Poetry Readers Challenge discussion
2016 Reviews
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Nothing to Declare by Henri Cole
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My pleasure. I'm always enthused to discover a poet I enjoy this much. I still feel like a newbie about 12 years of focusing on poetry even though I was an English major way back when. I knew something of 19th c. and early 20th c. greats, but had to find contemporary poets for myself.
Because of Cole’s liquid language and thought, I forgive the run ons, even celebrate them. I suspect growing up in a home that spoke three languages honed his skill, allowing him to turn words loose to do what they want. Two of my favorite poems, “City Horse” and “Clepsydra,” deal with the aftermath of floods – perfect for his rush of language.
It’s rare to call attention to the book design as part of the magic, but the double spacing of these poems make it easier to stay focused. The white space gives you room to catch your breath.
Only Cole’s words can demonstrate why I love this book. The heartbreaking first poem, “City Horse,” is an ode to an unlikely subject: the corpse of a drowned horse, tied to a telephone pole, lying face down in the muck with a broken leg. It ends
“Oh wondrous horse; O, delicate horse – dead, dead –
with a bridle still buckled around her cheeks – ‘She was more
smarter than me,
she just wait,’ a boy sobs, clutching a hand to his mouth
and stroking the majestic rowing legs,
stiff now, that could not outrun
the heavy, black frothing water.”
“Clepsydra” sounds like a Roman goddess, but is a water clock. In this poem, the narrator has been on his roof in a flood. Lying on his carpet, he
“…thanked my life
for letting me be here,
while Albert mewed
and licked my eyelids…”
The closing explains his choice of title
“When the wind howls
and a sea full of
compressed skulls
surges against
the windows,
we are all children.
It’s the oldest timepiece –
liquid dripping in a tub
until the little clay vessel
fills and sinks to the bottom,
and a bare hand plunges in
to empty and
float it again.”