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I decided that description is fine as long as it serves the purpose of deepening the character through whose pov I'm seeing things. WHY is she grossed out, impressed, scared, amazed, etc. by what she's seeing? What am I learning about her through the way she sees her world? Why say, "Pigs tromped through the muck in the streets," when you can say, "The pigs that tromped through the muck in the street made her think of her father's farm and filled her with a longing for home."
It can't be description for descriptions's sake alone.

Oh gosh... 3 pages of carvings description? No matter how talented the writer is, I'd probably have fallen asleep before the end of it. ;)
Give me description to start up my imagination, but let me deal with the rest.
Give me description to start up my imagination, but let me deal with the rest.


I DNF'd a historical fiction for a similar reason. I forget which book it was, but just remember thinking, "I get it, it's freaking smelly and gross! Stop reminding me!"

For me it depends on genre and my mood. Sometimes I just want a quick and action packed story, and other tim..."
I enjoy description up to a point. Just give me a few lines to describe, perhaps, a character's living space so I have an idea of their personality, tastes, if they have money or not...
Tell me about the "fine Persian rug on the parquet floor in their hallway", but don't I don't need specifics on where they purchased the rug, and the design and color of the rug, and its shape, etc.
I try to write enough description to give the reader just the amount of info necessary to draw their own conclusions about the character, setting, or whatever. But that's just me, and what I go for.
And who knows if I'm even any good at it! O__o

I actually listened to an unabridged audiobook of Les Miserables to force myself to listen to the long descriptions instead of skimming them.

I agree. Descriptions mixed with actions, dialogues and whatnot are easier to assimilate. And can be more fun. I prefer reading about someone hitting their toe on an out of place furniture as they enter the room rather than reading that the furniture has been moved around. Both will tell you the same thing but the first one will stay with you longer. :)

Example
"Do you like my flower garden?"
As I looked out at the garden ............ 4 paragraphs about the flowers and the season and the weather.
"I've never seen anything like it."
Then even if I remember what the last question was, I find myself thinking. Did they have a long pause while that person thought all of that?

It's not for the faint of heart. I can't imagine trying anything like that myself.

True. I think it goes with the protagonist. For example, Sookie (True Blood) will describe everything she wears, even when she uses make-up (what she uses and where and even how). Although I'm not saying I'd do that, for her it felt 'normal'. It kind of went with her persona. I couldn't imagine a guy doing so though. However, I could imagine a guy spending more time describing a car for instance. So it all depends on the characters, or on how you want the readers to see them.


What is good to keep in mind is that if the description goes on a bit the average reader either jumps along to the action or just plain closes the book.


Some forms of fiction demand description though; genuine science fiction is based on a technology or scientific idea that needs to be explained for the story to make sense.
@Michael True they need to be explained but to some degrees. I've read a book lately that made me feel I was back in school reading physics and chemistry books in lieu of a science-fiction story. Sorry, but nope. If you need to explain fine, but do it in a fashion that it is still interesting at least. :/
For me it depends on genre and my mood. Sometimes I just want a quick and action packed story, and other times I want to feel dizzy with lots of whimzical description.
What do you prefer and how does it effect your writing?