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What Members Thought

Eliot’s prose style is difficult. It is wordy. Grasping the points she is trying to make is thwarted by her dated and convoluted prose. The sequence of plot events is not hard to follow, but when she switches to her "lecture-mode" what she is saying becomes difficult to understand. Eliot lectures, she preaches, she uses this book as a podium from which she pontificates her views on morality, on goodness, on superstition, on money, on social norms, on class and on religion. I was curious; I wante
...more

I loved this book. The story of this sad and lonely man who finds love and redemption when he adopts a girl was just lovely to read.
Eliot took her protagonist from a tight knit and religious community to a solitary existence and then into the hearts of another community. She explored the theme of individual versus community so beautifully. At the time this book was written a person's village was extremely important; a person's identity was provided by the community. We see this most definitely w ...more
Eliot took her protagonist from a tight knit and religious community to a solitary existence and then into the hearts of another community. She explored the theme of individual versus community so beautifully. At the time this book was written a person's village was extremely important; a person's identity was provided by the community. We see this most definitely w ...more

From BBC Radio 4:
With the arrival of an orphan girl, the old recluse vows to change. Stars Michael Williams, Edward Woodward and Jenny Agutter.
Page 10:
If there is an angle who records the sorrows of men as well as their sins, he knows how many and deep are the sorrows that spring from false ideas for which no man is culpable.
Page 11:
Minds that have been unhinged from their old faith and love, have perhaps sought this Lethean influence of exile, in which the past becomes dreamy because its symbol ...more
With the arrival of an orphan girl, the old recluse vows to change. Stars Michael Williams, Edward Woodward and Jenny Agutter.
Page 10:
If there is an angle who records the sorrows of men as well as their sins, he knows how many and deep are the sorrows that spring from false ideas for which no man is culpable.
Page 11:
Minds that have been unhinged from their old faith and love, have perhaps sought this Lethean influence of exile, in which the past becomes dreamy because its symbol ...more

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