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Donoghue's feminist retellings of fairy tales is not as original as it would have been when first published, but the beauty and power of her prose is undiminished. The short first-person accounts flow fluidly (sometimes more fluidly than logically) from one to the next, connected by overlapping characters, a technique that elides the traditional good/evil dichotomy of fairy tales. However, readers should resist the tidal pull of the transitions and take a couple of breaks rather than reading str
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So I guess I knew who Emma Donoghue was before she was "cool" (i.e., pre-ROOM), since this book has been on my shelf FOREVER ... but I didn't actually read it till after I'd read her more recent stuff. I'm generally 10-20 years behind on my TBR, though, so this is not at all unusual.
Having read her later stuff first, I can see that her writing voice is not quite as strong or refined in this collection, but the prose is still beautiful most of the time, with the exception of a few moments when it ...more
Having read her later stuff first, I can see that her writing voice is not quite as strong or refined in this collection, but the prose is still beautiful most of the time, with the exception of a few moments when it ...more

Sep 16, 2011
Christine
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Shellie (Layers of Thought)
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