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At first I was annoyed at how much insinuated detail there was: the author decided to avoid an info dump about the 1780s of London by making every other sentence serve as a vehicle for a passing remark on current events, manner explanations, or political tensions. It seemed a thin excuse that the protagonist we first meet is an up-and-coming actress who is trying to pass for a gentlewoman, and knows little of the inherent topics of well-bred conversation. Eliza's pretty darn good by the time we
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Feb 19, 2008
Dana Berglund
marked it as to-read

Jun 30, 2008
Ellen
added it

Jul 18, 2018
Iamshadow
marked it as to-read