J.D. Robb discussion

This topic is about
Creation in Death
In Death Buddy Reads 2016 - 2021
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Creation In Death - May 2018

megarg wrote: "I thought this one of top "in Death" books, So I am very happy to reread it. The problem with the JD ROBB books is I can't put them down and now that I've begun. my day is shot!"
So addictive, right?! lol I'm starting my reread. Always a pleasure to be back in this world.
So addictive, right?! lol I'm starting my reread. Always a pleasure to be back in this world.




Have to admit that I'm also a little burned out on serial killers...especially when the reader has to read how the killer enjoys torturing and killing his victims. Its creepy and disgusting methink. Hope there won't be too detailed descriptions.

Today's the day!! Open discussions on Creation In Death start today. Feel free to share your thoughts freely.
So -How did this one play out for everyone? Share your thoughts! What worked? What didn't? What do you consider the defining moment of this book?

I enjoyed the movie scene also, Susan. And agree that it's good to see Eve & Roarke indulging in the things that most couples take for normal.
Feeney blasts Eve for not going over her new theory with him before presenting it to the team. This was a brutal, heartbreaking scene between them. What do you all think...was he justified? Should Eve have taken the time to see him first before presenting it to the team? Was Feeney out of line?
Do you feel the descriptive scenes of the murders are too descriptive? What purpose do they serve?
Do you think they underestimated this killer? All the technology used to protect Eve in the end turned out to be useless inside his house. What are your thoughts on the way this went down?
Shades of Gray - Before Roarke, everything was black & white to Eve. Now, she appears to skate just over the line from time to time. So, what about the line Eve crossed toward the end while they were interviewing "Bob" - when she asked Roarke to make every trace of the killer's right to end his life documentation papers disappear? Does it seem to be getting easier for Eve to cross those lines in order to seek the justice she believes a victim deserves? Do you think she has the right to make that distinction? How do you feel about the way this played out?

No - I don't think he was justified - she offered him the lead at the start when the team was formed and he gave way to her then. He knows what she is, he has worked with her for many years and he would have done exactly the same thing if he had been in her shoes. She was in charge of the team, she was the one making the decisions, she didn't have time to pander to his sensibilities and she was informing him at the same time she informed the rest of the team. That is the responsibility of command.

Some times it feels like they are - but - the story line can demand that the scene be that graphic, that confronting. In this case the mindset of the killer is bound to that ritual of torture and it had to be shown to give the greatest understanding of the murderer as well as the emotional impact on the team investigating. I don't think the reader could understand either aspect without these scenes being in place.

Hmm, I don't think underestimate is the right word. I think there was some very basic mistakes made. For example as in the bug in her vehicle. With all Roarke's tech savviness - why wasn't it checked and I would think that all the vehicles garaged in Roarke's properties would be scanned as part of his basic security. I know they had their own bug there - but - I would have thought that the interference between the 2 signals would occur no matter how far away from the base the vehicle was. (although it wasn't explained if the bug used was one of Roarkes or the NYPSD ones)
In a lot of ways it felt more like this part of the plotline than a logical process in the expected investigative thought pattern.
The other thing to remember is that he had still not been confirmed as the murderer at this point - she was going to meet Mr Klok. It felt off, but they wouldn't know for sure if this was the guy. Eve didn't know until she was face to face with him and as her transmitters were scrambled she didn't get the warning that everything was blocked.

No, I don't think it was easier to cross those lines. I think, in this case, she had promised justice to Ariel and the other victims and that she felt the only way to get that justice this time was to wipe the out that the murderer had worked out for himself.
Anyone who has worked in a system that is bound by rules (as most government is) knows that rules (and laws) are not black and white, that there is a huge amount of grey open to interpretation in many ways. (It's what keeps our legal system well occupied.) I think in this instance justice was the overiding factor, even more than the 'rules'.
Eve didn't have the right, legally, to ask what she asked but morally I think she had every right.

No, I don't think he was justified...and his apology later on shows that he didn't think so either. This was such a personal case for both Feeney and Eve, the stress got to them both and it showed.


