Joy Preble's Blog, page 7

My friend Jennifer Mathieu is also one of my favorite writers. Actually favorite doesn't quite cover it. The woman can WRITE! She has this steady, understated style, simple yet layered, each moment building to the next, the character's emotions driving the action along with the external plot elements. And I think it comes not only from her understanding of the craft and her ability to mold it to her needs but also her understanding and thoughtfulness and endless curiosity and dark humor about the human condition, about the things we do and the things we want and the things we need. It is no surprise that she started as a journalist before she turned to the English classroom and the writing of young adult fiction. Just google, Jennifer Mathieu and Houston Press and you can read her columns which are irreverent and funny as hell and make me adore her even more. Like this one, in which she discovers that Gwynnie Paltrow has a lifestyle website called Goop. (which in full disclosure, I must say that subscribed to so that I could mock it and it's worked out swimmingly)

Jennifer occasionally asks me mentor-ish questions and I mumble some answer but in truth I need to be asking her because her career has rocketed off and she is handling it like a champ.

But to DEVOTED! It's her latest YA novel, out just a week or so from Roaring Brook, and it's a brilliant sophomore book, following the equally brilliant TRUTH ABOUT ALICE, which was on everyone's TBR list last year and which is important and gorgeous and moving and hits the nail about high school and girls and slut shaming and finding who you are even amidst people who would rather spread lies about who you are not.

DEVOTED is the story of Rachel Walker, who has been raised in what essentially is a Quiverfull family-- an ultra-fundamentalist Christian movement which places the man as the head of everything and women are raised to be helpmeets and modest above all else. (think the Duggar family--which Mathieu says inspired this novel, at least in part--but without the scripted cuteness, such as it is, and with whatever is actually under there that has been hinted at with the recent sexual abuse scandal) And then, of course, Rachel begins to have doubts. Not about faith in God, but about THIS faith and its effects on her and the life she is hoping to lead.

What I love more than anything about DEVOTED is the way Jennifer balances Rachel's journey. Rachel does not stop believing in God. She does not go all wild girl rebellious crazy. But she does move slowly, painfully, and in some cases with such frightening tension for the reader, toward a personal revelation that there are other ways to live, that they are not wrong, and that she will suffer more from staying than from escaping. (Seriously, I know no other author who could build such nail-biting tension into a scene where essentially the character is sitting and reading some emails!)

Jennifer just debuted the novel at Blue Willow Bookshop, one of our wonderful Houston indies, so here's the link to that page so you can get your own copy: http://www.bluewillowbookshop.com/book/9781596439115

Want to find out more about Jennifer Mathieu and her books? Visit her here !

When Leo and Max go searching for Leo's missing sister Paris, they find themselves on a scavenger hunt through Vegas and beyond. Here are some of the real views of where the journey takes them!

Fake Eiffel Tower at Paris Hotel!
Looking for notes from Paris! Do you see any?
Maybe she left a note up there!
When Max gets kicked out of the casino, here's what Leo sees.
More fake Eiffel Tower!

Of course since it's Vegas, there's a bar.

And oh! Is that the Bellagio across the street? Is Paris over there?
FINDING PARIS is out now from Balzer and Bray/Harper Collins!Need some road trip survival tactics? #EPICREADS  and I created some based on FINDING PARIS!http://www.epicreads.com/blog/road-trip-survival-tactics-from-finding-paris/

Anne Bustard, Nicole Griffin, Bethany Hegedus, Tim Wynne-Jones, meJust back from a week (an entire week!) teaching and learning and writing at The Writing Barn, a truly magical place for writers, founded and created by Austin author Bethany Hegedus and her husband Vivek. Workshops and retreat spaces and lecture series and guest authors from all over--all talking writing and learning writing and digging in to their craft. I'd been there a few times--both as a co-guest author recently with Nikki Loftin for the Words and Wine event, and as a participant in long weekend workshop taught by the amazingly brilliant Sara Zarr. (this was in fact where FINDING PARIS was workshopped and received those last tweaks that pushed it from almost acquired to acquired and on the road to publication, culminating this past April when it released from Balzer and Bray/Harper Collins.) So I was beyond honored, and not a little nervous, when Bethany asked if I would help teach a week long Whole Novel Revision workshop with Tim Wynne-Jones and Nicole Griffin.

