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Night Before Battle -- I was thinking last night, while we were watching M*A*S*H*, about Hemingway's preoccupation with war.
There is an episode of M*A*S*H*, not the one we were watching, where they make a thinly veiled attack on Hemingway's war writing. A famous journalist/author with a red beard and huge physical presence comes to the 4077th and has a run in of philosophy with Hawkeye and BJ (I think it was BJ), and he's written off as a bloodthirsty exploiter of warfare.
As a take on Hemingway ...more
There is an episode of M*A*S*H*, not the one we were watching, where they make a thinly veiled attack on Hemingway's war writing. A famous journalist/author with a red beard and huge physical presence comes to the 4077th and has a run in of philosophy with Hawkeye and BJ (I think it was BJ), and he's written off as a bloodthirsty exploiter of warfare.
As a take on Hemingway ...more

In a way, it's almost an injustice to read these stories straight through, from cover-to-cover. Each story offers a unique experience in transforming words into imagery in a way that is unique to Hemingway. To simply read one story and then continue on to the next without time for reflection deprives the reader of some Top-Chef caliber, food-for-thought. Even now, my initial reading of this collection comes back to haunt me, from time-to-time, with ah-ha moments.
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Jun 10, 2009
Barbara
marked it as to-read
This is my first voyage into Hemmingway's work since my days in college. It is amazing how much more they means as an adult and without an English professor waiting to hear and "destroy" your interpretation of his work. I read Fathers and Sons first and feel that I need to read it another time or two before I can comment. There is a lot packed into a few short pages.
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July 2011 will be my Hemingway month. I read many of Hemingway's works like many people did, when I was young and when I was in school. But perhaps this isn't the best way or at least not the best for me because its only now, this month makes it fifty years after his death, that I can really appreciate him.
I recommend looking past Hemingway the myth and into Hemingway the writer because he was a damn good one. His short stories are some of the best he has to offer and some of the best anywhere. ...more
I recommend looking past Hemingway the myth and into Hemingway the writer because he was a damn good one. His short stories are some of the best he has to offer and some of the best anywhere. ...more

I probably learned more about writing from these fifty-four stories than anywhere else, although I don't know that Hemingway would approve of my style. Unless, of course, he noticed the simplicity within the complex sentence structure. In any event, the art of omission is an important tool for a writer to have in their toolbox, and I don't think I would have ever understood that without having been exposed to these tight, finely crafted stories at a young and impressionable age.
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I know I read this book many, many years. But maybe I didn't hit every story. So I am having a go again.
Every time I read Hemingway, I am left with this thought--I don't think he is trying to tell me anything deep. He just wants to relay the most honest and true reactions and thoughts of humans and he does. ...more
Every time I read Hemingway, I am left with this thought--I don't think he is trying to tell me anything deep. He just wants to relay the most honest and true reactions and thoughts of humans and he does. ...more

May 08, 2009
Marcicle
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Jan 11, 2012
Ross Cohen
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Feb 21, 2012
Rodney Ulyate
marked it as to-read

Aug 06, 2012
Lynn Demarest
marked it as to-read