The Evolution of Science Fiction discussion
pre 1920: Proto SF
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Important Authors


i bought that a while ago and have yet read it.. i get the feeling it wont be an easy read.

..."
Yeah I took a glance at reviews and that's something that seems the be the universal reason for low ratings. I'm still excited to eventually read this book though mainly for its epic scope and praise by Clarke and Lem.

Karel Čapek (The Absolute at Large)
E.E. "Doc" Smith (The Skylark of Space)



Asimov, Heinlein, Bester, & a lot of others started out writing short stories for the pulps. That also brings to mind the juvenile SF. Heinlein's best work were those novels & his short stories, IMO.





Starship Troopers by Robert A. Heinlein
The Forever War by Joe Haldeman
Armor by John Steakley
Old Man's War by John Scalzi
They all have a similar plot, just a different perspective. I find the comparisons fascinating.
If anyone knows of an earlier, similar sort of book or even a short story, I'd love to include it. I thought of Wylie's Gladiator, but that deals with an entire life & WWI is just a chapter or two. The attitude is very similar to RAH's book, too. That's the cool thing about the above, the take on war varies so much.




The Science Fiction of Edgar Allan Poe


Thanks Andreas. I've also put your link in the moving forward discussion as we were deciding what to read in early sci-fi and this has some good ideas.

https://librivox.org/search?title=The...
I don't know how "important" he was, but André Laurie wrote some nice early SF in French. He was a collaborator of Jules Verne, but also wrote books on his own.
I enjoyed an English translation of Spiridon (from 1907) put out by Black Coat Press.
That press has been translating and republishing many "classic" French SF works. Many of those are what I consider uninteresting pulp stories, but there are some heavier ones. They have an interesting list of works, many pre-1930, including proto-SF, here http://www.blackcoatpress.com/french-...
I enjoyed an English translation of Spiridon (from 1907) put out by Black Coat Press.
That press has been translating and republishing many "classic" French SF works. Many of those are what I consider uninteresting pulp stories, but there are some heavier ones. They have an interesting list of works, many pre-1930, including proto-SF, here http://www.blackcoatpress.com/french-...
Denis wrote: ""Micromegas" by Voltaire (1752), I consider, arguably, one of the earliest scifi stories."
That story was included in the list I linked above. There you will also see a story by Cyrano de Bergerac from about 100 years before that which could also be considered SF. (There are even earlier examples of things that are almost SF.) In my opinion, these early stories are not exactly SF. Maybe they are proto-SF. I don't want to argue the exact definition of those terms. It doesn't really matter to me. In fact the works I like best don't easily fit perfectly in any pigeon-hole. But I have read Micromegas, and found it very dull.
That story was included in the list I linked above. There you will also see a story by Cyrano de Bergerac from about 100 years before that which could also be considered SF. (There are even earlier examples of things that are almost SF.) In my opinion, these early stories are not exactly SF. Maybe they are proto-SF. I don't want to argue the exact definition of those terms. It doesn't really matter to me. In fact the works I like best don't easily fit perfectly in any pigeon-hole. But I have read Micromegas, and found it very dull.

