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This is the third book I have read by Nalo Hopkinson, still until Veronica chose it for the Sword and Laser pick, it was unknown to me. There is a lot going on here - African mythology, ancient ritual, an international cast of women spanning different time periods, magic or voodoo, slave revolutions, slavery, freedom, etc., etc. In fact I am feeling I should not have read it the way I did, all but 50 pages in one sitting. I feel like all of it is still swirling around in my head.
One thing I know ...more
One thing I know ...more

Sensual, atmospheric, highly unique voice. The interconnectedness and the shuffling between POVs might be disorienting - with a very late introduction to the third one - but overall, this is a fascinating reading experience. Magical realism and #Girlpower! Definitely won't be my last Hopkinson.
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A mix of historical fiction and magical realism, following three different women in three different time periods: Mer, a healer and plantation slave in cusp-of-the-revolution Haiti; the real-life historical figure Jeanne Duval in 1840's Paris, Haitian mistress to poet Charles Baudelaire; and Thais, an Ethiopian prostitute in fourth century AD Egypt.
Hopkinson links our main characters via a framing device: African goddess Lasirén/Mami Wata, fragmented by the slave trade's dispersion of her peopl ...more
Hopkinson links our main characters via a framing device: African goddess Lasirén/Mami Wata, fragmented by the slave trade's dispersion of her peopl ...more

A mix of historical fiction and magical realism, following three different women in three different time periods: Mer, a healer and plantation slave in cusp-of-the-revolution Haiti; the real-life historical figure Jeanne Duval in 1840's Paris, Haitian mistress to poet Charles Baudelaire; and Thais, an Ethiopian prostitute in fourth century AD Egypt.
Hopkinson links our main characters via a framing device: African goddess Lasirén/Mami Wata, fragmented by the slave trade's dispersion of her peopl ...more
Hopkinson links our main characters via a framing device: African goddess Lasirén/Mami Wata, fragmented by the slave trade's dispersion of her peopl ...more

Too literary for me. I liked the twining stories and the spirit who flew between them, but I was completely thrown out when a girl had sex with her brother. Ick. Sorry, I'm not sophisticated enough for that. I read the rest through a long pole, afraid to find something similar and refusing to engage emotionally with any character.
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Dark, depressing, mystical, raunchy, beautiful. Hopkinson is a poet.

Sep 10, 2010
Jennifer
marked it as to-read

May 07, 2014
taeli
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Jan 30, 2015
Sarahjane
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Nov 25, 2016
Stephanie
marked it as to-read
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review of another edition
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Apr 08, 2017
Andrei Rybin
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Apr 22, 2017
Mark
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Mar 22, 2018
Nicole
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Mar 28, 2018
Lauren A-P
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Jun 08, 2020
Carrie
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Sep 13, 2020
Eric
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