) of Struan and Company. Dirk has been involved in the complicated and profitable world of opium trading for several years and, as the book starts, sees his plan to win the first opium war with China succeed. As a result of this victory, the British take Hong Kong for themselves and Dirk seems poised to rise to even further heights of success. Unfortunately, not everyone is cool with this whole thing, chiefly his rival of decades Tyler Brock of Brock and Sons.
The first thing to know about this book is that it’s not an immersive look into 19th century China in the manner of something like Shogun. This story is primarily about the foreigners living and scheming in Canton and Hong Kong. This works for the most part because, according to Clavell, foreigners were pretty much strictly forbidden from going anywhere other than those two places. We get a little bit of history about the Manchu invasion and the Qing dynasty but other than it’s pretty much epic (melo)drama about the British, Scots, Welsh, Americans etc. trying to get what they want out of China (this is usually purely financial gain but, as we come to discover, not always.) Of course Clavell doesn’t hesitate to push the idea that Europeans of this time were fucking disgusting hygiene-wise compared to most Asian cultures, so you get to learn that for like the 200th time with him.
So while there is obviously massive historical context here, Clavell relies on his huge cast of fictional characters to churn up the plot and propel the story for themselves. Thankfully for the most part they’re at least interesting, if not captivating. Struan is the manly adventurer-businessman supreme, obviously. He’s tall, good-looking, brilliant, loyal to his woman, a master of grand strategy and manipulation, generous to his friends and ruthless to his enemies and all that good stuff. You really could write an essay about what an awesome character he is for this type of book but I’ll avoid doing that here. I also loved his clever, funny, ultra-sweetheart mistress May-May and loved hating cruelly violent psycho nemesis Brock. There were a ton of others worth mentioning but I also enjoyed Culum, Quance, Mary, Gordon and their stories.
This makes Clavell two for two with me for megabooks. I mean megabooks in the sense that this is a pretty long one at around 7-800 pages but it’s also unashamedly full of pure entertainment. Clavell obviously enjoyed writing these and wanted people to have fun reading them, so he takes the time to fill the book with The Good Shit; sex, violence, piracy, ruthless capitalism, war, constant intrigue and plotting, forbidden love, and cool 19th-century fashion like frock coats, cravats, and top hats. I usually will get kinda bored with most romances but there was a lot of that stuff in this one and I somehow got into it, which was surprising. Struan and May-may’s relationship was certainly full of shit that made me a little uncomfortable as a 21st-century dude (which is really probably a good thing with historical fiction) but there was also a warmth and sweetness to it that was nice.
So I guess I’m reading these in chronological order instead of publication date. Next up is Gai-Jin, kind of oddly his last book and one that a lot of people seem to think was kinda boring. I did already kinda peek at the beginning and was certainly not bored with his version of the Namamugi attack. I was gonna go with Noble House but that one seems like it has a lot of shit having to do with finance, which I pretty much don’t understand a lot about. There was finance stuff in this one but it was pretty much limited to Struan and others going back and forth between financial ruin and stunning wealth, with like, bullion and actual gold and stuff. I basically can understand finance when it’s in the form of a giant fucking pile of gold.
November 2, 2019
When it comes to books, I'm much more sentiment than reason. I think that's why a person can give a five star to a book like say, The Alchemist, and a four or maybe even a three star, to a Dostoyevsky. If not by the heart, we would only rate five stars to the great classics, perhaps. Because of the sentiment, more than the literary aspects of the work, I give five stars to most books I really love - and Taipan falls into that category. I read Taipan when I was about eighteen or so. To this day it remains the book with the strongest, most impressive lead character I've ever read. Over all, it's a great book. It takes you to the far exotic East, a place that has always enchanted me, with its deeper philosophies, like chinese Taoism, so very different from anything western, or Zen-buddhism, which the samurais embraced as a means to prepare themselves for the eminence of death in combat. The book's got great ambience, impressive characters - villains and good guys - and a fine plot, but what really have stuck with me through all these years is the larger-than-life persona of Dirk Struan, the "Taipan", or "supreme leader." Like James Bond, he is what a lot of young male kids dream to be: physically stronger than anyone around, handsome, extremely successful and charming; Someone who's capable of beating any and every odd; someone who's as invincible as a man can be.
If you're familiar with Clavell's work, I must say, for example, that Xogum is undeniably a better book, but no other work from Clavell has a more amazing character than Dirk Struan. The Taipan is Clavell's greatest character, at least by the parameters I’ve listed, which, if you know the author, says a lot. He alone is worth the reading.
If you're familiar with Clavell's work, I must say, for example, that Xogum is undeniably a better book, but no other work from Clavell has a more amazing character than Dirk Struan. The Taipan is Clavell's greatest character, at least by the parameters I’ve listed, which, if you know the author, says a lot. He alone is worth the reading.
September 23, 2018
I thought Shogun was his best book when I read it, but found I liked Tai-Pan even more. There's more action & suspense with a twisty plot & far reaching consequences. If you plan on reading any other books by Clavell, you HAVE to read Tai-Pan. Without its history, you'll miss out on a lot.
Dirk Straun, the hero, is probably my favorite character in all fiction. He is a tough, smart man that isn't afraid to unlearn his old ways & adapt. He has a wonderful enemy in Brock & intelligently fights his way through the convoluted founding of Taiwan as one of the preeminent heads of a trading house. His decendents carry on through out most of the rest of Clavell's books.
Dirk Straun, the hero, is probably my favorite character in all fiction. He is a tough, smart man that isn't afraid to unlearn his old ways & adapt. He has a wonderful enemy in Brock & intelligently fights his way through the convoluted founding of Taiwan as one of the preeminent heads of a trading house. His decendents carry on through out most of the rest of Clavell's books.
