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  • #1
    Piper Kerman
    “We have a racially based justice system that overpunishes, fails to rehabilitate, and doesn't make us safer.”
    Piper Kerman, Orange Is the New Black

  • #2
    Piper Kerman
    “Do you have to find the evil in yourself in order to truly recognize it in the world?”
    Piper Kerman, Orange Is the New Black
    tags: evil, good

  • #3
    Piper Kerman
    “Every human being makes mistakes and does things they’re not proud of. They can be everyday, or they can be catastrophic. And the unfortunate truth of being human is that we all have moments of indifference to other people’s suffering. To me, that’s the central thing that allows crime to happen: indifference to other people’s suffering. If you’re stealing from someone, if you’re hurting them physically, if you’re selling them a product that you know will hurt them—the thing that allows a person to do that is that they somehow convince themselves that that’s not relevant to them. We all do things that we’re not proud of, even though they might not have as terrible consequences.”
    Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

  • #4
    Piper Kerman
    “Our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right for the people they have harmed. Instead, our system of "corrections" is about arm's-length revenge and retribution, all day and all night.”
    Piper Kerman, Orange Is the New Black

  • #5
    Piper Kerman
    “If I could forgive, it meant I was a strong good person who could take responsibility for the path I had chosen for myself, and all the consequences that accompanied that choice. And it gave me the simple but powerful satisfaction of extending a kindness to another person in a tough spot.”
    Piper Kerman, Orange Is the New Black

  • #6
    Piper Kerman
    “Nothing about the daily workings of the prison system focuses its inhabitants’ attention on what life back on the outside, as a free citizen, will be like. The life of the institution dominates everything. This is one of the awful truths of incarceration, the fact that the horror and the struggle and the interest of your immediate life behind prison walls drives the “real world” out of your head. That makes returning to the outside difficult for many prisoners.”
    Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

  • #7
    Piper Kerman
    “In the federal system alone there were 90,000 prisoners locked up for drug offenses, compared with about 40,000 for violent crimes. A federal prisoner costs at least $30,000 a year to incarcerate, and females actually cost more.”
    Piper Kerman, Orange Is the New Black

  • #8
    Piper Kerman
    “All this freedom, but I still feel like I’m locked up.”
    Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

  • #9
    Piper Kerman
    “The public expects sentences to be punitive but also rehabilitative; however, what we expect and what we get from our prisons are very different things. The lesson that our prison system teaches its residents is how to survive as a prisoner, not as a citizen - not a very constructive body of knowledge for us or the communities to which we return.”
    Piper Kerman, Orange Is the New Black

  • #10
    Piper Kerman
    “Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound. In fact, there is basically a revolving door between our urban and rural ghettos and the formal ghetto of our prison system.”
    Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

  • #11
    Piper Kerman
    “Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it's dealt in a way so offhand and indifferent?”
    Piper Kerman, Orange Is the New Black
    tags: prison

  • #12
    Fred Moten
    “A couple people seem to be reticent about the term ‘study,’ but is there a way to be in the undercommons that isn’t intellectual? Is there a way of being intellectual that isn’t social? When I think about the way we were using the term ‘study,’ I think we were committed to the idea that study is what you do with other people. It’s talking and walking around with other people, working, dancing, suffering, some irreducible convergence of all three, held under the name of speculative practice. The notion of a rehearsal – being in a kind of workshop, playing in a band, in a jam session, or old men sitting on a porch, or people working together in a factory – there are these various modes of activity. The point of calling it ‘study’ is to mark that the incessant and irreversible intellectuality of these activities was already there. These activities aren’t ennobled by the fact that we now say, ‘oh, if you did these things in a certain way, you could be said to be have been studying.’ To do these things is to be involved in a kind of common intellectual practice. What’s important is to recognize that that has been the case – because that recognition allows you to access a whole, varied, alternative history of thought.”
    Fred Moten, The Undercommons: Fugitive Planning & Black Study

  • #13
    Fred Moten
    “In fact, the subversive intellectual enjoys the ride and wants it to be faster and wilder; she does not want a room of his or her own, she wants to be in the world, in the world with others and making the world anew.”
    Fred Moten, the undercommons: fugitive planning & black study

  • #14
    Fred Moten
    “Yeah, well, the ones who happily claim and embrace their own sense of themselves as privileged ain't my primary concern. I don't worry about them first. But, I would love it if they got to the point where they had the capacity to worry about themselves. Because then maybe we could talk. That's like that Fred Hampton shit: he'd be like, "white power to white people. Black power to black people." What I think he meant is, "look: the problematic of coalition is that coalition isn't something that emerges so that you can come help me, a maneuver that always gets traced back to your own interests. The coalition emerges out of your recognition that it's fucked up for you, in the same way that it's fucked up for us. I don't need your help. I just need you to recognize that this shit is killing you, too, however much more softly, you stupid motherfucker, you know?”
    Fred Moten, The Undercommons: Fugitive Planning & Black Study

  • #15
    Fred Moten
    “After all, the subversive intellectual came under false pretenses, with bad documents, out of love. Her labor is as necessary as it is unwelcome. The university needs what she bears but cannot bear what she brings. And on top of all that, she disappears.”
    Fred Moten, the undercommons: fugitive planning & black study

  • #16
    Fred Moten
    “The hard materiality of the unreal convinces us that we are surrounded, that we must take possession of ourselves, correct ourselves, remain in the emergency, on a permanent footing, settled, determined, protecting nothing but an illusory right to what we do not have, which the settler takes for and as the commons. But in the moment of right/s the commons is already gone in the movement to and of the common that surrounds it and its enclosure.”
    Fred Moten, the undercommons: fugitive planning & black study

  • #17
    Fred Moten
    “To enter this space is to inhabit the ruptural and enraptured disclosure of the commons that fugitive enlightenment enacts, the criminal, matricidal, queer, in the cistern, on the stroll of the stolen life, the life stolen by enlightenment and stolen back, where the commons give refuge, where the refuge gives commons. What the beyond of teaching is really about is not finishing oneself, not passing, not completing; it’s about allowing subjectivity to be unlawfully overcome by others, a radical passion and passivity such that one becomes unfit for subjection, because one does not possess the kind of agency that can hold the regulatory forces of subjecthood, and one cannot initiate the auto-interpellative torque that biopower subjection requires and rewards.”
    Fred Moten, the undercommons: fugitive planning & black study



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