It is an interesting issue. One thing that comes into it I think is to consider what guidelines/"laws" surround getting 'permission' to self-terminate with 'official medical/legal' support -- surely there would be something that says a criminal wouldn't have access to this just to make it easier for him/herself. I think "The Bad Guy" was trying to get around the consequences for what he did and Eve was smarter/quicker. I don't think it is easier for Eve to cross the line.
I have to say, it's always a hoot when JD Robb creates an unexpected or surprise ending.

At least now the killer has time to think over his actions and perhaps towards the end he will suffer like his victims did and just like the families of the victims still have to suffer by the loss of their loved ones...
I really liked the very end when Eve and Roarke are over-exhausted and stumble home. And then Summerset says "...And now that the children are home.." So sweet and made me smile. Perfect ending.

I listed to the audio for this book and I got chills when Eve and Roarke were together acting like a "normal" couple watching a movie and teasing each other. The scene that broke me also was Feeney ripping Eve apart. I actually started to cry. I was so happy when they made up...

I understood why Feeney lost it but I do believe that he shouldn't have. Eve was the primary and should be able to conduct the investigation as she wanted/needed to.

I think this killer was underestimated all along. Even going back to the past. I feel it was important to show how he was so difficult to figure out so that it didn't look like they should have caught him previously.

Actually, I have a hard time with this one. It would be very difficult to be in Eve's position and do the legal thing. Legally, she shouldn't have done this. But he outwitted the legal system and so I felt she was just trying to do the "right" thing.

Yes, I liked that too!


Feeney wasn't justified but his reaction is understandable. I'm sure it is difficult for any cop to not solve a murder case. It must be worse when a serial killer comes back and starts to kill again. Feeney is beating himself up for missing clues then Eve finds something new. It must be devastating that he didn't think about it the first time around. Like Sheila told Feeney it is easier to go after the ones we love. (not a quote)
Eve doesn't have a problem giving back to others. How many times has she told Peabody or one of her team to back down. She even stands up to Roarke. Feeney hurts more because his approval is so important to her. It is an emotional scene but it sets up the scene with Roarke and Feeney--one of my favorites.
Sharon wrote: "Sandra ~ ♥ Cross My Heart ♥ wrote: "Feeney blasts Eve for not going over her new theory with him before presenting it to the team. This was a brutal, heartbreaking scene between them. What do you a..."
Perfectly said, Sharon. I whole-heartedly agree. And in many ways, Feeney is a father-figure to Eve which makes it all more emotional.
Really loved that scene between Roarke & Feeney!
Perfectly said, Sharon. I whole-heartedly agree. And in many ways, Feeney is a father-figure to Eve which makes it all more emotional.
Really loved that scene between Roarke & Feeney!

Have to admit that I'm also a little ..."
Eve - are you saying you pick and choose your In Death books and don't read in order? Brave!

Me too!! I really wish she would write some "companion" books. A history of the Urban Wars, Eve's "marriage rules", maybe a book of Leonardo's fashions.... Just daydreaming!

What I like through the series is they sort of end up in the middle. She's more open to things that are just slightly gray and so is he. He's more open to cops and she's more open to crooks.

I really like that too, Kirsten. She's starting to see other points of view and isn't quite as rigid in her beliefs.

I often read comments in reviews and on blogs that a procedural is too descriptive. It doesn't make sense to me though. There are some truly sick people who are cruel beyond belief. Authors who skim over the details make the events less gruesome and the killer's criminal mind isn't real.
If an author decides to be less descriptive, some events can't be explained. For example, Eve's actions at the end to ensure Bob's jail time. He deserves to pay for his mistakes more than a person who kills in the heat of passion, DUI, etc. Also the Eve/Feeney confrontation. He wouldn't be as possessive or upset. There are many events in the story that would not work as well without understanding the murderer. The details are essential to the story.
Synopsis/Blurb:
When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Lieutenant Eve Dallas is catapulted back to a case nine years earlier. The city was on edge from a killing spree that took the lives of four women in fifteen days, courtesy of a man the media tagged “The Groom”—because he put silver rings on the fingers of his victims.
But this time, it becomes chillingly clear that the killer has made his attack personal. The young woman was employed by Eve’s billionaire husband, Roarke, washed in products from a store Roarke owns, and laid out on a sheet his company manufactures. Chances are, The Groom is working up to the biggest challenge of his illustrious career—abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve.