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Old Man's War
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OMW: Read it early-anyone else done? *spoilers
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Kristina
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rated it 3 stars
Jan 03, 2013 05:13PM

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Like... what? Come on folks, saying stuff like this without examples just leads to... nothing. I have a real issue with people who pick up SFF and then complain that it's unrealistic (duh...) but I don't know what bugged you so I don't know if that's where you're coming from or if it's something else. Detail, please.
Was the entire chain of events unlikely? Well, sure, but if we'd followed the story of the others it would have ended permanently with their deaths. In some senses, the story of John Perry is the story of any veteran who lives through the war.

I can tell you the second title in the series is called THE GHOST BRIGADES, so I'm sure that will answer some of your questions about the secrets of the Ghost Brigade (I just grabbed it at the library today).


Like... what?"
(view spoiler)


Jane wasn't the only soldier to find Perry, but it makes sense for her to be there as a platoon leader and one of the better ones according to Major Crick.
Perry was taken along to Consu because he was a war hero against them. If he wasn't then someone else would have gone and we'd have had a different character telling the story.
I generally find that coincidences are more common than expected and a story is generally about an individual that's had many coincidences in their lives. Otherwise, what's the point of the story?
My only real issue with the book was the alien race names. We, in most cases, can't pronounce what aliens call themselves and probably like 'human' originally meant 'earthling' also just refer to what they call their own planet, why wouldn't the humans give the alien races pronounceable names, even if just diminutives?



Telling a story about the guy who lived through all of this is no more remarkable than telling the story of someone who lived through D-Day in WW2. Of course the story is about the survivors.
About the age thing (not getting a feeling for his age/that he'd lived a life), remember you're picking the story up as he enlists. A lot of backstory would have bogged things down and, frankly would be boring. "Here's a middle class, middle American senior citizen living his life..." Stories tend to be about people and events that are interesting for some reason.
Sidenote: How old am I? Can you tell from how I write? (I might have mentioned this in other threads, so no fair if I have and you get the information that way). My point is that most people don't spend a lot of time doing stereotypical things for their age. Old people just live their lives and unless doing that necessarily involves stuff about age they don't walk around doing things that emphasize it. They get up, have breakfast, talk to friends, etc. They don't, generally, have a bunch of special things that indicate their age explicitly. Sure, SOME do... but a reasonably healthy, active 75 year old might not. Neither is he going to note that he walks with a stoop - he just does. Like a lot of things about one's body, slow changes just become part of the background.
To jump to another series as an example, imagine if instead of writing about Harry Dresden, JIm Butcher had written about his neighbor - the guy who lives next to that weird dude downstairs, gets up, goes to work, has a drink after and goes out with some friends. Would anyone read that? Probably not. Bur writing about the guy downstairs who's a wizard? THAT is a story to read. Same for the various cops in the Chicago PD.... most of them are just cops. But Murphy... she has a wizard for a friend and sees some very strange stuff as a result.

By the way it's perfectly possible that Perry does think about Earth, etc in off moments, but they're off moments...they're not the story Scalzi is telling. And there ARE moments... when he and Jesse have had sex in that first burst of youth he talk about the fact that his misses his wife sometimes... and they chat a bit about marriage.
But at the end of the day this isn't a novel that focuses a lot on the interior lives of the characters, building up complex backstories for each and weaving them in. It's really a story about the guy who joins up, has some experiences takes us for the ride with Perry and that's all it is. I do think Scalzi has grown as an author but his books do have a tendency to tell one main story and follow that thread throughout. I don't know that I can recall any of his stuff where there are multiple significant plots with character machinations that intertwine, etc.




I've said before that this book helped reignite my interest in sci fi stories. In some ways, Scalzi challenged me to look at my opinions in another light. I never thought I would join up for military service as I don't like the breaking a person down to get them to do what you want thing. Like others have said in other threads, the thinking is that old people just won't follow orders, young people will; that's why you recruit the young and not the old. I don't think that way anymore. I simply think that most people are worker bees--they do what they are told and don't question it. There are some who won't toe the line on just say-so, and I don't think age has anything to do with that trait.
I'm 46, my body is aging, my thinking has mellowed. In some ways I'm more stubborn and opinionated, but in other ways I'm more flexible and open minded. If I got a chance at 75, even if for only the duration of my training, to be young--even moreso with all those enhancements--I'd do it. And I think *that's* what would motivate stubborn old dogs to shut up and do what their told.
I also think a good story is about people experiencing extraordinary things. I don't want to read a book about someone's daily hum-drum. I don't want to read a book about an old guy that gets transformed only to have the book end when he dies during basic training. I want to read about the person who gets past all that, experiences even more extraordinary things, and if all that exploration wasn't enough, to then come out of a horrific experience of having his foot shoved down his throat to see his *wife*? WHAT!?! Mind blown!
I have to say that I enjoyed the second book The Ghost Brigades as much as the first one. I've always wanted to talk about that first chapter, and how it taught me a lesson of assumptions, but since it's a big spoiler, I just have to keep quiet.


I didn't care for the gory description, but I guess that comes with the territory in a book about war.
I guess I like the relationships that happen in a book and so the different relationships in this book were the best parts to me.
I also like the parallel of the last chapter(s) to wording from the beginning. I like it when things come full circle like that. I didn't like, however, that he said "I never saw Jane again." It makes it sound like there's no chance of ever seeing her again. If I was telling someone about somebody I used to know, I would more likely say, "And I haven't seem him since." Not "I never saw him again." Maybe that's nit picky, but it struck me sideways.


The story in OMW itself is not a whole story. It is episodic. There's no main plot that's established. It's just events in the second life of John Perry. I usually don't like these kinds of stories, but the characterization of John really sucked me in. I liked seeing this new war through his eyes and through process. I also loved how creative Scalzi was with the kinds of aliens and the complete unpredictability of the warfare that the "human" soldiers had to wage.

The Old Farts were a very entertaining early development and their banter reminded me of the kind of chatter Heinlein would create. I was a bit disappointed, though not surprised, they were broken up then killed off on by one. There was no other personal relationships created that matched them in the rest of the book so for me it read like a very absorbing journal of a very lucky guy from that point on. Even the aspect with Jane, though I found it engaging, the attempt to create another deep personal connection didn't really work for me.
The idea of the "ghosts" was a great turn, though I find the idea of a personality with the experience of a 6-year-old as the lead commander a bit hard to buy. Still, that these people were absent a previous life and developing that and their relationship to the "real-borns" is an intriguing concept to build on.
I couldn't get Heinlein's "Starship Troopers" out of my head the whole time, though the relationship is only fleeting. In the acknowledgements he thanks Heinlein, so I feel vindicated to some degree.
It was a great read with lots of action and adventure, though there were some thoughtful bits.