It is a lovely thing to have the luxury of an entire week devoted only to the work. Okay, fun and food and a bunch of laughter slip in there, too, but even they are in the context of writing and revision and writing and revision and discussion of the same. Like a mini version of the residency session in an MFA program, but perhaps a bit less intense because there are no degrees involved! We learned from Tim's talk on dialogue and Nicole's on building novels by identifying the characters' emotions and even my own on crafting settings that matter, plus guest talks from Nikki Loftin and Anne Bustard (our TA for the week) and Brian Yansky. We ate our way through Austin at dinner. And we worked with our mentees, the hard, painful work that comes with talking about where a story has gone off track and how to make it stronger and better, how to make your vision work on paper. I was honored to do that, too, moved to tears many times by everyone's willingness to break through that fear and get it right.

 THIS is what writing is all about. It is about telling stories and digging for authenticity and peeling back the false stuff to get to the truth. It is about learning craft and building layers and finding the way to step back and let our characters soar. It is about knowing HOW to do all those things and making each book a better book than the one that came before it. It is about reading and learning and talking about those things.

It was good to be reminded. Sometimes I forget because there are the other pieces of this job-- the days when I feel lost in this endless loop of all the things beyond the book: How is it selling? Why did they say no to paying my mileage for that event? Did they say no to everyone? Will they buy another book? Will they promote it? Will it be enough? Am I enough? And on like that. Then I'll click to one of my list servs hoping for commiseration and someone will have typed a sentence like "Well, if they don't give you car service or send you to ABA then they're just not that into you." Or "Unless you get at least 4 starred reviews you can forget about another book." And on like that, filling my head with chatter about how I need to be on a Buzz Feed list. Now. Or someone else posts about how she wrote four books in 8 months and oh my god, maybe she could have done more if only she hadn't slept that one night.

The truth is that we can't ignore all that. It's a business after all. It's not just craft. But sometimes, it has to be about the work. Because without the work, the other stuff doesn't matter.

Last week at The Writing Barn, we talked about the work. We did the work. We lived and breathed art. It was GLORIOUS!!

Occasionally we had a few interactions with wildlife because out in this piece of South Austin there are deer and foxes and spiders and snakes and ants and bugs of all sorts. Nicole and I believe there was a bobcat trying to get into our cabin one night. Bethany believes we were hallucinating. To which I reply, it might have been a cougar.

Want to find out more about The Writing Barn? (So many great authors coming to teach, including Nova Ren Suma and Margo Rabb and Matt de la Pena!!) Here's the link: http://www.thewritingbarn.com

Mostly what happens after a book arrives, is that there's a flurry of activity and then you move on (or back, as the case may be) to whatever come next. In my case, I'm finishing up a third (and hopefully final) draft of IT WASN'T ALWAYS LIKE THIS, which arrives next May from Soho Press. Publishing deadlines march on even if you're promoting something else and so for a few weeks it's like this wonderful but crazy madness as you try to balance telling people about the book that just arrived-- in this case, FINDING PARIS--while still keeping your head in the upcoming project and also doing whatever else it is you do in your life. So I've been writing, revising, teaching, prepping lectures, scheduling events and travel and book clubs and… well you get the picture.

But a month in, it's time to take stock and so I'm going to do that here this morning, or at least attempt to. My non-publishing friends will often ask, "So how's the book going?" and I'm never exactly sure what that means except that I think it means sales and then I have to tell them that while I sort of keep track, really, that's the publisher's area not mine and I don't have access to all the numbers and remember I don't sell them out of the back of my car. And then we look at each other awkwardly and talk about something else, like Hillary Clinton's run for the White House or why kale is so popular when everyone knows what it tastes like.

What I do pay attention to is this: I am OVERJOYED at how many wonderful people are seeing in FINDING PARIS the story I hoped they would see. You are telling me that you cried in the places I hoped you would cry and laughed in the places I hoped you would laugh and saw the down and dirty side of Vegas I hoped you would see. You ached for the secrets that characters have such trouble revealing and you understood that Paris HAS to send Leo away, has to force her to confront things that Leo does not want to confront. You are telling me that you see that this may look like a surface happy road trip/caper story but it's anything but that and you are telling me that you are HAPPY that the book surprised you, that the story is twister than you expected and to that I say THANK YOU! And YES!