September 15, 2008
What can I say about ‘Tai-Pan’? Is it really a Historical novel? Is it a Alternative History? These are the two questions I keep asking myself while working my way through the late James Clavell’s Asian saga, which for your consideration are the following:
‘Shogun’ (1600)
‘Tai-Pan’ (1841)
‘Gai-Jin’ (1862)
‘King Rat’(1945)
‘Noble House’(1963)
‘Whirlwind’(1979)
Before joining Goodreads, I had already read ‘Shogun’, so you, my friendly reader, do not have the luxury of a review of that as comparison, but I believe that what I say about ‘Tai-Pan’, set in Hong Kong, can easily be said of it’s predecessor.
First off, let’s talk about historical content. Clavell has said himself in interviews that the reason his characters are based on historical figures, the changes of names from historical to fictional ones are due to the fact that he wanted them to do something and say something outside their historical content (an interesting text ‘What we can learn from ‘Shogun: Japanese History and Western Fantasy’ :Editor Henry Smith/The Program for Asian Studies, University of California, Santa Barbra), is available online as a searchable text: (http://www.columbia.edu/~hds2/learning/) is an interesting group of essays both praising and criticizing certain aspects of Clavell’s novel, but he makes clear that as a novelist, he was not so interested in historical accuracy as he was in storytelling. This puts him somewhat apart from the likes of John Jakes, who attempts to portray the American epochs in his long Kent family chronicles and shorter Civil War epic as true as can possibly be. But Clavell goes farther, for while there is a George Washington and an Abraham Lincoln who resemble who they generally were in history in Jakes‘ series, Clavell actually invents names to stand in to the company of historical figures. So, with ‘Shogun‘, instead of William Adams, we have John Blackthorne and in place of Tokugawa we have Toranaga. In the case of ’Tai-Pan’ and the case of William Jardine, we have the Scotsman, Dirk Struan.
Why am I making such a big deal with names? Nothing, except that what Clavell is doing rather than telling a historical story, is to make commentary on the times, not by addressing what a given period does that can be seen and addressed like many pieces of literature can and does do (note that I’m not criticizing Clavell’s desire to make commentary here), but by allowing the historical characters to think and do things which may not be historically accurate, yet can ultimately serve Clavell’s point on the subject, especially of East/West cultural and political issues, and one with an Anglo-centric slant.
I have read many commentaries about Clavell being balanced in his view of the far East and the West, for example, unlike Blackthorne, who by the end of the novel practically swallows Japanese culture whole, Dirk Struan’s character in ‘Tai-Pan’ wants to strike a balance between Eastern and Western sensibilities. But while trying to see their point on two novels so far, I find something rather interesting. It seems that there is a circular argument, at least in ‘Tai-Pan’ that while Struan appreciates Chinese/Cantonese culture, it is because he is not only a merchant, and one waging a personal vendetta/war against the other merchant rival, Tyler Brock, former, somewhat sadistic shipmaster, but because he’s from Great Britain proper, that his perspective carries more weight, and not necessarily that China has truly (e.g. “spiritually“), opened his eyes, and certainly not to the degree of Blackthorne’s love affair with Japan. So, in the end, rather than being a balance between Eastern and Western cultures, as an Asian saga might imply, it is more Asia as seen through Anglo-Saxon eyes.
Another point in the novel that brings this home and actually puts ‘Shogun’ ahead of ’Tai-Pan’ is the fact that scenes in ’Tai-Pan’ are almost entirely set up in the British settlements around Hong Kong. We don’t see an equal representation with the Asian side of things as we do with ‘Shogun’ and the interplay with Toranaga (Historical name: Tokugawa) and other Japanese in dealing with the “foreign issue” What we get are snippets, then brought back to the British side of things, for example, we get Struan’s mistress, May-May and himself in conversations, or there are dealings with her bastard son through Struan, the secret Triad member, Gordon Chen, the only two “major” Chinese/Cantonese characters in the book. There are other more minor scenes and references, but the story is always planted more firmly in British soil. Around this time, there was an ever growing xenophobia in China that could have been more fully examined, but never reaches that point, only touched upon. This could have allowed more characters from the Asian side to participate in the drama. As it is, the main center of the story revolves around the one-upmanship between Struan and his company, Noble House which is based on the real Jardine Mattheson Holdings Limited company, and Tyler Brock, with British politics, both domestically and abroad, occurring intermittently.
Once again my question. Just what type of novel is this? Is it historical fiction, or historical commentary wrapped around an Anglo-centric bias? Why, if this is an Historical fiction, are there not major, or even minor fictional characters finding themselves in the time period, experiencing things for themselves, and addressing what they see are the main issues? Even the word “Tai-Pan” is used somewhat incorrectly, as it implies in the novel that the Tai-Pans (Definition: The head or owner of a business establishment), have great political power, maybe even more impressive power than the British Government itself, certainly something that Struan leaves an impression on from time to time, but not an emphasis which the word lends itself to.
The most irritating thing about the book is Clavell’s Chinese character’s sense of diction, accent, and manner of speech. Most of the Chinese dialog in this novel is dominated by May-May, semi-main characters, like her and Gordon Chen. In any given pages she comes out sounding cartoonish. Dialect, accent, and diction are very hard things to do. In fact, to take Clavell off the hook , there are only a few great authors who can pull these things off without a hitch, so I sympathize. But reading May-May’s lines I grimace, as they sound so clunky. For a few lines, May-May sounds proficient, adding to her vocabulary Struan’s Scottish nuances, like “You dina…” (‘Tai-Pan’ 194), or “Na so loud! The sea god may hear you.”, as she attempts to appease the Chinese god’s to help their listing boat to safety, by pretending to offer the god gold, but “cheating” in the end, and promising Struan that the god would never know that she tricked the god out of her end of the bargain by not dropping some gold into the sea (195). As she is Struan’s mistress, picking up on Struan’s Scottish dialectical and phonetic nuances are understandable. We are never really given an approximation as to how long she had been with Struan, but it seems to be a significant time. Long enough to pick up the habits of the user of the second language she is learning from. But like many other Chinese characters in the book, she reverts at times from perfect sounding English to becoming the stereotypical Asian woman, speaking cute, quaint, but gibbering English (and I won’t repeat the sexual innuendo associated with Asian women trying to speak English, but I assume you get the idea!).
