svnh > svnh's Quotes

“Whether we're talking about fish species, pigs, or some other eaten animal, is such suffering the most important thing in the world? Obviously not. But that's not the question. Is it more important that sushi, bacon, or chicken nuggets? That's the question.”
― Jonathan Safran Foer, Eating Animals

“However much we obfuscate or ignore it, we know that the factory farm is inhumane in the deepest sense of the word. And we know that there is something that matters in a deep way about the lives we create for the living beings most within our power. Our response to the factory farm is ultimately a test of how we respond to the powerless, to the most distant, to the voiceless--it is a test of how we act when no one is forcing us to act one way or another.”
― Jonathan Safran Foer, Eating Animals

“It might sound naive to suggest that whether you order a chicken patty or a veggie burger is a profoundly important decision. Then again, it certainly would have sounded fantastic if in the 1950's you were told that where you sat in a restaurant or on a bus could begin to uproot racism.”
― Jonathan Safran Foer, Eating Animals

“Cruelty depends on an understanding of cruelty, and the ability to choose against it. Or to choose to ignore it.”
― Jonathan Safran Foer, Eating Animals

“What kind of world would we create if three times a day we activated our compassion and reason as we sat down to eat, if we had the moral imagination and the pragmatic will to change our most fundamental act of consumption?”
― Jonathan Safran Foer, Eating Animals

“There is something about eating animals that tends to polarize: never eat them or never sincerely question eating them; become an activist or disdain activists.”
― Jonathan Safran Foer, Eating Animals

“No one fired a pistol to mark the start of the race to the bottom. The earth just tilted and everyone slid into the hole.”
― Jonathan Safran Foer, Eating Animals

“Can you understand,' asked my father, 'the deep meaning of that weakness, that passion for colored tissue, for papier-mache, for distemper, for oakum and sawdust? This is,' he continued with a pained smile, 'the proof of our love for matter as such, for its fluffiness or porosity, for its unique mystical consistency. Demiurge, that great master and artist, made matter invisible, made it disappear under the surface of life. We, on the contrary, love its creaking, its resistance, its clumsiness. We like to see behind each gesture, behind each move, its inertia, its heavy effort, its bearlike awkwardness.”
― Bruno Schulz, The Street of Crocodiles

“Even in the depths of sleep, in which he had to satisfy his need for protection and love by curling himself up into a trembling ball, he could not rid himself of the feeling of loneliness and homelessness.”
― Bruno Schulz, The Street of Crocodiles

“Animals! the object of insatiable interest, examples of the riddle of life, created, as it were, to reveal the human being to man himself, displaying his richness and complexity in a thousand kaleidoscopic possibilities, each of them brought to some curious end, to some characteristic exuberance.”
― Bruno Schulz, The Street of Crocodiles

“It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.”
― Jonathan Safran Foer, Everything is Illuminated

“The disgraced Usurer Yankel D took the baby girl home that evening... He made a bed of crumpled newspaper in a deep baking pan and gently tucked it in the oven, so that she wouldn't be disturbed by the noise of the small falls outside... When he pulled her out to feed her or just hold her, her body was tattooed with the newsprint... Sometimes he would rock her to sleep in his arms, and read her left to right, and know everything he needed to know about the world. If it wasn't written on her, it wasn't important to him.”
― Jonathan Safran Foer, Everything is Illuminated

“...accepting the compromise of the way we have been, the way we are, and the way we will likely be...may we live together in unwavering love and good health, amen.”
― Jonathan Safran Foer, Everything is Illuminated

“It was inevitable: Yankel fell in love with his never-wife. He would wake from sleep to miss the weight that never depressed the bed next to him, remember in earnest the weight of gestures she never made, long for the un-weight of her un-arm slung over his too-real chest, making his widower's rememberences that much more convincing and his pain that much more real.”
― Jonathan Safran Foer, Everything is Illuminated

