The Sword and Laser discussion
On book reviews: Is Goodreads that bad?
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As for myself, I use reviews primarily as a guide to a book's popularity. The number of reviews is a proxy for how many people have read it. Beyond that I'll read the description, check out the author's bio and other works, and make a decision.

It was actually a pain in the butt before it was bought in one particular way--the manual for Goodreads librarians didn't allow us to use covers from Amazon.com, so it was sometimes a chore to find a good image to use for the book pages. Thankfully they changed aspect when they got corporatized, but I'm going way off topic...

Yeah I remember those rules. It was really hard to find some stuff when you were banned from using Amazon.

This is cool the main issue is that what is good by rating changes depending on the genre.
Political books are all over the place and depend basically on the authors loved/hated ratio and the books quality.
Or for within our own genres, Epic Fantasy will always get better reviews/ratings than Urban Fantasy or Sci-fi.


I agree, an "I have an ARC/early review copy" checkbox would help filter many frivolous reviews. Sorry that I missed your earlier comment!


The Netflix and Youtube ratings have been retired. The iTunes ratings still exist but are on the way out?
as noted in previous comments, there is a problematic difference between Goodreads and Amazon
lotta hate in some of the ratings


(view spoiler)
Obviously this doesn't translate to books exactly (at least not the full descriptions. But for me, the difference between "Excellent (9)" and "Outstanding (10)" in terms of just those words & numbers mean nothing to me.
So I just take Goodreads descriptions and ignore the numbers almost completely--I find that I rate most books 3s and 4s though (liked it, really liked it), with only books that hit a particular spot as 5s. 2s are for disappointing books, and 1s are for "why did I read this? ugh".



A book (movie, meal, ....) can be enjoyable to me but badly written rubbish (action movies often fall in this category, I actually enjoyed the Man of Steel movie).
A book can be well written and executed well and I can hate it. The two are not exclusive.
Stars and thumbs cannot cope with this.
I figure Amazon/Netflix use them so they can show you stuff that people with similar profiles to you liked. They sell stuff so it works well for them. The reviews are less important.
My rankings are
★★★★★ - Ground breaking, brilliantly written and great story
★★★★☆ - Excellent, well written great fun.
★★★☆☆ - A good solid read that has some problems
★★☆☆☆ - Meh
★☆☆☆☆ - Bad, just bad...
☆☆☆☆☆ - Burn it, my eyes just rotted and fell out.




A book (movie, meal, ....) can be enjoyable to me but badly written rubbish (action movies often fall in t..."
This is a perennial problem with reviews, not just in books but any subjective arena. I'm a bit of a wine geek and the same issue arises there - I hate highly oaked wine but that's subjective. If I score a wine do I score it on what I like or on the fact that it's well-made and if someone likes that style, it's likely to be something they love?
My solution is this - a review of something subjective cannot reasonably pretend to anything more than one's opinion, so scores should express that. If you liked it a lot, score it highly. If not, don't. That's what a score means. For nuances and reasoning behind the score use the review - ("I love this, but I like [snarky urban fantasy]" or "I didn't like that all of the characters were snarky"). For example, several of the comments on this month's book note that the worldbuilding is exemplary but that the pace is far too slow for the reader so they don't like the book overall.
At the end of the day, trying to score objectively is foolish - what we like is by definition subjective. To me, that's not an issue - we should just be upfront in a review about our reason for the score. As for utility of scores, since people insist on using their own meanings for them, you cannot use a raw score as a metric. You have to know the reviewer's system, hence why it's more useful to be able to follow people.
PS: way back when, I was into high end audio gear and one of the leading magazines did something really useful. When they hired a new reviewer, they had that person first write an article about how they reviewed, what they valued, their listening setup etc. For example, I remember one reviewer who noted that he didn't care all the much about the low bass in a system since he mostly listened to small ensemble chamber using and jazz vocals. Another reviewer was all about full scale symphonic music so to them, bass response was very important. Knowing that let you know how to evaluate what each of them said.
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Oh I agree. All of this is really just a fun discussion, I don't expect anything at all to change. I do think GR is being irresponsible toward new and mid-market authors by ignoring some of this, especially by allowing pre-publication ratings (Arc aside) but... they've been doing that for years.