What gives this book a plus, aside from the historical problems is that it is a decent drama and adventure. It has all the passion of ambition, love, and danger one can expect from a story with an “exotic“ setting and an adventure behind it. For this, I gave it three stars. But it doesn’t get more, because it doesn’t significantly deliver on its promise on the cover to be part of an ASIAN SAGA; one in which two cultures encounter one another, and the political and cultural consequences that follow. There is a Hong Kong hidden somewhere between two formable and foreign entities rivaling each other. But it is mostly a shadowed figure sandwiched between an Anglo-centric storyline, no matter how much Dirk Struan asserts his admiration and assimilation to some, and in the pages of the book, very little, Chinese culture.
I still have four more novels in this series to go. I wonder how much further along Clavell will get in addressing things from both sides of the world?
‘Shogun’ (1600)
‘Tai-Pan’ (1841)
‘Gai-Jin’ (1862)
‘King Rat’(1945)
‘Noble House’(1963)
‘Whirlwind’(1979)
Before joining Goodreads, I had already read ‘Shogun’, so you, my friendly reader, do not have the luxury of a review of that as comparison, but I believe that what I say about ‘Tai-Pan’, set in Hong Kong, can easily be said of it’s predecessor.
First off, let’s talk about historical content. Clavell has said himself in interviews that the reason his characters are based on historical figures, the changes of names from historical to fictional ones are due to the fact that he wanted them to do something and say something outside their historical content (an interesting text ‘What we can learn from ‘Shogun: Japanese History and Western Fantasy’ :Editor Henry Smith/The Program for Asian Studies, University of California, Santa Barbra), is available online as a searchable text: (http://www.columbia.edu/~hds2/learning/) is an interesting group of essays both praising and criticizing certain aspects of Clavell’s novel, but he makes clear that as a novelist, he was not so interested in historical accuracy as he was in storytelling. This puts him somewhat apart from the likes of John Jakes, who attempts to portray the American epochs in his long Kent family chronicles and shorter Civil War epic as true as can possibly be. But Clavell goes farther, for while there is a George Washington and an Abraham Lincoln who resemble who they generally were in history in Jakes‘ series, Clavell actually invents names to stand in to the company of historical figures. So, with ‘Shogun‘, instead of William Adams, we have John Blackthorne and in place of Tokugawa we have Toranaga. In the case of ’Tai-Pan’ and the case of William Jardine, we have the Scotsman, Dirk Struan.
Why am I making such a big deal with names? Nothing, except that what Clavell is doing rather than telling a historical story, is to make commentary on the times, not by addressing what a given period does that can be seen and addressed like many pieces of literature can and does do (note that I’m not criticizing Clavell’s desire to make commentary here), but by allowing the historical characters to think and do things which may not be historically accurate, yet can ultimately serve Clavell’s point on the subject, especially of East/West cultural and political issues, and one with an Anglo-centric slant.
I have read many commentaries about Clavell being balanced in his view of the far East and the West, for example, unlike Blackthorne, who by the end of the novel practically swallows Japanese culture whole, Dirk Struan’s character in ‘Tai-Pan’ wants to strike a balance between Eastern and Western sensibilities. But while trying to see their point on two novels so far, I find something rather interesting. It seems that there is a circular argument, at least in ‘Tai-Pan’ that while Struan appreciates Chinese/Cantonese culture, it is because he is not only a merchant, and one waging a personal vendetta/war against the other merchant rival, Tyler Brock, former, somewhat sadistic shipmaster, but because he’s from Great Britain proper, that his perspective carries more weight, and not necessarily that China has truly (e.g. “spiritually“), opened his eyes, and certainly not to the degree of Blackthorne’s love affair with Japan. So, in the end, rather than being a balance between Eastern and Western cultures, as an Asian saga might imply, it is more Asia as seen through Anglo-Saxon eyes.
Another point in the novel that brings this home and actually puts ‘Shogun’ ahead of ’Tai-Pan’ is the fact that scenes in ’Tai-Pan’ are almost entirely set up in the British settlements around Hong Kong. We don’t see an equal representation with the Asian side of things as we do with ‘Shogun’ and the interplay with Toranaga (Historical name: Tokugawa) and other Japanese in dealing with the “foreign issue” What we get are snippets, then brought back to the British side of things, for example, we get Struan’s mistress, May-May and himself in conversations, or there are dealings with her bastard son through Struan, the secret Triad member, Gordon Chen, the only two “major” Chinese/Cantonese characters in the book. There are other more minor scenes and references, but the story is always planted more firmly in British soil. Around this time, there was an ever growing xenophobia in China that could have been more fully examined, but never reaches that point, only touched upon. This could have allowed more characters from the Asian side to participate in the drama. As it is, the main center of the story revolves around the one-upmanship between Struan and his company, Noble House which is based on the real Jardine Mattheson Holdings Limited company, and Tyler Brock, with British politics, both domestically and abroad, occurring intermittently.
Once again my question. Just what type of novel is this? Is it historical fiction, or historical commentary wrapped around an Anglo-centric bias? Why, if this is an Historical fiction, are there not major, or even minor fictional characters finding themselves in the time period, experiencing things for themselves, and addressing what they see are the main issues? Even the word “Tai-Pan” is used somewhat incorrectly, as it implies in the novel that the Tai-Pans (Definition: The head or owner of a business establishment), have great political power, maybe even more impressive power than the British Government itself, certainly something that Struan leaves an impression on from time to time, but not an emphasis which the word lends itself to.
