The Reader in Around the World

May 09, 2010 Friederike Knabe rated it it was amazing

Shelves: german-lit

The topic of the Holocaust is raised almost every day in some manner. Many books have been written about the topic. Whether in studies, documentaries or fictional accounts, finger-pointing at the perpetrators of the crimes against millions has been part of the process of coming to terms with the Nazi atrocities. For Imre Kertesz, renowned author and Nobel laureate of 2002, there is no other topic. Yet, when he reflects on the traumatic impact of Auschwitz, "he dwells on the vitality and creativi The topic of the Holocaust is raised almost every day in some manner. Many books have been written about the topic. Whether in studies, documentaries or fictional accounts, finger-pointing at the perpetrators of the crimes against millions has been part of the process of coming to terms with the Nazi atrocities. For Imre Kertesz, renowned author and Nobel laureate of 2002, there is no other topic. Yet, when he reflects on the traumatic impact of Auschwitz, "he dwells on the vitality and creativity of those living today" and "thus, paradoxically, not on the past but the future." Bernhard Schlink, professor of law and practicing judge in Germany, born in 1944, has attempted to capture the struggles of his generation in confronting the past and the future in "The Reader". "Pointing at the guilty party did not free us from shame", his narrator and protagonist contemplates, "but at least it overcame the suffering we went through on account of it".

The usually unambiguous distinction between villain and victim has facilitated the identification with those who lost their lives or suffered under the Nazi atrocities while all scorn, abhorrence and hate was piled on the perpetrators. Until recently, few books have focused on the after-war generation. While growing up, the children had to come to terms with the, often sudden, exposure of their parents' active or passive participation in the crimes of the Nazi regime. "The Reader", set in post-war Germany and against the backdrop of the Frankfurt Auschwitz trials of the mid-sixties, takes this new and, for our generations, important angle: in the form of the fictional memoir of Michael Berg. Michael, while not refuting guilt, shame, and atonement, is led to examine and dissect the complexity of inter-generational conflicts in the context of his personal experiences. Like Schlink himself, he grapples with the fundamental problem of the relationships between these two generations.

Michael recounts the most important stages in his life, starting with experiences long passed in his youth. While his account follows the chronology of events, he progressively interleaves retrospective reflections on his past conduct, questioning his conflicting emotions - his behaviour. The story starts with Michael's first, secret, love affair at age 15 with a woman more than twice his age. The blossoming erotic relationship strengthens his self-worth and confidence yet, at the same time, increasingly isolating him from his family and peers. Hanna Schmitz, of whose circumstances and background Michael knew very little, was affectionate and standoffish at the same time, prone to abrupt mood swings. The young lover is completely captivated and eager to please. He is the "Reader", in German "Vorleser" is a person who reads aloud to an audience. At her insistence he reads his books to her and it becomes an important element of their shared intimacy. When she disappears one day without any warning, her loss leaves him devastated and scarred for life. He can only seek the reasons in his own actions. Seeing Hanna again years later and in unanticipated surroundings, triggers a flood of questions about the person he loved and thought he knew. Her behaviour raises many questions and Michael discovers a long secret that puts in doubt the facts as they are exposed. He also wrestles with himself over his own inaction when confronted with choices. "What would you have done?" Although addressed to the judge by the defendant, this question hangs over Michael, as it does over his whole generation. It encapsulates the primary dilemma of the child-parent generations relationships. Finally, writing the story of his life, drafting and redrafting it in his head until it is in a publishable form, is seen as a chance for his own recovery and for living his own life.

The Reader, while a work of fiction, is deeply anchored in the personal experiences of the author and symbolic for his generation. His spare and unemotional language underlines the impression of a biographical investigation and is used quite deliberately. The English translation captures the tone and style amazingly well. Reading this book should not be an "easy pleasure" as some reviewers have suggested. The Reader covers difficult and complex terrain in a way that it forces the reader to reflect and question their own position long afterwards. Although written directly for a German audience of Schlink's and my generation, the novel, surprisingly, has attracted world-wide attention. While reviews and reactions among readers are highly diverse and even contradictory, it should be read by as many people as possible and with the care the subject matter deserves. ...more

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Jan 04, 2009 Jenny (Reading Envy) rated it really liked it

Shelves: read2009, location-germany

Very quick read, and no easy solution I don't think. "What would you have done?" ...more

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Jan 27, 2023 Yrinsyde rated it liked it

Shelves: 1001-books-challenge, classics-canon, 1001-books-author, coburg-little-free-library

Crimes are still being committed because the state requires it (or permits it or overlooks it). That was the Eichmann Defence. Never again is the cry when the holocaust is discussed and yet genocide and ethnic cleansing still occur, proving that we do not learn from history. What is appropriate punishment for crimes against humanity and how or should it be tempered with compassion? This is a philosophical meditation about addressing the past in order to face the future, how far one can go in mak ...more

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Jun 12, 2010 Emma rated it it was amazing

Shelves: western-europe

"What should our second generation have done, what should it do with the knowledge of the horrors of the extermination of the Jews? We should not believe we can comprehend the incomprehensible, we may not compare the incomparable, we may not inquire because to make the horrors an object of inquiry is to make the horrors an object of discussion, even if the horrors themselves are not questioned, instead of accepting them as something in the face of which we can only fall silent in revulsion, sham ...more

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Jan 03, 2010 Lynne rated it really liked it · review of another edition

This was a quick read, but I appreciated the complexity of the narrator. His choices were not necessarily believable, but they were interesting.

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Jul 28, 2009 Kati Stevens rated it really liked it

Interesting book. Not particularly exciting prose and the end--well, most books that end the way The Reader does, to me, feel not as if they're staying true to character but giving up on the character or the story so as to be able to finish the book. In this case, you could argue that the ending is within character, but it still feels like a bit of an easy out and a cheat to me. The idea of the book is the most interesting part, really. ...more

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Feb 21, 2009 Mary rated it liked it

Shelves: 2009

I'm curious to see the movie because this might be one of those cases where the film might be better than the book. Not to say it's not a bad book; it was a good story and well told. Simple. It just didn't shake me to the core. ...more

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Apr 04, 2009 Steve Kettmann rated it liked it · review of another edition

Shelves: books-read-2009

I slapped two stars on this book after I first read it because I found the male character so maddening. I'm aware that from one perspective this could be seen as a strength of the book, the extent to which I took a visceral dislike to the self-involvement and can't-be-bothered-to-act inert nature of this character, but I do happen to live in Germany, in fact in Berlin. I'm going to read Schlink's "Guilt About the Past" next. ...more

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