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We Need to Talk About Kevin
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We Need To Talk About Kevin
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I'm not so sure that it is hard to believe that Kevin was so "different" from the beginning -- I imagine that this type of kid WOULD be different.
However, after reading the (now seemingly mild) American psycho-drama in The Silver Linings Playbook and the overwhelming American psycho-drama in "Kevin", I am ready for something more light-hearted, so the Greek island theme is appealing!


Anyway, have posted a review.
Finished this Sunday morning 30 mins before my holiday started! I enjoyed it although I had seen the movie so knew what was going on.
I found myself thinking of Jodi Picoult's nineteen minutes though.
I found myself thinking of Jodi Picoult's nineteen minutes though.

I found myself thinking of Jodi Picoult's nineteen minutes th..."
I thought of 19 Minutes too, but ultimately felt they only had the subject matter in common. The approach to "Kevin" is constructed so differently; also I found it much more disturbing than 19 Minutes.

I found it surprisingly easy to connect with Eva, even though she's cold and distant. Maybe that says more about me than I want to analyse right now, and I had no problems believing how "different" or odd Kevin was right from being a tiny tot. Some kids ARE odd from the start, some kids DO have a strange character and can flip from one personality to another depending on circumstances.

It was clever and thought-provoking. But I didn't like it.
Finished it last night. A grim read
I think that Shriver has written the characters that seem normal at first, but then start to grate. The book asks the question when these horrific incidents take place, is it the fault of the
i) child
ii) the parents
iii) society,
but she doesn’t answer it and leaves it up to the reader to form their own opinion.
I think that Shriver has written the characters that seem normal at first, but then start to grate. The book asks the question when these horrific incidents take place, is it the fault of the
i) child
ii) the parents
iii) society,
but she doesn’t answer it and leaves it up to the reader to form their own opinion.


I certainly didn't expect an author to express judgement, or the viewpoint character (Eva) either - and I think the novel is far better for not having a "reason why" jammed down our throat. It's more thought-provoking that way.
The denouement of the novel was to be expected, I thought, though. I've said more about this in my review.
No I don't, because which ever side she came down on she would have been berated for. She also avoided the gun lobby wrath by giving him a crossbow.

And there I was believing Kevin's attributed reason that he didn't want to be considered part of any social sub-group or type.


Maybe I'm just being too negative about the book because I didn't like it at all.




Are we going to talk about the book?
There are lots of comments above! Feel free to add to them, or reply as necessary.
What in particular did you like about it after P100? And what did you dislike before?
What in particular did you like about it after P100? And what did you dislike before?

I enjoyed the writing, I liked how Shriver had told the story through letters that Eva was writing to her husband. Was she only remembering all of the bad things that happened? Was Paul really as clueless as he seemed? I had a hard time finding sympathy for any of the characters.



Books mentioned in this topic
The Marriage Plot (other topics)The Color Purple (other topics)
Nineteen Minutes (other topics)
One Breath Away (other topics)
Authors mentioned in this topic
Jodi Picoult (other topics)Heather Gudenkauf (other topics)
I'm on page 54, and (view spoiler)[ do not see as yet why the main character has struck some as so unlikeable. A bit self-obsessed certainly, but isn't that natural given what we are told has happened?
Also, yes, writing letters in this style and at such length would be unusual. But isn't it more of an expression than a communication? Isn't it a cathartic purging?
There is one thing I do find hard to believe, and that is the described perceptions of a professional middle-class US woman of her time. She is considering reasons for having a child, and is drawn to a convoluted masochistic reason. Yet in all the detail she has never once considered the question of overpopulation. At this time Ehrlich's book about the population explosion was very popular. To me this shouts that a younger author (Shriver) has not accurately assessed the cultural mores of her character. (hide spoiler)]
But it's early as yet. I'll give it longer!