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Chapter Transitions and multiple POVs
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Seems to me from my reading that multiple POVs in novels, contemporary and otherwise, is by far the majority. In fact I struggle to think of a novel I've read recently that limited itself to a single POV.
Am I missing the point somewhere?
Regardless, the question did immediately make me think of the Havemercy series of novels by Jaida Jones and Danielle Bennett. These books have clearly structured transitions and an unusual arrangement of highly disciplined pairings of POVs that I don't think I've seen anywhere else.
Are there any great examples in contemporary novels of chapter transitions and usage of multiple POVs?