The most irritating thing about the book is Clavell’s Chinese character’s sense of diction, accent, and manner of speech. Most of the Chinese dialog in this novel is dominated by May-May, semi-main characters, like her and Gordon Chen. In any given pages she comes out sounding cartoonish. Dialect, accent, and diction are very hard things to do. In fact, to take Clavell off the hook , there are only a few great authors who can pull these things off without a hitch, so I sympathize. But reading May-May’s lines I grimace, as they sound so clunky. For a few lines, May-May sounds proficient, adding to her vocabulary Struan’s Scottish nuances, like “You dina…” (‘Tai-Pan’ 194), or “Na so loud! The sea god may hear you.”, as she attempts to appease the Chinese god’s to help their listing boat to safety, by pretending to offer the god gold, but “cheating” in the end, and promising Struan that the god would never know that she tricked the god out of her end of the bargain by not dropping some gold into the sea (195). As she is Struan’s mistress, picking up on Struan’s Scottish dialectical and phonetic nuances are understandable. We are never really given an approximation as to how long she had been with Struan, but it seems to be a significant time. Long enough to pick up the habits of the user of the second language she is learning from. But like many other Chinese characters in the book, she reverts at times from perfect sounding English to becoming the stereotypical Asian woman, speaking cute, quaint, but gibbering English (and I won’t repeat the sexual innuendo associated with Asian women trying to speak English, but I assume you get the idea!).
What gives this book a plus, aside from the historical problems is that it is a decent drama and adventure. It has all the passion of ambition, love, and danger one can expect from a story with an “exotic“ setting and an adventure behind it. For this, I gave it three stars. But it doesn’t get more, because it doesn’t significantly deliver on its promise on the cover to be part of an ASIAN SAGA; one in which two cultures encounter one another, and the political and cultural consequences that follow. There is a Hong Kong hidden somewhere between two formable and foreign entities rivaling each other. But it is mostly a shadowed figure sandwiched between an Anglo-centric storyline, no matter how much Dirk Struan asserts his admiration and assimilation to some, and in the pages of the book, very little, Chinese culture.
I still have four more novels in this series to go. I wonder how much further along Clavell will get in addressing things from both sides of the world?
August 15, 2020
I am so pleased to read for the 2nd time one of James Clavell's Asian Saga. His novels are long but there is always something going on. As the main character works on one issue and resolves it another comes along. Keeps you wanting to know what is going to happen and keeps you reading. This book is about the founding of Hong Kong as a British Colony and the best seaport in the Orient. It is very personal oriented following the lives and relationships of a number of people - British, American, Chinese, Russian. Dirk's company is Noble House wish is the title of another of his books, which I will be re-reading next. Time period of Tai-Pan is 1841+. Dirk is the leader/owner (Tai-Pan) of The Noble House. It is a trading company - trading tea, silks, opium and many other things. The colony suffers from Malaria, which at that time was thought to come from bad air. The Chinese woman he loves comes down with Malaria and he hunts down a cure. Go ahead, read it.
July 17, 2020
I did not find it quite as gripping as the 1st time round, but it's still a good adventure book nevertheless, blending history with fiction quite well.
April 6, 2024
If I could give this book 6 stars I would.
It was terrifical good.
YOU ALL NEED TO READ THIS!
It was terrifical good.
YOU ALL NEED TO READ THIS!
October 21, 2023
Bello.
In maniera diversa rispetto a Shogun, e per motivi volendo anche differenti, ma bello.
Mi ha stupito il cambio completo (di epoca, di località, di personaggi) rispetto all'altro libro, pensavo la serie asiatica sarebbe proseguita con più continuità.
Una volta ripresomi dalla sorpresa mi sono però potuto immergere nelle atmosfere della Cina (e della nascente colonia britannica di Hong Kong) del 1800.
Diversa la collocazione geografica, uguale la sottolineatura sulle abitudini igieniche e di pulizia degli orientali (giapponesi in Shogun, cinesi qui) contrapposte al culto della sporcizia e delle superstizioni dannose (tipo quelle su pulizia delle mani o aria fresca) di noi occidentali dell'epoca.
Diverso anche il tipo di personaggi: il protagonista, il Tai Pan, è un uomo che grazie alle proprie qualità eccezionali ha creato un impero commerciale, e che da solo manovra la politica inglese e quella cinese, i commercianti delle due nazioni e chiunque gli passi vicino, al solo scopo di creare Hong Kong, e di usarla come grimaldello per aprire la Cina al mondo.
Un uomo quasi soprannaturale, che ovviamente deve avere una nemesi par suo e questa risponde al nome del rivale Brock, che con il Tai Pan ha una lunga storia iniziata ai tempi delle prime navigazioni di un giovane Dirk, ancora ben lontano dal divenire la figura semidivina che sarebbe stato in futuro.
Abbiamo commercianti inglesi e americani, soldati e marines, politici e delinquenti anarchici.
Oppio, tè, argento e navi a profusione.
Protestanti e cattolici, storie d'amore e vendetta, famiglie distrutte e odii imperituri.
C'è tutto insomma, ma la storia in sé in questo caso mi ha preso meno di quanto avrei voluto.
In Shogun si aveva da creare lo Shogunato, il destino del Giappone era in gioco e il protagonista era il jolly pescato dall'uomo che avrebbe cambiato la storia nipponica.
Qui il protagonista è l'uomo forte, l'eminenza oscura che muove con le sue parole il governatore della colonia, i soldati e i commerci. E la storia verte sulla lotta per il predominio commerciale e sulla sopravvivenza di Hong Kong.
Però l'ambientazione e l'epoca sono interessantissime (come gli inglesi si credano superiori a tutti, al pari degli americani e dei russi, o degli stessi cinesi che seguono le loro tradizioni commiserando i barbari incivili che pensano di poter cambiare qualcosa o ottenere qualcosa di duraturo coi loro comportamenti).
