Connor Stompanato > Connor's Quotes

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  • #1
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #2
    Alain-Fournier
    “But how can a man who has once strayed into Heaven ever hope to make terms with the earth! What passes for happiness with most people seemed contemptible to me. And when I tried, deliberately and sincerely, to live like the rest of them, I stored up enough remorse to last me a very long time.”
    Alain-Fournier, Le Grand Meaulnes

  • #3
    Emily Brontë
    “Heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy.”
    Emily Brontë, Wuthering Heights

  • #4
    John Steinbeck
    “But the Hebrew word, the word timshel—‘Thou mayest’— that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.”
    John Steinbeck, East of Eden

  • #5
    And now that you don't have to be perfect, you can be good.
    “And now that you don't have to be perfect, you can be good.”
    John Steinbeck, East of Eden

  • #6
    Charlotte Brontë
    “Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!”
    Charlotte Brontë, Jane Eyre

  • #7
    Robert Jordan
    “Violence harms the one who does it as much as the one who receives it. You could cut down a tree with an axe. The axe does violence to the tree, and escapes unharmed. Is that how you see it? Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.”
    Robert Jordan, The Eye of the World

  • #8
    Janet Fitch
    “Let me tell you a few things about regret...There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air in between, or each link separately as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself?”
    Janet Fitch, White Oleander

  • #9
    Cassandra Clare
    “There are so many worse things than death. Not to be loved or not to be able to love: that is worse.”
    Cassandra Clare, Clockwork Princess

  • #10
    James Baldwin
    “You don’t have a home until you leave it and then, when you have left it, you never can go back.”
    James Baldwin, Giovanni’s Room
    tags: home

  • #11
    James Baldwin
    “People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.”
    James Baldwin, Another Country

  • #12
    Audre Lorde
    “You loved people and you came to depend on their being there. but people died or changed or went away and it hurt too much. The only way to avoid that poin was not to love anyone, and not to let anyone get too close or too important. The secret of not being hurt like this again, I decided, was never depending on anyone, never needing, never loving.
    It is the last dream of children, to be forever untouched.”
    Audre Lorde, Zami: A New Spelling of My Name

  • #13
    Marissa Meyer
    “There's no rule that says you have to be a prodigy to be a hero," she insisted. "If people wanted to stand up for themselves or protect their loved ones or do what they believe in their hearts is the right thing to do, then they would do it. If they wanted to be heroic, they would find ways to be heroic, even without supernatural powers.”
    Marissa Meyer, Renegades

  • #14
    J. Sheridan Le Fanu
    “You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.”
    Sheridan Le Fanu, Carmilla

  • #15
    Oscar Wilde
    “The books that the world calls immoral are books that show the world its own shame.”
    Oscar Wilde, The Picture of Dorian Gray

  • #16
    Thomas Hardy
    “How I have tried and tried to be a splendid woman, and how destiny has been against me! ...I do not deserve my lot! ...O, the cruelty of putting me into this ill-conceived world! I was capable of much; but I have been injured and blighted and crushed by things beyond my control! O, how hard it is of Heaven to devise such tortures for me, who have done no harm to heaven at all!”
    Thomas Hardy, The Return of the Native

  • #17
    Haruki Murakami
    “Freedom of thought, it means leaving brhind your physical body. Leaving the cage of your physical flesh, breaking free of the chains, and letting pure logic soar free. Giving a natural life to logic. That's the core of free thought.”
    Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

  • #18
    Kassandra Montag
    “Maybe we all were born with trust and then lost it. Maybe we all had to find it again before we left.”
    Kassandra Montag, After the Flood

  • #19
    Mikhail Lermontov
    “I've an insatiable craving inside me that consumes everything and makes me regard the sufferings and joys of others only in their relationship to me, as food to sustain my spiritual powers. I am no longer capable of loosing my head in love, Ambition has been crushed in me by circumstances, but it has come out in another way, for ambition is nothing but a lust for power and my chief delight is to dominate those around me. To inspire in others love, devotion, fear - isn't that the first symptom and the supreme triumph of power? To cause another person suffering or joy, having no right to do so - isn't that the sweetest food of pride?”
    Mikhail Lermontov, A Hero of Our Time

  • #20
    Vladimir Nabokov
    “Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”
    Vladimir Nabokov, Lolita

  • #21
    Boris Strugatsky
    “It's very sinful, but when I'm with you, I don't need God.”
    Boris Strugatsky, Hard to Be a God
    tags: god, sin

  • #22
    Fyodor Dostoevsky
    “Life is given to me only once, and never will be again—I don't want to sit waiting for universal happiness. I want to live myself; otherwise it's better not to live at all.”
    Fyodor Dostoyevsky, Crime and Punishment
    tags: life

  • #23
    Ursula K. Le Guin
    “If you can see a thing whole, it seems that it's always beautiful. Planet,lives...But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.”
    Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia
    tags: life

  • #24
    Daphne du Maurier
    “If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”
    Daphne du Maurier, Rebecca

  • #25
    H.G. Wells
    “And I tell you, pleasure and pain have nothing to do with heaven and hell.”
    H.G. Wells, The Island of Dr. Moreau

  • #26
    André Aciman
    “I wanted him dead too, so that if I couldn't stop thinking about him and worrying about when would be the next time I'd see him, at least his death would put an end to it. I wanted to kill him myself, even, so as to let him know how much his mere existence had come to bother me, how unbearable his ease with everything and everyone, taking all things in stride, his tireless I'm-okay-with-this-and-that, his springing across the gate to the beach when everyone else opened the latch first, to say nothing of his bathings suits, his spot in paradise, his cheeky Later!, his lip-smacking love for apricot juice. If I didn't kill him, then I'd cripple him for life, so that he'd be with us in a wheelchair and never go back to the States. If he were in a wheelchair, I would always know where he was, and he'd be easy to find. I would feel superior to him and become his master, now that he was crippled.

    Then it hit me that I could have killed myself instead, or hurt myself badly enough and let him know why I'd done it. If I hurt my face, I'd want him to look at me and wonder why, why might anyone do this to himself, until, years and years later--yes, Later!--he'd finally piece the puzzle together and beat his head against the wall.”
    André Aciman, Call Me by Your Name

  • #27
    Jack Kerouac
    “[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”
    Jack Kerouac, On the Road

  • #28
    Margaret Atwood
    “What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”
    Margaret Atwood, The Handmaid’s Tale

  • #29
    Vladimir Nabokov
    “All colors made me happy: even gray.
    My eyes were such that literally they
    Took photographs. ”
    Vladimir Nabokov, Pale Fire

  • #30
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl



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