“He removed several pages of death certificates, which were picked up by another breeze and sent into the trees. Some would fall with the leaves that September. Some would fall with the trees generations later.”
― Jonathan Safran Foer, Everything is Illuminated

“We're here, the glow of 1804 will say in one and a half centuries. We're here, and we're alive.”
― Jonathan Safran Foer, Everything is Illuminated

“Why couldn't she have slid it under the door? he wondered. Why couldn't she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker? or I'll be back soon, don't worry. It was so strange to him that such a different kind of note - I had to do it for myself - could look exactly the same: trivial, mundane, nothing. He could have hated her for leaving it there in plain sight, and he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I've ever written, yes, I would sooner die than have to write this again. Where were the dried teardrops? Where was the tremor in the script?”
― Jonathan Safran Foer, Everything is Illuminated

“They exchanged notes, like children. My grandfather made his out of newspaper clippings and dropped them in her woven baskets, into which he knew only she would dare stick a hand. Meet me under the wooden bridge and I will show you things you have never, ever seen. The "M" was taken from the army that would take his mother’s life: GERMAN FRONT ADVANCES ON SOVIET BORDER; the "eet" from their approaching warships: NAZI FLEET DEFEATS FRENCH AT LESACS; the "me" from the peninsula they were blue-eyeing: GERMANS SURROUND CRIMEA; the "und" from too little, too late: AMERICAN WAR FUNDS REACH ENGLAND; the "er" from the dog of dogs: HITLER RENDERS NONAGGRESSION PACT INOPERATIVE…and so on, and so on, each note a collage of love that could never be, and a war that could”
― Jonathan Safran Foer, Everything is Illuminated

“The horse at the bottom of the river, shrouded by the sunken night sky, closed its heavy eyes. The prehistoric ant in Yankel's ring, which had lain motionless in the honey-colored amber since long before Noah hammered the first plank, hid its head between its many legs, in shame.”
― Jonathan Safran Foer, Everything is Illuminated

“Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.”
― Jeanette Winterson, Written on the Body

“But he also knew that there is an inflationary aspect to love, and that should his mother, or Rose, or any of those who loved him find out about each other, they would not be able to help but feel of lesser value. He knew that I love you also means, I love you more than anyone loves you, or has loved you, or will live you, and also, I love you in a way that no one loves you, or has loved you, or will love you,and also, I love you in a way that I love no one else, and never have loved anyone else, and never will love anyone else. He knew that it is, by love's definition, impossible to love two people.”
― Jonathan Safran Foer, Everything Is Illuminated

“Try to live so that you can always tell the truth.”
― Jonathan Safran Foer, Everything is Illuminated

“Memory was supposed to fill the time, but it made time a hole to be filled. Each second was two hundred yards, to be walked, crawled. You couldn't see the next hour, it was so far in the distance. Tomorrow was over the horizon, and would take an entire day to reach.”
― Jonathan Safran Foer, Everything Is Illuminated

“She was with me. She did all of those things and so many more, things I would never tell anyone, and she never even loved me. Now that’s love.”
― Jonathan Safran Foer, Everything is Illuminated

“Sometimes I feel so- I don’t know - lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no more gravity, and I’m left to drift in outer space with no idea where I’m going’
Like a little lost Sputnik?’
I guess so.”
― Haruki Murakami, Sputnik Sweetheart

“No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.”
― Haruki Marukami, Sputnik Sweetheart

“I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.”
― Haruki Murakami, Sputnik Sweetheart

“If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.”
― Jonathan Safran Foer, Everything Is Illuminated

“Do you think I'm wonderful? she asked him one day as they leaned against the trunk of a petrified maple. No, he said. Why? Because so many girls are wonderful. I imagine hundreds of men have called their loves wonderful today, and it's only noon. You couldn't be something that hundreds of others are.”
― Jonathan Safran Foer, Everything Is Illuminated

“SADNESS OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds, Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness...”
― Jonathan Safran Foer, Everything is Illuminated