It's different book than I've written before; it's sparer and leaner and it's really much more showing than telling and so I had to trust that my readers would look at what is being said and described and what is being not said and put the pieces together. Although (and I'm no longer worried about the spoiler aspect at this point, although if you are, please close your eyes or something) the reveal of sexual violence comes later in the novel, you, my lovely readers, are telling me that this just made you go back to the beginning and then you said, "OH! oh! oh!" And you saw! And this makes me so grateful. Because as I've said a few times since the book came out, I strongly believe that although we think that we tell the world everything with our endless posting on social media, the truth to me is that we don't. That the dark painful stuff is still hard or impossible to say and our images are important and we don't like to show need or weakness or ask for help because look at all those happy people out there smiling on their Instagram feeds. I should be that, right? How can I tell an awful secret that will change the way you look at me? So it's slow reveal that unfolds page after page but can't arrive until Leo is ready for it to, until she has no choice but to tell.

And another thing that was a surprise and a happy one? So many WONDERFUL librarians who are saying how much they love FINDING PARIS and comparing it to one of my favorite titles, PAPER TOWNS by John Green. This makes me delirious with joy! It honestly never occurred to me but yes, Leo and Paris have some journey in common with with Q and Margo -- not the plot but the essence and  so I am honored.

Anyway. It's Tuesday. I have a lot of work to do and a talk to give on setting.

More soon, including a review of DEVOTED, which is out today from Roaring Brook and is written by my dear friend Jennifer Mathieu who is such a talented writer and amazingly wonderful human and funnier than hell.

Five things I'm obsessed about this Friday:

1. The endless rain here in Texas. The drought is over, at least the severe part, but yeesh. Enough. Scary and dangerous and oops, it just thundered again. Did I mention how on Monday it rained 1 FOOT in a few hours over the Houston metroplex? That is Noah level rain, folks.

2.  Kari Anne Holt's HOUSE ARREST, which will be out in October from Chronicle Books. It's so moving and wonderfully written and my heart is already aching for Timothy and I know more is to come.

3. My tomato plant. Tomato # 2 has ripened and more on the plant but the endless rain (see #1) is too much of a good thing.

4. Season 2 of CALL THE MIDWIFE. Chummy just returned from Africa. More babies have been born. One of the nuns has TB. Nurse Lee continues to learn how much she just doesn't know about life. And on like that and I am hooked.

5. Revisions. Revisions. Revisions. But when you read IT WASN'T ALWAYS LIKE THIS NEXT YEAR, it will have been worth it.

Happy Friday y'all.

If you haven't read FINDING PARIS, get yourself a copy. I'm so proud of this book. It's sparking great conversations. I'll be talking about it with a book club in Austin next month and a bunch more next fall and so if you're a teacher or librarian and would like to see me -- either in person or via a virtual visit-- please let me know! The lovely folks at Harper/Epic Reads have created a fabulous book club guide to get you going. You can find it HERE . 