It's an interesting list, i'm going to have a look at some of the later ones as i'd quite like to read some more modern French sci-fi. I don't know André Laurie. Project Gutenburg have one of his books in collaboration with Jules Verne The Waif of the "Cynthia" but it's not science fiction https://www.gutenberg.org/ebooks/16344
Apparently, "The Waif of the 'Cynthia'" wasn't exactly a collaboration. Laurie probably wrote the whole thing. Verne's name was added for marketing purposes. (Several other Verne works were based on work by Laurie.)
http://www.julesverne.ca/jvandrelauri...
I agree that "Cynthia" sounds more like an adventure story than a SF story, and that is true with some of Verne's work as well.
It is interesting to think that in 1888 the concept of travelling New York to Brest in Seven Hours would still be considered SF. One hundred years later, that would be commonplace. Nowadays, 30 years later, the thought of getting through airport security and customs in less than 7 hours seems Sci-Fi!
http://www.julesverne.ca/jvandrelauri...
I agree that "Cynthia" sounds more like an adventure story than a SF story, and that is true with some of Verne's work as well.
It is interesting to think that in 1888 the concept of travelling New York to Brest in Seven Hours would still be considered SF. One hundred years later, that would be commonplace. Nowadays, 30 years later, the thought of getting through airport security and customs in less than 7 hours seems Sci-Fi!
One important early author in French was J.H. Rosny Aîné. Like Verne, his works are sometimes SF and sometimes just adventure stories or something else.
Only known in English for not-exactly-SF Quest for Fire. But in French he is known a little better and has an award named for him: Le Prix Rosny-Aîné
Black Coat Press has translated a series of his works:
The Navigators Of Space and Other Alien Encounters
The World Of The Variants and Other Strange Lands
The Mysterious Force and Other Anomalous Phenomena
Vamireh and Other Prehistoric Fantasies
The Givreuse Enigma and Other Stories
The Young Vampire and Other Cautionary Tales
Helgvor of the Blue River
I am stunned by how quickly Brian M. Stableford can churn out translations. The sheer number of his translations/adaptations makes me wonder about the quality, though I haven't tried any yet. He is picking things that were originally in quite simple language, so maybe that explains the speed. Or else he is just really good.
Only known in English for not-exactly-SF Quest for Fire. But in French he is known a little better and has an award named for him: Le Prix Rosny-Aîné
Black Coat Press has translated a series of his works:
The Navigators Of Space and Other Alien Encounters
The World Of The Variants and Other Strange Lands
The Mysterious Force and Other Anomalous Phenomena
Vamireh and Other Prehistoric Fantasies
The Givreuse Enigma and Other Stories
The Young Vampire and Other Cautionary Tales
Helgvor of the Blue River
I am stunned by how quickly Brian M. Stableford can churn out translations. The sheer number of his translations/adaptations makes me wonder about the quality, though I haven't tried any yet. He is picking things that were originally in quite simple language, so maybe that explains the speed. Or else he is just really good.

"Tom Sawyer Abroad and Tom Sawyer Detective were spoofs of Verne and Doyle, respectively."

One of Rosny-Aîné's books has recently become available on Project Gutenberg, in French only, though. La Mort de la terre from 1912.
There is a brief preface in which he says two interesting things:
[I did not attempt an exact translation. That is hard and I am lazy.]
First he says that while some people claim H. G. Wells was influenced by him, he himself doubts that Wells had read any of his books. And even if he had, Wells prefers to write about beings that are similar to creatures we know about, while he prefers to write about much stranger creatures, such as, for example, those made of rocks.
Second he says that while he could have easily spun-out "The Death of the World" to 300 pages, he thinks that SF is a genre that demands concision, although those who write it tend towards jabbering on too long. So, he kept the story to about 100 pages, and added two collections of short stories to bring it up to 360 pages.
There is also a footnote where he claims that, with a few exceptions, contemporary British critics are the most scatter-brained, frivolous, snobby and incompetent ones of all.
I wonder who he means as writing books that are too long. Perhaps Verne? I'm curious about the critics he is maligning as well.
I've downloaded the book and will gradually work my way through it. The first of the short stories reminds me of Poe.
There is a brief preface in which he says two interesting things:
[I did not attempt an exact translation. That is hard and I am lazy.]
First he says that while some people claim H. G. Wells was influenced by him, he himself doubts that Wells had read any of his books. And even if he had, Wells prefers to write about beings that are similar to creatures we know about, while he prefers to write about much stranger creatures, such as, for example, those made of rocks.
Second he says that while he could have easily spun-out "The Death of the World" to 300 pages, he thinks that SF is a genre that demands concision, although those who write it tend towards jabbering on too long. So, he kept the story to about 100 pages, and added two collections of short stories to bring it up to 360 pages.
There is also a footnote where he claims that, with a few exceptions, contemporary British critics are the most scatter-brained, frivolous, snobby and incompetent ones of all.
I wonder who he means as writing books that are too long. Perhaps Verne? I'm curious about the critics he is maligning as well.
I've downloaded the book and will gradually work my way through it. The first of the short stories reminds me of Poe.

