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Future Classics
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Or those written by Cathy Kelly. There are actually so many books we could cinsider as a future classic.

I know I plan to read it a few more times before I die and I can see it joining the classics!

I would also think that Extremely Loud and Incredibly Close by Jonathan Safran Foer could be a future classic, not only because it's a great book but also because it specifically deals with the topic of September 11th.

Okay, so here is my question to add to this discussion. What makes a book a classic? What is required of a book to be considered a classic?

I think this is a great and really interesting question. I think Sheila raises good questions on what defines a 'classic'. Are there some books that are instant classics?
To me it has to be what Valerie says but it also has to be fresh. It can't be the same story with a twist.
I wonder with the amount of books printed each year if it makes the birth of a classic harder. If we think of books prior to the 20th century that are considered classics is it because there weren't as many books being published? Would they be classics today?
I think The Book Thief could certainly be one. I would also hope that The Gargoyle would be up there. It tells a classic story in some ways but it also tells a story I have never heard before in a beautiful yet fresh way. I will forever love The Guernsey Literary and Potato Peel Pie Society and think in another time it would be an instant classic. I worry that in today's day a lovely well told story might not be enough for critics and world wide appeal although I just loved everything about that book.
To me it has to be what Valerie says but it also has to be fresh. It can't be the same story with a twist.
I wonder with the amount of books printed each year if it makes the birth of a classic harder. If we think of books prior to the 20th century that are considered classics is it because there weren't as many books being published? Would they be classics today?
I think The Book Thief could certainly be one. I would also hope that The Gargoyle would be up there. It tells a classic story in some ways but it also tells a story I have never heard before in a beautiful yet fresh way. I will forever love The Guernsey Literary and Potato Peel Pie Society and think in another time it would be an instant classic. I worry that in today's day a lovely well told story might not be enough for critics and world wide appeal although I just loved everything about that book.

I guess that for now I agree with Brenda - they need to be able to stand the test of time. But there's something else as well...a lot of the books that I love have certainly passed that time test with me, but not everyone else thinks that they're so fantastic. For instance, I absolutely love The Other Boleyn Girl by Philippa Gregory and re-read it every year or two and it still grows on me - but I know that not many people would consider it a classic.
So if it's something that stands the test of time - what exactly are the criteria for that? Sales, ratings, critics, amount of time passed since it's release, etc?
Man, this is going to be on my mind all day...

I don't think TOBG would be a classic because I know it's not that popular among a lot of people, it was just an example of something that stands the test of time with me personally, but not necessarily others. Am I making an sense?

I think that's a common theme in a lot of the classics although I don't think it's required for every classic. And I don't think TOBG quite lives up to that standard, although I did enjoy it when I read it.
I agree Sarah there are books that are 'classics' to me but I know others dont think that way.
In that sense I apply the term classic to me something that is well loved and will continue to be loved and enjoyed by me for years to come. I know that is too simple of a definition for society at large to accept for the term classic.
Generally speaking I think it has to stand up to the test of time. It can be great in every other way but if it isn't loved and highly regarded generation after generation then it will fall to the wayside.
I also don't think that critics and literary scholars get to pick out what will and what qualifies as a classic. I think it is up to public opinion. I have heard Jane Austen slammed by many literary critics and book snobs because at its a pretty predictable love story... but it doesnt matter what 'they' say because the public finds joy in it year after year decade after decade so despite the critics it stands because of public love.
In that sense I apply the term classic to me something that is well loved and will continue to be loved and enjoyed by me for years to come. I know that is too simple of a definition for society at large to accept for the term classic.
Generally speaking I think it has to stand up to the test of time. It can be great in every other way but if it isn't loved and highly regarded generation after generation then it will fall to the wayside.
I also don't think that critics and literary scholars get to pick out what will and what qualifies as a classic. I think it is up to public opinion. I have heard Jane Austen slammed by many literary critics and book snobs because at its a pretty predictable love story... but it doesnt matter what 'they' say because the public finds joy in it year after year decade after decade so despite the critics it stands because of public love.

I'd say that John Boyne's 'The Boy in the Striped Pyjamas' would do it for me. - Also - perhaps – ‘Sophie's World’ by Jostein Gaarder and ‘Mister Pip’ by Lloyd Jones.
There are also a couple more on my list of potentials that have recently been made into films and it was pointed out to me that this could dent their 'classic' credentials! – For example Captain Corelli's Mandolin or Memoir's of a Geisha.
Do you think being made into a film dents or promotes potential classic-ness???
Ally

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I think that it would dent it's potential classicness. There are many classics that have movies as well, but the movies were made after it had already been deemed a classic. For example, plenty of Jane Austen's novels.

I think it depends on the movie. I think most movies today cheapen the books they're based on, because it's tough to get the essence of a book in 2ish hours of film. However, I would point out To Kill a Mockingbird which was made into a film shortly after the book came out, and I think it enhanced it.

I think we really just have to look at books popularity and how long they keep their ratings up. I think Harry Potter is already considered a classic. Catch 22 is becoming one. Anything by Stephen King will become one. How about Bridges of Madison County. Such a good book. I haven't read The Kite Runner, The Life of Pi, Atonement or The Alchemist yet but I could see them getting there. And, as much as I hated The Da Vinci Code, I could see it becoming one as well. We don't have to love all the classics.



Will the Boleyn Girl be one? I tend to doubt it. Its a story that has been written before and will be written again.Stories from history are always popular fodder. Think Shakespeare the boleyn girl does not contain clever enough writting to not be displaced by the next person writting of Henry the eight in years to come.
Secret Life of Bees is a more likeley choice.

I really have no idea what would make a good classic. Possibly Kite Runner, possibly even The Poisonwood Bible (as it already seems quite popular among book clubs and reading lists).
I don't think many books from this age will become classics. It's kind of like movies - it's really hard to picture any of the stuff the movie industry has been coming out with lately as a classic. As time goes on, it gets harder and harder to come up with fresh, original ideas while also having the talent to get that idea to come to life.



I, too, loved The Other Boleyn Girl, Sarah! I adore Ahab's Wife, I would love to see it listed as a classic!



Exactly - well written and resonant. I completely agree.



Publication date was May 2006. The paperback hit #1 on the New York Times Best Seller list on July 8, 2007 and is still on the paperback trade fiction bestseller list

I can only believe that she was the author of women's lit of the times. But I can't get into Austen, either.

To me, a classic needs to explore the human condition in such a way that it resonates with people, and will continue to resonate regardless of technology or politics. If the technology or the politics is the vehicle by which that human condition is conveyed, so be it. I think of Brave New World or The Red Badge of Courage when I make this remark.

I put The Poisonwood Bible in the category of a great book. It is an entertaining book at the surface level and can also be read on a number of other levels. The themes are universal rather than specific to the surface plot.
I also agree with Sophie's Choice and To Kill a Mockingbird. Some of the others I'm just not familiar with.
Books mentioned in this topic
The Poisonwood Bible (other topics)Water for Elephants (other topics)
The Known World (other topics)
The Secret Life of Bees (other topics)
The Guernsey Literary and Potato Peel Pie Society (other topics)
More...
Which modern books do you think have the potential to become the classics of the future???
I have my own thoughs but I don't want to sway the argument so I'll chip in my thoughts once others have had a chance to ponder on this!
Ally