Sophia Mughal > Sophia's Quotes

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  • #1
    Janusz Korczak
    “I exist not to be loved and admired, but to love and act. It is not the duty of those around me to love me. Rather, it is my duty to be concerned about the world, about man.”
    Janusz Korczak, The Warsaw Ghetto Memoirs of Janusz Korczak

  • #2
    Joan Didion
    “Memory fades, memory adjusts, memory conforms to what we think we remember.”
    Joan Didion, Blue Nights

  • #3
    Simone de Beauvoir
    “What an odd thing a diary is: the things you omit are more important than those you put in.”
    Simone de Beauvoir, The Woman Destroyed

  • #4
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #5
    Violaine Huisman
    “The biographical elements that served as her history, or her mythology even, didn’t need to be accurate in order to be true. They really took place in her past as she recalled it. The truth of a life is the fiction that sustains it.”
    Violaine Huisman, The Book of Mother

  • #6
    Zadie Smith
    “Every moment happens twice: inside and outside, and they are two different histories.”
    Zadie Smith, White Teeth

  • #7
    Edward Albee
    “Martha: Truth or illusion, George; you don't know the difference.
    George: No, but we must carry on as though we did.
    Martha: Amen.”
    Edward Albee, Who's Afraid of Virginia Woolf?

  • #8
    Zadie Smith
    “...the wicked lie, that the past is always tense and the future, perfect.”
    Zadie Smith, White Teeth

  • #9
    Zadie Smith
    “...They cannot escape their history any more than you yourself can lose your shadow.”
    Zadie Smith, White Teeth

  • #10
    Joan Didion
    “You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.”
    Joan Didion, Blue Nights

  • #11
    Joan Didion
    “Vanish.
    Pass into nothingness: the Keats line that frightened her.
    Fade as the blue nights fade, go as the brightness goes.
    Go back into the blue.
    I myself placed her ashes in the wall.
    I myself saw the cathedral doors locked at six.
    I know what it is I am now experiencing.
    I know what the frailty is, I know what the fear is.
    The fear is not for what is lost.
    What is lost is already in the wall.
    What is lost is already behind the locked doors.
    The fear is for what is still to be lost.
    You may see nothing still to be lost.
    Yet there is no day in her life on which I do not see her.”
    Joan Didion, Blue Nights

  • #12
    Joan Didion
    “In theory momentos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here. How inadequately I appreciated the moment when it was here is something else I could never afford to see.”
    Joan Didion, Blue Nights

  • #13
    Simone de Beauvoir
    “Fathers never have exactly the daughters they want because they invent a notion a them that the daughters have to conform to.”
    Simone de Beauvoir, The Woman Destroyed

  • #14
    Edith Wharton
    “We can't behave like people in novels, though, can we?”
    Edith Wharton, The Age of Innocence

  • #15
    Edith Wharton
    “In reality they all lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs.”
    Edith Wharton, The Age of Innocence

  • #16
    James Baldwin
    “I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
    James Baldwin, The Fire Next Time

  • #17
    James Baldwin
    “Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.”
    James Baldwin, The Fire Next Time

  • #18
    James Baldwin
    “Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word "love" here not merely in the personal sense but as a state of being, or a state of grace - not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
    James Baldwin, The Fire Next Time

  • #19
    James Baldwin
    “The most dangerous creation of any society is the man who has nothing to lose.”
    James Baldwin, The Fire Next Time

  • #20
    James Baldwin
    “Hatred, which could destroy so much, never failed to destroy the man who hated, and this was an immutable law.”
    James Baldwin, The Fire Next Time

  • #21
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #22
    James Baldwin
    “Perhaps home is not a place but simply an irrevocable condition.”
    James Baldwin, Giovanni’s Room

  • #23
    James Baldwin
    “There are so many ways of being despicable it quite makes one’s head spin. But the way to be really despicable is to be contemptuous of other people’s pain.”
    James Baldwin, Giovanni’s Room

  • #24
    Federico García Lorca
    “The night above. We two. Full moon.
    I started to weep, you laughed.
    Your scorn was a god, my laments
    moments and doves in a chain.
    The night below. We two. Crystal of pain.
    You wept over great distances.
    My ache was a clutch of agonies
    over your sickly heart of sand.
    Dawn married us on the bed,
    our mouths to the frozen spout
    of unstaunched blood.
    The sun came through the shuttered balcony
    and the coral of life opened its branches
    over my shrouded heart.

    - Night of Sleepless Love
    Federico García-Lorca

  • #25
    William Shakespeare
    “Look, how this ring encompasseth thy finger,
    Even so thy breast encloseth my poor heart; Wear both of them, for both of them are thine.”
    William Shakespeare

  • #26
    F. Scott Fitzgerald
    “Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.”
    F. Scott Fitzgerald, The Love of the Last Tycoon

  • #27
    F. Scott Fitzgerald
    “There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.”

    [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.”
    F. Scott Fitzgerald, The Love of the Last Tycoon

  • #28
    “We step out of our solar system into the universe seeking only peace and friendship – to teach, if we are called upon; to be taught, if we are fortunate.”
    Becky Chambers, To Be Taught, If Fortunate

  • #29
    “We celebrate the tree that stretches to the sky, but it is the ground we should ultimately thank.”
    Becky Chambers, To Be Taught, If Fortunate

  • #30
    “We have known what it is to have had a gift, and have not ever questioned from where the gift came, only sometimes wondered. The gift has not been taken away because gifts are legacies, that once given cannot be taken away. They may pass from hand to hand, but once held they are always yours. The gift we were given is with us still.”
    Patricia Grace, Potiki



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