xo

I had not read a book by Courtney Summers before ALL THE RAGE, although I’ve been reading abouther books for awhile now. Yes, an egregious omission. I know. But we writers have very long TBR lists and they got longer each year and so it is entirely possible to follow someone’s career and still not have actually read her books.
And then came my own FINDING PARIS, (spoiler alert here) and the story of sisters Leo and Paris, a very broken family and late in the novel reveal of sexual violence. A story about a girl who has trouble finding her voice to tell her truth and a sister whose own truths are lost in her fragile nature—a story and a mystery that looks like a larking road trip through Vegas on its surface, but is, like the characters, much more than that.
In that context, it was time for me to catch up with the books of Courtney Summers and to read ALL THE RAGE, which just released this April from St. Martins/Griffin.
Romy tells us right away in RAGE that something is wrong, that she had had too much to drink, that she went with a beautiful boy she’d been crushing on and that he raped her and hurt her and left her on the road.
In bits and pieces and flashbacks and flash forwards, we learn the rest of Romy’s story. That she had told. That the boy was the son of the sheriff in her small town. That she is the daughter of a man dismissed as a loser and a drunk. That her mother and her mother’s new boyfriend love her and want her to be happy and whole. That her own friends have turned against her. That she likes a new boy at work but isn’t quite sure what to do about that. That she uses her red lipstick and her red nail polish as armor against the world.
It’s a hard to book to read because awful things happen and keep happening. It’s an important book to read for these very same reasons. It is a story about rape culture and bullying and class prejudice, among many other things. Here’s how Amazon summarizes:
The sheriff's son, Kellan Turner, is not the golden boy everyone thinks he is, and Romy Grey knows that for a fact. Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything--friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy's only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn't speak up. Nobody believed her the first time--and they certainly won't now--but the cost of her silence might be more than she can bear.With a shocking conclusion and writing that will absolutely knock you out, Courtney Summers' new novel All the Rage examines the shame and silence inflicted upon young women in a culture that refuses to protect them.
Obviously I want you to read FINDING PARIS. I want you to talk about FINDING PARIS. I want you to download the reader’s guide that the Harper Collins created, because it’s truly excellent.  http://www.scribd.com/doc/262768484/Book-Club-Guide-FINDING-PARIS
And then I want you to read ALL THE RAGE by Courtney Summers. A tough and beautiful book, just like its protagonist, Romy Grey.
I’ll be talking about other related titles in the coming weeks, so stay tuned.

Today I’m so excited to talk with my Soho Press ‘bro’ Adam Silvera, about his about to release debut YA novel, MORE HAPPY THAN NOT, which has been racking up starred reviews and getting so much (well-deserved) buzz and press! Seriously, this book! And Adam—who I haven’t met in person yet— is pretty awesome, too.  (Full disclosure: The thing about writing books  for Soho Press is that everyone is pretty damn awesome. It’s just this crazy hive of amazing creativity!)
Anyway, here’s the synopsis from the Soho Press website:
Part Eternal Sunshine of the Spotless Mind, part Aristotle and Dante Discover the Secrets of the Universe, Adam Silvera’s extraordinary debut novel offers a unique confrontation of race, class and sexuality during one charged near-future summer in the Bronx.The Leteo Institute’s revolutionary memory-relief procedure seems too good to be true to Aaron Soto—miracle cure-alls don’t tend to pop up in the Bronx projects. Aaron could never forget how he’s grown up poor, how his friends aren’t there for him, or how his father committed suicide in their one-bedroom apartment. Aaron has the support of his patient girlfriend, if not necessarily his distant brother and overworked mother, but it’s not enough.Then Thomas shows up. He has a sweet movie-watching setup on his roof, and he doesn’t mind Aaron’s obsession with a popular fantasy series. There are nicknames, inside jokes. Most importantly, Thomas doesn’t mind talking about Aaron’s past. But Aaron’s newfound happiness isn’t welcome on his block. Since he can’t stay away from Thomas or suddenly stop being gay, Aaron must turn to Leteo to straighten himself out, even if it means forgetting who he is.
I know, right? You totally need to read this book.(okay, you totally need to read all my books, too, but today it's about ADAM!)
Here's what Adam Silvera had to say when we sat down laptop to laptop:
Joy: I know that at least part of the setting for MORE HAPPY is the Bronx you grew up in. What did you consider as you worked to get that setting authentically on the page? Were there places (and I know there’s a slight speculative fiction aspect to the novel) where you worked harder to fictionalize? Did you learn anything new about the familiar places as you re-created them as a setting for your characters?
Adam: Great question! One hundred percent of MORE HAPPY THAN NOT takes place in the Bronx. The original draft divided the book between the Bronx and Manhattan where Aaron (the narrator) worked (previously a bookstore, now a bodega on his block) but it created tons of complications with the distance between the primary settings. I was also living in Texas when I wrote the first draft and it was the first time I spent that much time away from the Bronx (and New York) and the differences between the states helped me realize how beautiful—and scary, admittedly—the Bronx is, and I wanted the book to double as a love letter to my home borough. That said, the book isn’t a mirror to the Bronx I grew up in. I took some liberties with parks, hospitals, post offices, etc. because I wanted this book to be Aaron’s story, not mine. There’s already enough in me in Aaron’s heart that I didn’t need to make this a full-on memoir.

