mackenzie > mackenzie's Quotes

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  • #1
    Charlotte Brontë
    “I would always rather be happy than dignified.”
    Charlotte Brontë, Jane Eyre

  • #2
    Joan Didion
    “I know what "nothing" means, and keep on playing.”
    Joan Didion, Play It As It Lays

  • #3
    Joan Didion
    “I am what I am. To look for reasons is beside the point.”
    Joan Didion, Play It As It Lays

  • #4
    Dolly Alderton
    “Nearly everything I know about love, I've learnt from my long-term friendships with women.”
    Dolly Alderton, Everything I Know About Love

  • #5
    Dolly Alderton
    “I would like to pause the story a moment to talk about ‘nothing will change’. I’ve heard it said to me repeatedly by women I love during my twenties when they move in with boyfriends, get engaged, move abroad, get married, get pregnant. ‘Nothing will change.’ It drives me bananas. Everything will change. Everything will change. The love we have for each other stays the same, but the format, the tone, the regularity and the intimacy of our friendship will change for ever.”
    Dolly Alderton, Everything I Know About Love

  • #6
    Dolly Alderton
    “When you’re looking for love and it seems like you might not ever find it, remember you probably have access to an abundance of it already, just not the romantic kind. This kind of love might not kiss you in the rain or propose marriage. But it will listen to you, inspire and restore you. It will hold you when you cry, celebrate when you’re happy, and sing All Saints with you when you’re drunk. You have so much to gain and learn from this kind of love. You can carry it with you forever. Keep it as close to you as you can.”
    Dolly Alderton, Everything I Know About Love: A Memoir

  • #7
    Dolly Alderton
    “Love is a quiet, reassuring, relaxing, pottering, pedantic, harmonious hum of a thing; something you can easily forget is there, even though its palms are outstretched beneath you in case you fall.”
    Dolly Alderton, Everything I Know About Love

  • #8
    Sally Rooney
    “Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.”
    Sally Rooney, Beautiful World, Where Are You

  • #9
    Sally Rooney
    “What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?”
    Sally Rooney, Beautiful World, Where Are You

  • #10
    Sally Rooney
    “At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape.”
    Sally Rooney, Beautiful World, Where Are You

  • #11
    Sally Rooney
    “Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me.

    After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.”
    Sally Rooney, Beautiful World, Where Are You

  • #12
    Sally Rooney
    “When I look back at those years, I feel touched and almost pained by the simplicity of the life I was living, because I knew what I had to do, and I did it, that was all.”
    Sally Rooney, Beautiful World, Where Are You

  • #13
    Sally Rooney
    “Gradually the waiting began to feel less like waiting and more like this was simply what life was: the distracting tasks undertaken while the thing you are waiting for continues not to happen.”
    Sally Rooney, Conversations with Friends

  • #14
    Sally Rooney
    “I realised my life would be full of mundane physical suffering, and that there was nothing special about it. Suffering wouldn't make me special, and pretending not to suffer wouldn't make me special. Talking about it, or even writing about it, would not transform the suffering into something useful.”
    Sally Rooney, Conversations with Friends

  • #15
    Sally Rooney
    “Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.”
    Sally Rooney, Conversations with Friends

  • #16
    Sally Rooney
    “You underestimate your own power so you don't have to blame yourself for treating other people badly.”
    Sally Rooney, Conversations with Friends

  • #17
    Sally Rooney
    “Everyone’s always going through something, aren’t they? That’s life, basically. It’s just more and more things to go through.”
    Sally Rooney, Conversations with Friends

  • #18
    Joan Didion
    “By the end of the week she was thinking constantly about where her body stopped and the air began about the exact point in space and time that was the difference between Maria and other.”
    Joan Didion, Play It As It Lays

  • #19
    Joan Didion
    “When we talk about mortality we are talking about our children.”
    Joan Didion, Blue Nights

  • #20
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #21
    Jane Austen
    “I cannot make speeches, Emma...If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.”
    Jane Austen, Emma

  • #22
    Donna Tartt
    “And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time — so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
    Donna Tartt, The Goldfinch

  • #23
    Donna Tartt
    “A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.
    Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.”
    Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you?”
    Donna Tartt, The Goldfinch

  • #24
    Kurt Vonnegut Jr.
    “And so it goes...”
    Kurt Vonnegut, Slaughterhouse-Five

  • #25
    Zora Neale Hurston
    “Some people could look at a mud puddle and see an ocean with ships.”
    Zora Neale Hurston, Their Eyes Were Watching God



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