reader > reader's Quotes

“For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”
― Jane Austen, Pride and Prejudice

“If you ever looked at me once with what I know is in you, I would be your slave.”
― Emily Brontë, Wuthering Heights

“…There is the heat of Love, the pulsing rush of Longing, the lover’s whisper, irresistible—magic to make the sanest man go mad.”
― Homer, The Iliad

“Some people could look at a mud puddle and see an ocean with ships.”
― Zora Neale Hurston, Their Eyes Were Watching God

“You may only call me "Mrs. Darcy"... when you are completely, and perfectly, and incandescently happy.”
― Deborah Moggach, Pride & Prejudice screenplay

“May you not rest, as long as I am living. You said I killed you - haunt me, then.”
― Emily Brontë, Wuthering Heights

“If there really is such a thing as turning in one's grave, Shakespeare must get a lot of exercise.”
― George Orwell, All Art is Propaganda: Critical Essays

“Ut haec ipsa qui non sentiat deorum vim habere is nihil omnino sensurus esse videatur."

If any man cannot feel the power of God when he looks upon the stars, then I doubt whether he is capable of any feeling at all.”
― Horace

“What are the dead, anyway, but waves and energy? Light shining from a dead star?

That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…

Which reminds me, by the way, of a dream I had a couple of weeks ago.

I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.

I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.

I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.

History passing beneath my very eyes, changing every moment.

'I thought I'd find you here,' said a voice at my elbow.

It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.

I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'

He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'

'What?'

He cleared his throat. 'My movements are restricted,' he said.

'I no longer have the ability to travel as freely as I would like.'

Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.

'That information is classified, I'm afraid.'

1 looked around curiously. It seemed that I was the only visitor.

'Is it open to the public?' I said.

'Not generally, no.'

I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.

'Are you happy here?' I said at last.

He considered this for a moment. 'Not particularly,' he said.

'But you're not very happy where you are, either.'

St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.

'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'

He turned from me and walked away. I watched his back receding down the long, gleaming hall.”
― Donna Tartt, The Secret History

“What do you know of my heart? What do you know of anything but your own suffering. For weeks, Marianne, I've had this pressing on me without being at liberty to speak of it to a single creature. It was forced on me by the very person whose prior claims ruined all my hope. I have endured her exultations again and again whilst knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have provided proof enough of a broken heart, even for you.”
― Jane Austen, Sense and Sensibility

“He's more myself than I am. Whatever our souls are made of, his and mine are the same. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.”
― emily bronte

“They had no conversation together, no intercourse but what the commonest civility required. Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. With the exception, perhaps, of Admiral and Mrs. Croft, who seemed particularly attached and happy, (Anne could allow no other exception even among the married couples) there could have been no two hearts so open, no tastes so simliar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become aquainted. It was a perpetual estrangement.”
― Jane Austen, Persuasion

“I saw the Cloud, though I did not foresee the Storm.”
― Daniel Defoe, Moll Flanders

“Think only of the past as its remembrance gives you pleasure.”
― Jane Austen, Pride and Prejudice

“A man leaves his great house because he's bored
With life at home, and suddenly returns,
Finding himself no happier abroad.
He rushes off to his villa driving like mad,
You'ld think he's going to a house on fire,
And yawns before he's put his foot inside,
Or falls asleep and seeks oblivion,
Or even rushes back to town again.
So each man flies from himself (vain hope, because
It clings to him the more closely against his will)
And hates himself because he is sick in mind
And does not know the cause of his disease.”
― Lucretius

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of someone or other of their daughters.”
― Jane Austen, Pride and Prejudice

“Alexander the Great slept with 'The Iliad' beneath his pillow. During the waning moon, I cradle Homer’s 'Odyssey' as if it were the sweet body of a woman.”
― Roman Payne, Rooftop Soliloquy

“But I hate to hear you talking so like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.”
― Jane Austen, Persuasion

“I am no bird, no net ensnares me.”
― Charlotte Brontë

“She had come to that state where the horror of the universe and its smallness are both visible at the same time—the twilight of the double vision in which so many elderly people are involved. If this world is not to our taste, well, at all events, there is Heaven, Hell, Annihilation—one or other of those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all that is known as art, assumes that there is such a background, just as all practical endeavour, when the world is to our taste, assumes that the world is all. But in the twilight of the double vision, a spiritual muddledom is set up for which no high-sounding words can be found; we can neither act nor refrain from action, we can neither ignore nor respect Infinity.”
― E. M. Forster, A Passage to India

“I do not mean to object to a thorough knowledge of the famous works we read. I object only to the interminable comments and bewildering criticisms that teach but one thing: there are as many opinions as there are men.”
― Helen Keller, The Story of My Life

“Read the best writers from all different periods; keep your reading of contemporaries in proportion - you do not want a steady diet of contemporary literature. You already belong to your time.”
― Lydia Davis, Essays One

“To fall for," "to be fallen for"--I feel in these words something unspeakably vulgar, farcical, and at the same time extraordinarily complacent. Once these expressions put in an appearance, no matter how solemn the place, the silent cathedrals of melancholy crumble, leaving nothing but an impression of fatuousness. It is curious, but the cathedrals of melancholy are not necessarily demolished if one can replace the vulgar "What a messy business it is to be fallen for" by the more literary "What uneasiness lies in being loved.”
― Osamu Dazai, No Longer Human

“But the older he grew and the more intimately he came to know his brother, the oftener the thought occurred to him that the power of working for the general welfare – a power of which he felt himself entirely destitute – was not a virtue but rather a lack of something: not a lack of kindly honesty and noble desires and tastes, but a lack of the power of living, of what is called heart – the aspiration which makes a man choose one out of all the innumerable paths of life that present themselves, and desire that alone.”
― Leo Tolstoy, Anna Karenina

“I wish nature had made such hearts as yours more common.”
― Jane Austen, Persuasion

“Sin is the only real colour-element left in modern life.'
'You really must not say things like that before Dorian, Harry.'
'Before which Dorian? The one who is pouring out tea for us, or the one in the picture?'
'Before either.'
'I should like to come to the theatre with you, Lord Henry,' said the lad.
'Then you shall come; and you will come, too, Basil, won't you?'
'I can't, really. I would sooner not. I have a lot of work to do.'
'Well, then you and I will go alone, Mr. Gray.'
'I should like that awfully.'
The painter bit his lip and walked over, cup in hand, to the picture. 'I shall stay with the real Dorian,' he said, sadly.”
― Oscar Wilde, The Picture of Dorian Gray

“Now life is given in exchange for pain and fear, and that's the basis of the whole deception. Now man is still not what he should be. There will e a new man, happy and proud. Whoever doesn't care whether he lives or doesn't live, he himself will be God. And that other God will no longer be.'
'So, that other God does exist, in your opinion?'
'He doesn't exist, but he does exist. In the stone there' no pain, but in the fear of the stone there is pain. God is the pain of the fear of death. Whoever conquers pain and fear will himself become God.”
― Fyodor Dostoyevsky

“Even Tolstoy is an insignificant shadow if he takes a stroll with Anna Karenina.”
― Elena Ferrante, La frantumaglia

“She was nothing more than a mere good-tempered, civil and obliging Young Woman; as such we could scarcely dislike her -- she was only an Object of Contempt”
― Jane Austen, Love and Friendship and Other Early Works

“True friendship is oh, the comfort, the inexpressible comfort of feeling safe with a person; having neither to weigh thoughts nor measure words, but to pour them all out, just as they are...”
― George Eliot