E la parte finale, con il tifone spaventoso che scompiglia tutte le carte disposte sul tavolo fino ad allora... Ecco, ambientazione, personaggi e finale mi hanno fatto amare questo libro malgrado la storia fosse un po' debole. E ammetto della tristezza per la conclusione, avrei voluto davvero un minimo di gioia per la Tai Tai.
(Però ho scoperto l'origine del termine Tifone, e pure quella della Triade!)
In maniera diversa rispetto a Shogun, e per motivi volendo anche differenti, ma bello.
Mi ha stupito il cambio completo (di epoca, di località, di personaggi) rispetto all'altro libro, pensavo la serie asiatica sarebbe proseguita con più continuità.
Una volta ripresomi dalla sorpresa mi sono però potuto immergere nelle atmosfere della Cina (e della nascente colonia britannica di Hong Kong) del 1800.
Diversa la collocazione geografica, uguale la sottolineatura sulle abitudini igieniche e di pulizia degli orientali (giapponesi in Shogun, cinesi qui) contrapposte al culto della sporcizia e delle superstizioni dannose (tipo quelle su pulizia delle mani o aria fresca) di noi occidentali dell'epoca.
Diverso anche il tipo di personaggi: il protagonista, il Tai Pan, è un uomo che grazie alle proprie qualità eccezionali ha creato un impero commerciale, e che da solo manovra la politica inglese e quella cinese, i commercianti delle due nazioni e chiunque gli passi vicino, al solo scopo di creare Hong Kong, e di usarla come grimaldello per aprire la Cina al mondo.
Un uomo quasi soprannaturale, che ovviamente deve avere una nemesi par suo e questa risponde al nome del rivale Brock, che con il Tai Pan ha una lunga storia iniziata ai tempi delle prime navigazioni di un giovane Dirk, ancora ben lontano dal divenire la figura semidivina che sarebbe stato in futuro.
Abbiamo commercianti inglesi e americani, soldati e marines, politici e delinquenti anarchici.
Oppio, tè, argento e navi a profusione.
Protestanti e cattolici, storie d'amore e vendetta, famiglie distrutte e odii imperituri.
C'è tutto insomma, ma la storia in sé in questo caso mi ha preso meno di quanto avrei voluto.
In Shogun si aveva da creare lo Shogunato, il destino del Giappone era in gioco e il protagonista era il jolly pescato dall'uomo che avrebbe cambiato la storia nipponica.
Qui il protagonista è l'uomo forte, l'eminenza oscura che muove con le sue parole il governatore della colonia, i soldati e i commerci. E la storia verte sulla lotta per il predominio commerciale e sulla sopravvivenza di Hong Kong.
Però l'ambientazione e l'epoca sono interessantissime (come gli inglesi si credano superiori a tutti, al pari degli americani e dei russi, o degli stessi cinesi che seguono le loro tradizioni commiserando i barbari incivili che pensano di poter cambiare qualcosa o ottenere qualcosa di duraturo coi loro comportamenti).
E la parte finale, con il tifone spaventoso che scompiglia tutte le carte disposte sul tavolo fino ad allora... Ecco, ambientazione, personaggi e finale mi hanno fatto amare questo libro malgrado la storia fosse un po' debole. E ammetto della tristezza per la conclusione, avrei voluto davvero un minimo di gioia per la Tai Tai.
(Però ho scoperto l'origine del termine Tifone, e pure quella della Triade!)
January 9, 2009
My first Clavell read was Shogun - that was good. Not great, but good - I remember being engaged, interested enough in the subject matter, the way the plot developed. Years passed and I tried Gai-jin - I only finished that because I constantly hoped that even turn of the page would somehow bring about the book's miraculous redemption. Far from redeeming itself, that book actually got worse as it progressed. Because I had heard that Tai-pan was better than Gai-jin, I gave it a try this week. Not the best idea I've ever had.
Especially for one who has read Gai-jin (and probably for anyone who hasn't), Tai-pan is a terrible disappointment.
First of all, there is the problem with the actual quality of the writing. It's crap. Not the crappiest crap I've ever seen, but really - if an author has to repeat the same "foreign-flavor" word 4 times on one page, he clearly doesn't have the most innovative of spirits.
Throughout Tai-pan dialogue drones, characters overlap each other in their thoughts, choice of words, and actions - and nothing all that exciting really happens in the overarching plot. Even the sex is dull, despite it being set out to somehow shock "Western" minds. As at least one reviewer has already noted, the main character is indeed the paragon of male perfection - it's just dull to read about him, and that's terribly unfortunate, considering nearly all of the characters seem to be obsessed with him. They spend a good portion of their time thinking to themselves how annoying it is that he is perfect and that they are weak. Who's the Tai-pan? Oh, Dirk Struan is the Tai-pain. The Tai-pan as the reader is reminded seeming every two pages. Gagfest.
I hate it when women are characterized as high-strung purebred horses - Clavell does this explicitly in this book in at least one scene, and implies it in others. Hasn't the "hot tempered but sexy" lover motif been worn out by now? I think that's partially why Shogun succeeded in its characterization where Gai-jin and Tai-pan failed - the main female of Shogun was more of a human than an animal and behaved accordingly, even if she was a bit idealized.
Especially for one who has read Gai-jin (and probably for anyone who hasn't), Tai-pan is a terrible disappointment.
First of all, there is the problem with the actual quality of the writing. It's crap. Not the crappiest crap I've ever seen, but really - if an author has to repeat the same "foreign-flavor" word 4 times on one page, he clearly doesn't have the most innovative of spirits.