Joy: You recently mentioned that you were excited that the pub date had been moved back a few weeks so that you would achieve your goal of publishing a book by the time you turned 25!  How long have you been writing? What inspired you to set that goal? Did your work at Books of Wonder and Paper Lantern have an influence on those goals?
Adam: Getting the pub date moved on was such a funny miracle—totally unimportant but still really cool. I probably started writing when I was ten or eleven. Harry Potter fan-fiction, of course. I was writing a big assault against Hogwarts because I loved writing action. But I became really serious about writing when I was fifteen or sixteen, publishing fan-fiction online for a very awesome community of readers that were demanding of more chapters so they kept me fueled to keep going and going. The goal itself was born out of 18-Year-Old Adam being super ambitious for no reason, but I took it very seriously when I was 21 or 22 because I wanted to put my all into my dream, especially since I never went to college and assumed that meant I would have a harder time getting published. So I worked extra, extra hard.
Joy: Who/what have been your biggest influences as a writer/teller of stories?
Adam: I’m of the Harry Potter generation so J.K. Rowling, obviously. Lauren Oliver taught me tons about discipline, Corey Whaley taught me how to tell a complete story within 200-something pages, and Benjamin Alire Saenz taught me to tell an honest story, even if it doesn’t have the “commercial value” writers always fear publishers are exclusively seeking.
Joy: You and I share an editor at Soho Press, the very awesome Daniel Ehrenhaft. Can you dish a little about the editorial process as you experienced it, bringing this novel from its incipient stages to the awesome debut that it is about to be?
Adam: Dan and I clicked instantly. My first phone call with him led to another phone call with my agent Brooks where I was like, “This is our guy.” Dan understood the vision of the book where other editors hadn’t. Dan only wanted to enhance what I produced and never strip away the essence. Dan’s double life as an author too has been especially valuable because he (and Brooks, actually) taught me to be more conscious of Adam Voice vs. Aaron Voice. My author voice would sometimes invade my main character’s narrating and I think I’ve got the hang of it now. We’ll see. I also super love Dan because when we were entering copyedits I realized how to fix something that had been bothering me about Act 3 and he delayed production to give me another six weeks to get my sh*t together and I’m now fully happy with the final product, and not just more happy than not with it. :)
Joy:  MORE HAPPY THAN NOT has received an enormous amount of (well deserved!) early pre-pub accolades. This can be both thrilling and overwhelming for a debut author. How do you keep even and focused amidst the hype? (Cause you seem to be handling it all very well!)
Adam: I think I was doing way better a couple months ago because I had two new manuscripts keeping me busy, but I just turned in one to my agent a couple weeks ago and the other is due in October. Keeping up with social media a month before debuting admittedly is very demanding, but there are worst problems to have than chatting with people who are excited about something you’ve created.  I am definitely feeling pressures with my future books though because MORE HAPPY is such a personal book and I don’t think I can ever recreate that experience or fall in love with another book of mine the way I have with that book. But I guess that’s not any different than love, where sometimes you have to move on and end up surprising yourself with your capabilities to love again.
Joy: Once a novel is out in the world, it becomes the property of the readers and we authors have to let go. But as the story’s creator, what do you hope readers bring away from the novel? Why this novel at this moment in time? Why did this become your debut, the story you had to write?
Adam: The book’s genesis came from me wondering about nature versus nurture in regards to homosexuality, and the way people often mistaken sexuality as a choice. And I thought about what life would look like if you could choose your sexuality, specifically, if a teenager who’s gay could choose to be straight. Would he do it? And what needed to happen in his life to lead to such a decision. I paired this with some emotional beats pulled from my relationship with the first guy I fell in love with, and came out for. I originally wanted to write a dystopian trilogy—that’s what was hot!—but I read some books that told very contained, grounded stories in a single volume that impressed me and I knew that’s what I wanted to do, too. Tell a full and honest story in one book, even if my narrator was dealing with emotional trials that don’t always necessarily excite a publisher or Hollywood.
Joy: What’s coming next for Adam Silvera?
Adam: My second novel HISTORY IS ALL YOU LEFT ME is tentatively scheduled for fall of 2016. It’s about grief and OCD and love and lies, and it’s kicking my ass emotionally and psychologically and is pushing me as a writer, and I hope I level up with each book.
Thanks, Adam!
For more about MORE HAPPY THAN NOT, go to the Soho Press website. http://sohopress.com/books/more-happy-than-not/

And for more about Adam Silvera, go to:  http://www.adamsilvera.com

Normally I'm all five for Friday. But it's Thursday. Deal with it.

