Kate Briggs

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Kate Briggs


Born
Somerset, The United Kingdom

Kate Briggs was born in Somerset, United Kingdom.

Writer, essayist, and translator from French into English of authors such as Roland Barthes and Hélène Bessette. She lives and works in Rotterdam, where she founded and co-directs the writing and publishing workshop Short Pieces That Move and teaches at the Piet Zwart Institute.

In addition to The Long Form, her first novel, her works This little art and Entertaining Ideas.

In 2021, Kate Briggs received the Windham–Campbell Prize.

Average rating: 4.12 · 1,890 ratings · 332 reviews · 27 distinct worksSimilar authors
This Little Art

4.31 avg rating — 739 ratings — published 2018 — 6 editions
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The Long Form

4.07 avg rating — 500 ratings — published 2023 — 11 editions
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Entertaining Ideas

3.83 avg rating — 29 ratings2 editions
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The Hotwife Experiment: An ...

4.55 avg rating — 11 ratings
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Exercise in Pathetic Criticism

3.50 avg rating — 2 ratings — published 2011
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Commanders: History's Great...

0.00 avg rating — 0 ratings — published 2012
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Calvariae Disjecta

0.00 avg rating — 0 ratings
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Forgotten Truth

0.00 avg rating — 0 ratings2 editions
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The Nabokov Paper

0.00 avg rating — 0 ratings2 editions
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Needs of People with Dement...

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More books by Kate Briggs…
Quotes by Kate Briggs  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“I know time. I know time differently now. I know it because I am unlearning it. I know it because the baby is teaching me that the rhythms of the clock and the calendar, and even the most elemental diurnal patterns – they don’t go without saying: they are acquired, if not violently imposed. It is a lived and not an abstract form of knowledge that comes from living alongside a beginner – the way the days can all of a sudden feel like they're undivided, divided by nothing, only water.”
Kate Briggs, The Long Form

“In this sense, literary translation, as a labour of changing words, and changing the orders of words, is always and from the outset wrong: its wrongness is a way of indirectly stressing and restressing the rightness of the original words in their right and original order.”
Kate Briggs, This Little Art

“A novel is interested in how one thing follows another; it is equally (arguably more) interested in what it feels like to live in time; in life lived by intensity. As a treatment of time, a novel activates not only curiosity in the reader (And then?) but memory: a form of attention that is accumulative as well as anticipatory, backward-reaching as well as forward-facing and itself capable of acting on time. That is, of repeating or extending the strategies of the narration. By skipping a bit of it. Or staying with it. Thickening it by reading a passage again.”
Kate Briggs, The Long Form

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