Throughout Tai-pan dialogue drones, characters overlap each other in their thoughts, choice of words, and actions - and nothing all that exciting really happens in the overarching plot. Even the sex is dull, despite it being set out to somehow shock "Western" minds. As at least one reviewer has already noted, the main character is indeed the paragon of male perfection - it's just dull to read about him, and that's terribly unfortunate, considering nearly all of the characters seem to be obsessed with him. They spend a good portion of their time thinking to themselves how annoying it is that he is perfect and that they are weak. Who's the Tai-pan? Oh, Dirk Struan is the Tai-pain. The Tai-pan as the reader is reminded seeming every two pages. Gagfest.
I hate it when women are characterized as high-strung purebred horses - Clavell does this explicitly in this book in at least one scene, and implies it in others. Hasn't the "hot tempered but sexy" lover motif been worn out by now? I think that's partially why Shogun succeeded in its characterization where Gai-jin and Tai-pan failed - the main female of Shogun was more of a human than an animal and behaved accordingly, even if she was a bit idealized.
February 7, 2017
Currently watching a re-run of Shogun which has spurred me to finally pick up this novel which has been on my list for sometime now.
Oh Dear! DNF at page 115 & in truth been struggling to get to grips with this for a while, actually from the get-go. For why? Its jus an endless narrative with very little to no description of events or actions, let alone much (Zero) historical fiction context. It’s really only the C19th dialogue that places it as a historical fiction & I found myself drifting virtually from the get-go as I jus couldn’t identify with the characters that were all so leaden.
Sorry but that’s it for me, I can't be doing 700+ pages so 1 star as I mostly give those I DNF
I'll probably watch the film at 1 stage & see if that works.....
Oh Dear! DNF at page 115 & in truth been struggling to get to grips with this for a while, actually from the get-go. For why? Its jus an endless narrative with very little to no description of events or actions, let alone much (Zero) historical fiction context. It’s really only the C19th dialogue that places it as a historical fiction & I found myself drifting virtually from the get-go as I jus couldn’t identify with the characters that were all so leaden.
Sorry but that’s it for me, I can't be doing 700+ pages so 1 star as I mostly give those I DNF
I'll probably watch the film at 1 stage & see if that works.....
Read
June 3, 2021A marvelous read ... great characters & plot ... fascinating history
August 21, 2021
Είναι κρίμα που το μεγαλειώδες έργο του James Clavell δεν έχει εκδοθεί (στο σύνολο του) στην χώρα μας, παρά μόνο σε ευτελείς εκδόσεις τσέπης, οι οποίες δεν χαίρουν εκτίμησης από μεγάλο μέρος του αναγνωστικού κοινού. Κρίμα γιατί όχι μόνο πρόκειται για μια πρώτης τάξεως ιστορική απεικόνιση της Ασίας αλλά και επειδή το κάθε βιβλίο παρουσιάζει ιδιαίτερο ενδιαφέρον. Το "Ταί-Πάν" εξελίσσεται το 1984 και έχει ως κύριο θέμα την ανοικοδόμηση του Χόνκ-Κόνγκ και την εδραίωση του ως εμπορικός σταθμός. Ταυτόχρονα είναι η ιστορία της βεντέτας μεταξύ δύο οικογενειών, των Στρούαν και των Μπρόκ αλλά και η ιστορία του Ντίρκ Στρούαν του "Τάι-Πάν". Ένα γεμάτο, πλήρες, χορταστικό βιβλίο-σαπουνόπερα, με αρκετή ίντριγκα, δράση και ανατροπές που όμως διατηρεί ένα επίπεδο ως προς την πρόζα και την δομή. Το μόνο μειονέκτημα και ο μόνος λόγος που δεν μπόρεσα να το τελειώσω νωρίτερα είναι η έκδοση της "Καρρέ" με τα μικροσκοπικά γράμματα που κάνουν την ανάγνωση δύσκολη. Ελπίζω κάποια στιγμή να εκδοθεί το σύνολο του έργου του Κλάβελ γιατί πραγματικά αξίζει να υπάρχει στην Ελληνική αγορά.
January 21, 2019
In this book, subsequent to Shogun, we see much of Clavell's brilliance in bringing the founding of Hong Kong to life. Tai-Pan is a character much like the Anjin-san, and the complexity and action is very good. I rate this 5-stars, but then I do rate Shogun as Ten-Stars.
Definitely a masterpiece.
Definitely a masterpiece.
October 15, 2017
Tai-Pan follows Dirk Struan's quest to establish Hong Kong as the primary European port city in Asia. It picks up right after the Island is officially ceded to the British after China lost the war and the first thing Clavell does is establish Struan's character. The unusual thing here is that the protagonist already starts out as the undisputed "ruler" of Asia and the most powerful, intelligent, charismatic and wealthiest man in the book. He is the Tai-Pan - ruler - of the Noble House, the most powerful trading business in Asia. It is immediately clear that Struan dominates every other character in every sense of the word. He is always at least one step ahead of them and uses his superior intellect and influence to manipulate them into doing whatever benefits him - from the artist to the plenipotentiary, everybody obeys him, whether they realize it or not. The only exception is his arch rival, Tyler Brock. The two have been feuding for decades, sworn to destroy each other, despite having similar interests and actually working together a lot of the time.
Now, when a novel has a protagonist that starts out being the most powerful character in the book, having immense wealth and just about everything they could ever want, usually that character will fall from grace in order to even the odds and create actual drama for the reader to enjoy. This does happen in some way here. Brock attacks Struan's bank in Britain, effectively bankrupting him. But while this seems like exactly the kind of tension the novel needs in order to be interesting at that point, I can, without wanting to spoil too much, say that this issue is resolved within fifty pages. Struan, as always, finds a solution to this problem after an almost too convenient opportunity appears just as all seems lost.
