Script Writing Quotes

“Anger gets you into trouble, ego keeps you in trouble.”
― Amit Kalantri, Wealth of Words

“Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism.”
― Amit Kalantri, Wealth of Words

“Respect cannot be inherited, respect is the result of right actions.”
― Amit Kalantri, Wealth of Words

“Arrogant men with knowledge make more noise from their mouth than making a sense from their mind.”
― Amit Kalantri, Wealth of Words

“Some of us can live without a society but not without a family.”
― Amit Kalantri, Wealth of Words

“Music is the fastest motivator in the world.”
― Amit Kalantri, Wealth of Words

“Fail soon so that you can succeed sooner.”
― Amit Kalantri, Wealth of Words

“Parents expect only two things from their children, obedience in their childhood and respect in their adulthood.”
― Amit Kalantri, Wealth of Words

“Today it is cheaper to start a business than tomorrow.”
― Amit Kalantri, Wealth of Words

“He who sacrifices his respect for love basically burns his body to obtain the light.”
― Amit Kalantri, Wealth of Words

“Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.”
― Amit Kalantri, Wealth of Words

“If the farmer is rich, then so is the nation.”
― Amit Kalantri, Wealth of Words

“What luck has gave you will probably leave you.”
― Amit Kalantri, Wealth of Words

“Hands can cook, hands can create, hands can kill. There is no better tool than our hands.”
― Amit Kalantri, Wealth of Words

“In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.”
― Amit Kalantri, Wealth of Words

“When you were making excuses someone else was making enterprise.”
― Amit Kalantri, Wealth of Words

“With discipline, you can lose weight, you can excel in work, you can win the war.”
― Amit Kalantri, Wealth of Words

“To a farmer dirt is not a waste, it is wealth.”
― Amit Kalantri, Wealth of Words

“An invention is a responsibility of the individual, society cannot invent, it can only applaud the invention and inventor.”
― Amit Kalantri, Wealth of Words

“You can take the Indian out of the family, but you cannot take the family out of the Indian.”
― Amit Kalantri, Wealth of Words

“Creativity without discipline will struggle, creativity with discipline will succeed.”
― Amit Kalantri, Wealth of Words

“An entrepreneur with strong network makes money even when he is asleep.”
― Amit Kalantri, Wealth of Words

“In a democracy government is the God.”
― Amit Kalantri, Wealth of Words

“Making a product is just an activity, making a profit on a product is the achievement.”
― Amit Kalantri, Wealth of Words

“State first, subject second, statesman last.”
― Amit Kalantri, Wealth of Words

“No tricks, no tools, but talent makes a task truly top class.”
― Amit Kalantri, Wealth of Words

“He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed:

Gregory: But this is really qutie farcical.

Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed:

(Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".)

Breathing heavily, Bowen now x-ed out his original line of dialogue and typed:

Gregory: You're just pulling my leg.”
― Kingsley Amis, I Like It Here

“Memories are made in the creation of fictional characters.”
― Mitta Xinindlu

“Most likely, my film could have been compared to a highly sensible musical clip. An operatic musical clip. At that time, I had no idea of this expression. I did not puzzle my head over the form of my film, the structure arose, as I said before, from alone and urged me to commit this structure to paper.
Indications, suggestions, just sufficed. The audience should have the liberty to keep on thinking, conceiving, living. My film had to remain a fragment. Abstract it its form. Yet harmonical and first hand. It would have never occurred to me to lash up what I wanted to express into a waist coat of idiotically trimmed up film plots for the audience: with their meticulous and dictarioral logic and continutity. The attempt to wedge Paganini into the usual form of a movie, would have resulted in immuring him alive. For he did live – in me.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)

“In my fortress, in the Via Appia Antica in Rome, I wrote the first script for my film PAGANINI. It was not a script in the common sense. Not even a testament. And yet it was more than that: A shorthand note, which I had received on a wavelength of an earlier life over the distance of centuries away .
For the time being, I did not require more. The structure of my film originated in the instinct: Notes. Notes of music. Notes of captured images (and dialogues). Notes of feelings. Everything else I would decide in the course of the actual shooting.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)