I guess not only Verne but Wells too. As for critics, a few authors love them

Possibly, but Voltaire was a satirist. I'm surprised he wasn't imprisoned, as pre-revolution France was a savage tyranny.

"
He had quite a backing, including personal protection by Catherine II of Russia. That's why Jean-Jacques Rousseau had a conflict with him - Volter supported 'enlightened despotism', while JJR supported Poles, made stateless by Russia-Prussia-Austria

According to Wikipedia, Voltaire indeed served time: "Voltaire had trouble with the authorities for critiques of the government. As a result, he was twice sentenced to prison and once to temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his daughter, resulted in an eleven-month imprisonment in the Bastille."
I wonder if exile to England is worse than prison.

As I understand the allegations made by Voltaire were false, so this is not a fight against the freedom of speech

Probably they thought that if he is in another place he only would cause trouble to there, not to France.

Voltaire antedates freedom of speech. The system of government during his life was monarchy.
Rafael wrote: "Probably they thought that if he is in another place he only would cause trouble to there, not to France."
If so, they miscalculated badly. While living in England from 1726 to 1729, Voltaire wrote his not so well known Letters on England, which compared England very favorably to France, much to the chagrin of the French government. Maybe that is why he was only exiled once.

The issue of freedom of speech as a part of freedom of an individual predates legal norms. It can be argued that Socrates was forced to commit suicide on this issue (among others). Monarchy can be with freedom of speech, see the modern Great Britain.

https://www.goodreads.com/topic/show/...
messages 24-30
I'll reiterate my position. I don't consider his work SF, but he was very influential with SF authors for his exchange of letters/ideas with them. His aliens & settings show up in many later works due to the fine line between horror & SF. On top of that, SF is tough to define, so one of our benchmarks is how a book is shelved & a large number of GR users shelve it as SF.
We're not just about reading SF, but about the evolution of SF which grew out of other genres, so I'm willing to allow his work for a group read. I think any such works have to at least have elements of SF, though. Lovecraft's works have other dimensional beings & aliens that are horror not SF IMO, but others interpret it differently. That's OK. He probably won't get my vote for group read, but that's more because I've read a fair amount of his work & don't care much for his style.

https://www.goodreads.com/review/show...
Jim wrote: "Before Adam by Jack London in 1906 is another story I don't consider SF, but a lot of people do...."
I'd be willing to consider such stories about early humans as SF, though I don't have much interest in them.
Lovecraft has little bits of SF tropes in some works, but that wasn't what he was focused on. I've tried to read some of his works, but they just don't work for me. They set an eerie atmosphere, but then nothing really happens. He certainly influenced lots of writers.
I'd be willing to consider such stories about early humans as SF, though I don't have much interest in them.
Lovecraft has little bits of SF tropes in some works, but that wasn't what he was focused on. I've tried to read some of his works, but they just don't work for me. They set an eerie atmosphere, but then nothing really happens. He certainly influenced lots of writers.

Or why A Clockwork Orange or The Handmaid's Tale are considered sci-fi. Aside from being set in the near future they have few hallmarks or trops of sci-fi novels.
Unless they all fall in the speculative fiction category.

https://www.sciencemag.org/news/2018/...

My opinion is that Frankenstein deals with science at the cutting edge of the time. It is questioning what we might do & whether it should or not by speculating about Galvani's science experiments which were the rage at the time.
IIRC, 'The Mountains of Madness' are basically like the rest of his stuff - descriptive horror without any scientific basis. It might be interdimensional, but they're treated more like supernatural phenomena.
'Clockwork Orange' is along the lines of The Time Machine or 1984. They're all exploring social progression & what we might do. It's not very SF, but the path society is on & the brainwashing thing at the end are both pretty strong elements that way. Compare it to Lord of the Flies. That's certainly not SF because it lacks those elements, bit it is another strong statement about civilization.
I haven't read 'The Handmaid's Tale' & have no interest, so I can't speak for it.
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