This is a theme that continues throughout the book. Various minor or major problems arise and Struan deals with them immediately. Some examples include a malaria outbreak in Hong Kong, a Chinese attack on some of the traders' factories, someone close to the Tai-pan falling ill and an attempt on the Taipan's heir's life. All these incidents make up the entirety of the novel. There is no big quest, no life-threatening challenge that is to be overcome, only this series of problems that are fixed as soon as they arise. This is by far the biggest criticism I have with the book - there is no drama, no tension, nothing that would make me want to get to the end of the story to see whether the hero can overcome it. Everything basically just goes great throughout the entire book, barring some minor setbacks and very few tragic losses that come up occasionally. The very core of any narrative - adversity - seems to be entirely missing in this story. I never felt like I couldn't put the book down or had to read to the end of a chapter because half the time I didn't even know what I was reading about. The Tai-Pan was going around being the best at everything, having all the money and power and going home to the most beautiful woman in Asia every night. The truth is that, as likable and charming as he is, even to the reader, Struan is a very poorly written character. Characters need flaws and weaknesses and that is even more important for protagonists. I could not find a flaw or weakness in Dirk Struan, Tai-Pan of the Noble House, for the life of me.
So what about other characters? There are two major characters I want to talk about, although Clavell managed to create a fairly interesting and diverse cast of characters.
Struan's only surviving son, Culum, shows potential in the beginning of the book for an arch that never happens. He starts out as a bratty, arrogant, idealistic kid and while he definitely loses most of his brattyness he never really becomes half the man his father is. Several times throughout the book, he shows signs of having matured and being his father's son, hatching his own schemes and being in charge of his own destiny, however a few pages later he is the same insecure, naive child he was before. This continues until the very last page of the book.
Struan's rival, Brock, is actually one of the most fleshed out characters in the book. He shows actual depth, being torn between his cruel, heartless and efficient side and the love he clearly feels for his family. His daughter can make him turn from the monster he is to his enemies, to a truly caring and loving father. However, he does suffer from being made to look like the less intelligent, alcoholic and abusive version of Struan. Clavell seems to not have been able to decide whether he wants Brock to be simply a rival of Struan's or an evil fantasy antagonist. Even the names of his family and crew seem Orcish ("Brock", "Gorth", "Nagreth", "White Witch"). In the end, he is unfortunately not much more than another low hurdle or toothless lion that Struan overcomes with ease, which is a shame because Struan's personal relationship with Brock is actually one of the more interesting parts of the story.
Another problem I have with the book is the language. This bothers me possibly more than it should, but it has made the process of going through the fairly large novel quite a bit more tiresome than it should have been, so I feel I should mention it here: Struan is Scottish, most other characters are English, a lot of them come from low economic backgrounds and the rest are Chinese. Clavell decided to write every character just as they would speak. Most authors would show this by making the sailors say "Aye" a lot, here this completely changes the way that people talk, however. This is incredibly frustrating and hard to read at times, especially with some characters not even just speaking with an accent, but instead butchering grammar and "misspelling" words. To top it off, most Chinese speak pidgin English, a simplified form of the language, which is at times hard to comprehend at all. Here are two excerpts to show that I am not exaggerating:
"But I beed thinking muchly - like thee - about they two and us'n and I thinks it be best for they and best for us'n
"This cow chillo dooa cash easy can, never mind"
While I found Clavell's use of language in Shogun fascinating, here it felt nothing but off-putting to me.
In the last quarter of the book, the pace picks up tremendously, which did finally make me want to read more and get to the end. Not so much because there was any tension, but rather because I was curious to see what would happen before the end because I knew the book could not end in this state of paradise for the protagonist. To facilitate this change in pace, an embarrassing number of plot points were just dropped completely. While some might be picked up in the sequels, others certainly won't. As the pace kept speeding up and the end of the book was getting closer and closer I stopped hoping for some interesting finale and accepted that I would likely get some terrible twist of fate or act of god in the end that would make the finale seem less wholesome and try to make up for the fact that the protagonist faced no challenge throughout the entire story. I will talk about the finale in the spoiler below because I feel it's necessary as it made me lower my score from barely 3 stars to a fair 2 stars, but I can say without spoiling anything that I was not wrong in my assumption.
There were definitely aspects of the book that I liked. The well-fleshed out, interesting characters, the witty dialog, the contrast between the European and Asian cultures (although as always, Clavell may have exaggerated a bit here and made the Chinese seem more superior to the Europeans in many ways than they probably were) and most of all - the romance between Struan and his mistress, Maymay. I was surprised to find that this romance was my favorite thing in the story. The true love between the two, despite the different world views and cultural differences and despite the fact that Maymay would never be accepted in European society is quite beautiful. Clavell had an amazing talent for writing natural sounding dialogue between lovers and he showed it in Tai-Pan just as he did in Shogun.
Despite this, I can't help but feel quite disappointed, especially considering Shogun is one of my favorite books of all time. A story without adversity can barely be called a story and no matter how much you like him - a perfect, infallible protagonist is not going to be interesting to read about.
Now, when a novel has a protagonist that starts out being the most powerful character in the book, having immense wealth and just about everything they could ever want, usually that character will fall from grace in order to even the odds and create actual drama for the reader to enjoy. This does happen in some way here. Brock attacks Struan's bank in Britain, effectively bankrupting him. But while this seems like exactly the kind of tension the novel needs in order to be interesting at that point, I can, without wanting to spoil too much, say that this issue is resolved within fifty pages. Struan, as always, finds a solution to this problem after an almost too convenient opportunity appears just as all seems lost.