1. Titos and Pineapple
Best summer cocktail ever. At least it was yesterday. I believe were it not for me knowing how many calories are in those little cans of pineapple juice, I could have a number of these. Sipped one while making dinner.

2. My arc of Julie Murphy's DUMPLIN'
A gorgeous book. And I don't just mean the cover. Julie gets it all right--relationships and insecurities and how we can love and hate things all at the same time. Plus Texas. And pageants. And the crap we do to each other and ourselves. You are in my head, Julie Murphy. You really are.

3. Lyla the bassett/boxer
She is afraid of everything and nothing, my dog. She is long and unwieldily and yet oddly athletic. She celebrates after pooping. What is not to love?

4. My sort of gladiator sandals from Lucky and my not-quite maxi dress from Madewell.
You are my summer uniform. I love you both and yes I could wear you both every single day. So the thing is that I have skinny ankles. So shoes that show that off look weird on me. Seriously, I have ankles like wrists. But these sandals. Perfect. Likewise the dress. A full maxi makes me look like I am in my nightgown (okay, I don't wear nightgowns but if I did) because I am short. But this dress stops just above my skinny ankles. It is PERFECT. And I love it. And now you know.

5. My tomato plant! 
Because it is growing real, gorgeous tomatoes. That are very tasty. And I could be a veggie farmer if I wasn't so lazy and incompetent but this plant was sitting in a corner outside Kroger, like the Charlie Brown Christmas tree of tomato plants and I brought it home and set it on a little round table on the patio and then it luckily rained for like a thousand days straight and now I think I will have 20 tomatoes in my crop.

Today I’m sitting down to chat with one of my critique partners, the awesome Kim O’Brien, about her debut YA novel, BONE DEEP. (Full disclosure, Kim is not only a friend, she is also a skilled equestrian and amazing cook and my recent partner in crime on the ABC morning news as we did our first live TV interview (thanks Tom Abrahams!) to promote the MoCo Book Fair a couple months ago)  Kim’s fans know her from her numerous inspirational romances or maybe even her board book series on horses, but with BONE DEEP, she is shifting genres to YA and she’s off to a great start with this contemporary mystery/romance, out today from Spencer Hill Contemporary!
Joy: Tell us a little bit about BONE DEEP.
Kim: Thanks Joy for having me on your site and congratulations on the release of your new book FINDING PARIS. I loved it!!!
As far as BONE DEEP goes… well, it is a mystery and, at its heart, a love story. It’s about a girl -- Paige Patterson -- who travels to Arizona to spend the summer with her archaeologist father. While there, she is reunited with her childhood best friend, Emily and soon finds herself falling for the project manager’s son, Jalen. But the summer takes a terrible turn when Emily vanishes. As the police struggle for answers, Paige sets out to find the truth. The search takes her from the Cliffside ruins of prehistoric Native Americans to the Navajo Nation to the horrifying possibility the answer is much closer to home. Her father has no alibi for the night Emily disappeared, and Jalen has some secrets of his own. As Paige digs deeper into Emily’s disappearance she realizes that uncovering the truth may cost her everything – even her life.         
 Joy: Why the Southwest? Why archaeology and Native American legend?
Kim: This above photo is Montezuma’s Castle in Camp Verde, Arizona. My family and I visited there a few years ago and these ruins became the inspiration for BONE DEEP. It’s hard to tell from this picture, but the castle is actually about 90 feet off the ground and set into a sheer limestone cliff. Imagine having to navigate a series of ladders and make that climb multiple times every day! But that’s what the Sinagua Indians did. These prehistoric Native Americans lived in these ruins for about 400 years and then overnight they mysteriously vanished. To this day no one knows why. I became fascinated by the ruins and the idea of people mysteriously disappearing. The more I learned about Native American mythology and legend, the more I fell in love with the culture. Even now, looking at this photo of the ruins, I wonder what secrets they are holding…    
 Joy: What are three things we might be surprised to learn about you?
Kim: 1. I have two different colored eyes2. I’ve written everything from non-fiction children’s books to Inspirational romance to young adult mysteries.  3.  I love watching college football –  Gig ‘em Aggies! Sic ’em Bears!
Joy: Who are some of the authors who have inspired you?
Kim: Jodi Piccoult, Stephen King, Anna Sewell (Black Beauty), Carolyn Keene (a pseudonym for the ghost writers of the original Nancy Drew series)

