Lewis Carrol discussion

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Alice in Wonderland
Carrol's Writing Style (Alice in Wonderland)
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Nina-Alexa
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Jan 15, 2014 12:35PM

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The story is best known as the Greek myth of Persephone, the goddess of spring whose descent into the underworld was one of the most popular mythological motifs in art and literature throughout Carroll’s lifetime, indeed the entire Victorian age.
In classical times, pilgrims initiated into the Mysteries of the Goddess, dressed in white and wearing wreaths of flowers, entered her temple sanctuary at Eleusis where they re-enacted the descent and eventual celebrated return. Carroll alludes to this ancient pilgrimage in the prelude poem’s final line: “Like pilgrim’s wither’d wreath of flowers / Pluck’d in a far-off land.” Furthermore, and not coincidentally, he photographed Alice Liddell (the real-life model for his Wonderland Alice) as “Queen of the May,” dressed in white and crowned with a garland of flowers like an initiate into the Mysteries.
The myth of Persephone begins in an idyllic meadow with her older sister, the earth goddess Demeter, who—in the scandalous way of gods and goddesses—is also her mother. Persephone is idly daydreaming and picking flowers when she falls down an infinitely deep fissure into a subterranean world. She experiences many adventures and trials, but at last escapes and returns to her sister Demeter’s arms.
The frame story of Alice’s Adventures—in both the Under Ground and Wonderland versions— mirrors Persephone’s journey. In Alice’s case, she is sitting in an idyllic meadow with her (rather motherly) older sister, Lorina, and—while idly daydreaming and considering the picking of flowers—drifts into a dream wherein she falls down an infinitely deep hole into a subterranean world. Like Persephone, she experiences many adventures and trials, but finally escapes from the underground world and returns to the arms of her sister Lorina.
