Laura Riding

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Laura Riding


Born
in New York City, The United States
January 16, 1901

Died
September 02, 1991

Genre


Laura (Riding) Jackson was an American poet, critic, novelist, essayist and short story writer.

1923-1926 as Laura Riding Gottschalk
1927-1939 as Laura Riding
1963-1991 as Laura (Riding) Jackson

She also published under the pseudonym Madeleine Vara.
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Average rating: 4.18 · 419 ratings · 65 reviews · 59 distinct worksSimilar authors
The Poems of Laura Riding: ...

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4.46 avg rating — 83 ratings — published 1938 — 6 editions
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Progress of Stories

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4.33 avg rating — 69 ratings — published 1935 — 11 editions
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Anarchism Is Not Enough

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4.28 avg rating — 46 ratings — published 1928 — 6 editions
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Selected Poems: In Five Sets

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4.06 avg rating — 48 ratings — published 1970 — 4 editions
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Four Unposted Letters to Ca...

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3.76 avg rating — 33 ratings — published 1930 — 4 editions
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Experts Are Puzzled

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3.89 avg rating — 19 ratings — published 1930 — 4 editions
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A Selection of the Poems of...

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really liked it 4.00 avg rating — 18 ratings — published 1994 — 2 editions
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A Survey of Modernist Poetr...

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really liked it 4.00 avg rating — 8 ratings — published 1969
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The Word "Woman" and Other ...

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4.20 avg rating — 5 ratings — published 1993 — 3 editions
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Mindscapes: Poemas

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3.50 avg rating — 6 ratings — published 2004
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Quotes by Laura Riding  (?)
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“Because whenever you think or you believe or you know, you’re a lot of other people: but the moment you feel, you’re nobody-but-yourself.”
Laura Riding, Four Unposted Letters to Catherine

“Public interference with poetry rests on the popular delusion that an immediate commerce exists between historical truth and poetic truth; that the historical universe is potentially the poetic universe. The historical universe is, however, only a temporary aggregate of ideas. These ideas may direct the structure of the literary universe, which produces the philosophical journalism of a period; the structure of the poetic universe is directed by a person in single-handed conflict with the time-community. Science, the present-day aggregate of tribal ideas, puts on the creative mind a social compulsion to accept these ideas; and criticism acts, as usual, as the nattered instrument of conversion. Official literature is born of a critical rather than of a literary sense; it is the social institution which the [professionalized] poet is hired to serve.”
Laura Riding, Contemporaries and Snobs

“What is beheld through glass seems glass.

The quality of what I am
Encases what I am not,
Smoothes the strange world.
I perceive it slowly,
In my time,
In my material,
As my pride,
As my possession:
The vision is love.

When life crashes like a cracked pane,
Still shall I love
Even the strange dead as the living once.
Death also sees, though distantly,
And I must trust then as now
A prism — of another kind,
Through which one may not put one's hands or touch.”
Laura Riding

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