Never too Late to Read Classics discussion

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The Brothers Karamazov
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2017 Mid April The Brothers Karamazov by Fyodor Dostoyevsky
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Lesle, Appalachain Bibliophile
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Apr 15, 2017 05:37AM

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The Karamazovs are a very interesting family. The brothers all have distinctive personalities and views of life. Their father is a horrible man- a really horrible man.

This is a long book, so please be reassured that you will be able to make comments at any time. The thread does not close even after we start a new book.

Oops.

1. It is difficult as I thought. As with the Idiot and C&P, It takes me a while to get into the groove with a Dosty so its too early to evaluate it.
2. As i learned in previous Tolstoy and Dosty reads, I bookmark the character list since I spend a lot of time going back to it because one character gets called various names, such as Dmitri, will get called Mitya, Ivan called Vanya, Alexei called Aloysha, and I just want to see if a new character has come in.
3. So far, Papa K is, as a chapter head called him "the Old Buffoon," and see where he is also, as Rosemarie says "a really horrible man." I'm surprised he has been allowed to live this long.
4. The brothers are introduced well, so you get an idea of their personalities, but I'm now trying to see their true characters as they react to the plot developments.
5. I plan on this read taking at least the whole month of May.

1. It is difficult as I thought. As with the Idiot and C&P, It takes me a while to get into the groo..."
Haha same thing here. Very first thing I did was bookmark the character list because of my experience with Tolstoy's writing.
I'm a little further than you (different version, though) but at first I thought the book would be about Papa K (lol) and his brother that was talked about in the translator's intro -- but oh well. But yeah - like, kinda want Papa K to die or something 'cause he's just ....

I have finished 4 Books and am in Part II.
I often think 19th Century Russians seem so intense. Granted there are intense characters in American and British lit, like Ahab, but even the common characters here all seem so intense, like the entire Captain Snegiryov family.
Maybe that is why I like this novel, and all of D.'s novels so much--the intensity. That is a fitting adjective for many of his characters.

Thanks for the comment about intensity, it warms my heart as Dosty (my Lord, love this name) is my favourite.
And you mentioned the lists of names, so great an observation. The variations can cause confusion, have never thought of that

The most memorable part of these 2 sections has been a story or parable. For the Zosima bio, it was the The Mysterious Visitor and his story of his secret evil deed.
For the Ivan/Alexie tavern talk, it is the famous Grand Inquisitor story/parable told by Ivan to Alexie. I can see why the Grand Inquisitor tale has been referenced in other fiction, including a major part in a Tony Kushner play on the Bush administration
I will be interested to see how the plot develops in the next 2 Parts.

1. While Alyosha/Alexie is considered the "hero" by Dosty, he does not take as active a role in the plot as Dmitri and even Ivan. Alyosha is most active in the side plots, both with the monks and the Snegiryov family and school kids, culminating in the novel closing Speech at the Stone. Perhaps he plays a role similar to Levin in Anna Karenina, the author's philosophical hero, who is not really a vital participant in the major plot.
2. The trial's closing arguments were realistically lengthy; it took me an hour to read the 31 pages devoted just to the prosecutor's closing.
3. While a rewarding read, in that I feel a sense of accomplishment at reading a great and important classic, I can't say that I really enjoyed it. I will reflect more on it, but my initial feeling is that I enjoyed reading both the Idiot and Crime and Punishment more.
The plot is more focussed in Crime and Punishment, and the character of Prince Myshkin is the focal point of the Idiot. In The Brothers K. the plot is more diffused, and there are more side plots and digressions. But overall, there is a wealth of material to think about after reading the book.

I read C&P years ago and I think my translation was more Anglicized, making for an easier and more "enjoyable" read than the Pevear translations I have read recently. Now that I know better, I want to read the translation that best captures the intent and tones of the novelist and not the most comfortable read.
I also had an easier time visualizing The Idiot's scenes, maybe because I started staging it as an opera early on. Its the characters' intensity that makes for the operatic elements.

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