Joy: Advice for aspiring writers?
Kim:
1. Read constantly. There’s a saying that goes something like not all readers are great writers, but all writers are great readers. Not only is reading really, really enjoyable, but also it helps wire your brain for rhythm and cadence.2. Practice your craft every day. Make writing a daily habit, even if you only have a short time. Pick a time and stick to it.  3. Get feedback from someone you trust (and/or join a critique group). Having your work read aloud by other people is extremely helpful.
Joy: What's coming next for Kim O'Brien?
Kim: I’m working on a thriller called, “The Darkest Place.” It’s about a girl who gets stalked. Hopefully reading it will make everyone check their locks before they go to bed. Only kidding. More seriously, as I researched stalking I was amazed how common it is, and how hard it is to get rid of a stalker once he or she locks onto you.  
Joy: Okay, time for a quick Lightning Round:
Wine or whiskey?WineChocolate or twizzlers?Chocolate Guilty pleasure TV?The Bachelor/BacheloretteSong you can't get out of your head?Billy Joel’s “Say Goodbye to Hollywood.”

Joy: Now you all need to go out and get a copy of BONE DEEP!
 And for more information about Kim O’Brien, go to: http://www.kimobrienbooks.com

Earlier this week, I was honored and honestly, ecstatic that Amanda MacGregor at SLJ's Teen Librarian Toolbox gave FINDING PARIS this glowing and very thoughtful review.

And I'm good with the spoilers if I say that this paragraph in particular made me happy:
"There is so much to discuss here—the family dynamics, the silence, the secrets, the distrust, the suspicion, the denial, the shame and more. Because of the late reveal about the sexual violence, it forces readers to rethink what they think they know about the story and the characters. It also makes readers think about what the future will hold for Leo. This is a great addition to the list of titles that discuss sexual violence."
Because, as I've talked about before on this blog and elsewhere, here's what I know to be true. Despite social media where we seemingly tell every detail of our lives in painstaking detail, the truth is, we really don't. Too often--for so many reasons--we keep the bad stuff a secret. We can't bear to tell or we are afraid or ashamed or we just don't have the words. Even now. Even today where we have a hashtag for every social change, every paradigm shift we hope to make. The world is still, as it always has been, a very dangerous place for women, and even more dangerous for young women. Not everyone lives in a safe family. Not everyone has parents who do the right thing. Bad things happen even when you do. And despite what we might want, we aren't always talking about it. Particularly teens. Particularly those  most vulnerable.
So it was important to me to write a book where once you got to the reveal, you had to think back to all you were being told and shown page after page but weren't processing. To all those moments you were thinking, where is this road trip going? What is Leo really showing us about Vegas and LA and her life and Paris?
Here are some sobering statistics, courtesy of RAINN, the nation's largest anti-sexual assault organization:44% of sexual assault victims are under age 1880% of sexual assault victims are under age 30Every 107 seconds another sexual assault occurs68% of sexual assaults are not reported to the police98% of rapists will never spend a day in jailAnd that's just the beginning.
Organizations like RAINN  www.rainn.org are making a difference. 
YA novelists are making a difference too.Of course one of the well-known examples is Laurie Halse Anderson's SPEAK.I'll be talking about others on this blog during the coming weeks, including ALL THE RAGE by Courtney Summers, which is out now from St. Martin's Griffin.