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If you’re after a literary autobiography, situating it’s self-object historically and critically, you will be disappointed. Debord’s panegyric to himself maintains an ironic, self-critical distance from its author. In this lacuna, he nonetheless finds ample space to reflect on insights of a life lived against and outside of its time; an unseasonable nature brought further into focus by regular allusions to the words and thoughts of figures long gone. The second part consists entirely of quotatio
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Oct 16, 2019
ines
marked it as to-read
Mar 30, 2016
Conner
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