Vaginal Fantasy Book Club discussion
Book Discussion & Recommendation
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Expectations of heroes/heroines
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Bella didn't get on my nerves as much as other heroines who are supposedly strong. Anita Blake, I'm looking at you. A character can have a good sword arm and/or be good with guns and still be weak. Anita Blake doesn't have the strength of character to have a full relationship with any 4 of her men let alone 1. She makes us all suffer endlessly through her daddy issues until I want to bitch slap her and sentence her to 10 years hard therapy.
As for favorite heroines, I tend to like Kate Daniels in the series by Ilona Andrews. She's strong, but recognizes her weaknesses and flaws. Kate can admit mistakes and is trying to figure out daily what actions she can or can't live with. She still has a paranormal aspect and lives in a fantasy world, but she's not dumb, whiny, or immature. Ilona Andrews wrote a smart character with whom I can relate.


One of my favorite characters is Lyra from His Dark Materials. She is not perfect but I found her very likeable and she mostly gets by on her wits, which I loved.
A good example of a character that stretches my boundaries would be Glokta from The Blade Itself trilogy. He is war hero turned torturer who does some pretty despicable things but I still found myself sympathizing with his character.

I like people who are a bit shy but who have opinions, people who have been hurt and have depth rather than a witty come-back to everything. Don't get me wrong, I like that, too, but I feel like the (very valid) complaints against weak heroines and ingenues have almost pushed writers into a corner where they have to write a certain kind of strength to be accepted into a genre and I find that really limiting and not helpful to women at all.
I don't like heroines that are so confident they just have everything under control and never doubt themselves. I can't really empathize with that ;). I like people who feel real, who are kind and gentle and who have weaknesses.


1) When all of the character's actions and interactions point to him being one way, but the author loyally insists he's another way.
Case in point: Marco in Night Circus. Blargh. Would complain more but don't want to give spoilers.
2) First, I have to admit this only applies to heroines, for some reason: I get super annoyed when my heroines exhibit what Renee and Sparky of Fangs for the Fantasy brilliantly refer to as "spunky agency."
Here is their post on it: http://www.fangsforthefantasy.com/201...
Bella from Twilight is an obvious example of this. Now Twilight is, admittedly, an odd duck because of the polarity it's creates. You can't mention Twilight on the Internet or in person without getting a swoon or a sneer.
But the polarity of the Twilight audience, IMO, serves to highlight that polarity doesn't serve in our evaluations of heroes/heroines; my guess is most of us prefer a blend of strengths and weaknesses. It's also interesting that one reader can find a particular blend interesting and inspiring while another person can find the same blend degrading, demeaning, boring, etc.
So what do you look for in a heroine or hero? Also – can you name any heroines or heroes that push your boundaries of what flaws and strengths are acceptable (to you) in a hero or heroine?