This is a theme that continues throughout the book. Various minor or major problems arise and Struan deals with them immediately. Some examples include a malaria outbreak in Hong Kong, a Chinese attack on some of the traders' factories, someone close to the Tai-pan falling ill and an attempt on the Taipan's heir's life. All these incidents make up the entirety of the novel. There is no big quest, no life-threatening challenge that is to be overcome, only this series of problems that are fixed as soon as they arise. This is by far the biggest criticism I have with the book - there is no drama, no tension, nothing that would make me want to get to the end of the story to see whether the hero can overcome it. Everything basically just goes great throughout the entire book, barring some minor setbacks and very few tragic losses that come up occasionally. The very core of any narrative - adversity - seems to be entirely missing in this story. I never felt like I couldn't put the book down or had to read to the end of a chapter because half the time I didn't even know what I was reading about. The Tai-Pan was going around being the best at everything, having all the money and power and going home to the most beautiful woman in Asia every night. The truth is that, as likable and charming as he is, even to the reader, Struan is a very poorly written character. Characters need flaws and weaknesses and that is even more important for protagonists. I could not find a flaw or weakness in Dirk Struan, Tai-Pan of the Noble House, for the life of me.
So what about other characters? There are two major characters I want to talk about, although Clavell managed to create a fairly interesting and diverse cast of characters.
Struan's only surviving son, Culum, shows potential in the beginning of the book for an arch that never happens. He starts out as a bratty, arrogant, idealistic kid and while he definitely loses most of his brattyness he never really becomes half the man his father is. Several times throughout the book, he shows signs of having matured and being his father's son, hatching his own schemes and being in charge of his own destiny, however a few pages later he is the same insecure, naive child he was before. This continues until the very last page of the book.
Struan's rival, Brock, is actually one of the most fleshed out characters in the book. He shows actual depth, being torn between his cruel, heartless and efficient side and the love he clearly feels for his family. His daughter can make him turn from the monster he is to his enemies, to a truly caring and loving father. However, he does suffer from being made to look like the less intelligent, alcoholic and abusive version of Struan. Clavell seems to not have been able to decide whether he wants Brock to be simply a rival of Struan's or an evil fantasy antagonist. Even the names of his family and crew seem Orcish ("Brock", "Gorth", "Nagreth", "White Witch"). In the end, he is unfortunately not much more than another low hurdle or toothless lion that Struan overcomes with ease, which is a shame because Struan's personal relationship with Brock is actually one of the more interesting parts of the story.
Another problem I have with the book is the language. This bothers me possibly more than it should, but it has made the process of going through the fairly large novel quite a bit more tiresome than it should have been, so I feel I should mention it here: Struan is Scottish, most other characters are English, a lot of them come from low economic backgrounds and the rest are Chinese. Clavell decided to write every character just as they would speak. Most authors would show this by making the sailors say "Aye" a lot, here this completely changes the way that people talk, however. This is incredibly frustrating and hard to read at times, especially with some characters not even just speaking with an accent, but instead butchering grammar and "misspelling" words. To top it off, most Chinese speak pidgin English, a simplified form of the language, which is at times hard to comprehend at all. Here are two excerpts to show that I am not exaggerating:
"But I beed thinking muchly - like thee - about they two and us'n and I thinks it be best for they and best for us'n
"This cow chillo dooa cash easy can, never mind"
While I found Clavell's use of language in Shogun fascinating, here it felt nothing but off-putting to me.
In the last quarter of the book, the pace picks up tremendously, which did finally make me want to read more and get to the end. Not so much because there was any tension, but rather because I was curious to see what would happen before the end because I knew the book could not end in this state of paradise for the protagonist. To facilitate this change in pace, an embarrassing number of plot points were just dropped completely. While some might be picked up in the sequels, others certainly won't. As the pace kept speeding up and the end of the book was getting closer and closer I stopped hoping for some interesting finale and accepted that I would likely get some terrible twist of fate or act of god in the end that would make the finale seem less wholesome and try to make up for the fact that the protagonist faced no challenge throughout the entire story. I will talk about the finale in the spoiler below because I feel it's necessary as it made me lower my score from barely 3 stars to a fair 2 stars, but I can say without spoiling anything that I was not wrong in my assumption.
There were definitely aspects of the book that I liked. The well-fleshed out, interesting characters, the witty dialog, the contrast between the European and Asian cultures (although as always, Clavell may have exaggerated a bit here and made the Chinese seem more superior to the Europeans in many ways than they probably were) and most of all - the romance between Struan and his mistress, Maymay. I was surprised to find that this romance was my favorite thing in the story. The true love between the two, despite the different world views and cultural differences and despite the fact that Maymay would never be accepted in European society is quite beautiful. Clavell had an amazing talent for writing natural sounding dialogue between lovers and he showed it in Tai-Pan just as he did in Shogun.
Despite this, I can't help but feel quite disappointed, especially considering Shogun is one of my favorite books of all time. A story without adversity can barely be called a story and no matter how much you like him - a perfect, infallible protagonist is not going to be interesting to read about.
March 10, 2024
Una saga indimenticabile! un'avventura in estremo oriente condita di sentimenti forti come amore, odio, invidia, sopraffazione....una lettura travolgente.
March 6, 2009
Oh yes, this is the Clavell I remember from Shogun. Even though it has been years, I remember that book vividly. Tai-Pan, although not a continuation of Shogun, is similar in style and character. There are some major storyline differences, but the extremely lucky, strategic and forward thinking main male character, and the bad-but not so bad antagonist. Then, a slew of wonderful side characters, the women being beautiful in different ways, but sly, clever and endearing, and the men, varying dramatically from evil to simple, kind to brutal.
If you want the general storyline, read the summary. The book has a story, but you read it for the characters, the double-crossing, the details. Dont expect one big war, or a big climatic event. Its about the journey.
As any 700+ page book goes, the first 100 pages are a mess of trying to understand the story setup, and the various backgrounds of the characters. A forewarning though- you really have to get past the pidgin and broken language, because some of the conversations will drive you nuts if you don't.
If you want the general storyline, read the summary. The book has a story, but you read it for the characters, the double-crossing, the details. Dont expect one big war, or a big climatic event. Its about the journey.
As any 700+ page book goes, the first 100 pages are a mess of trying to understand the story setup, and the various backgrounds of the characters. A forewarning though- you really have to get past the pidgin and broken language, because some of the conversations will drive you nuts if you don't.
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