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Best Translated Book Award
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2019 BTBA Speculation
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Trevor
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Jun 14, 2018 09:37PM

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Haven't considered the possibilities too closely yet; 2x Dag Solstad & Knausgaard-VI seem the most obvious longlist contenders; Uwe Johnson's "Anniversaries" alas not eligible (even if previous translation was only partial)
Referring to:
T. Singer
Armand V: 5
The End: My Struggle: Book 6


It isn't a great year for Dalkey translations, unfortunately.
Since it has largely been translated before, it isn't BTBA eligible, but the complete 2,000 page Uwe Johnson Anniversaries is due in October.
And yes, Gumble's Yard, Frankenstein in Baghdad.


....
Just checked and it is published simultaneously in UK (Fitzcarraldo) and US (New Directions) on 1 November 2018.
Exciting!

http://rochester.edu/College/translat...
NB worth reading the full article - not all are books he thinks should win as opposed to probably will win...
1) My Struggle: Book Six by Karl Øve Knausgaard (2-to-1 odds)
2) Pretty Things by Virginie Despentes (10-to-1 odds)
3) Flights by Olga Tokarczuk (12-to-1 odds)
4) Wait, Blink by Gunnhild Øyehaug (25-to-1 odds)
5) T. Singer by Dad Solstad (50-to-1 odds)
6) Brother in Ice by Alicia Kopf (100-to-1 odds)
and of Open Letters books....
7 & 8 & 9) The Endless Summer by Madame Nielsen, The Bottom of the Sky by Rodrigo Fresán, and Fox by Dubravka Ugresic

Wonder if Frankenstein in Baghdad is BTBA as opposed to MBI material




Some guesses:
The Restless - Maybe
La Bastarda: A Novel - Probably Not
The Perfect Nanny - No
In Black and White - Maybe
The Restless - Maybe
La Bastarda: A Novel - Probably Not
The Perfect Nanny - No
In Black and White - Maybe

The Fox (Dubravka Ugresic/Ellen Elias-Bursać & David Williams), which I enjoyed, and expect to see shortlisted.
The Endless Summer (Madame Nielsen/Gaye Kynoch). I was lukewarm on this one, but a very fine book in many ways.
Empty Set (Verónica Gerber Bicecci/Christina MacSweeney). Not my bag. I couldn't help being reminded of 2018's August while reading. I think it would appeal to the same readers, though I enjoyed this one a bit more.
I enjoyed August, so I'm going to have to check this one out! Thank Eric.
Some more that I've read from 2018:
Tomb Song - maybe. I did not enjoy it, but I see the value in it.
The Tidings of the Trees - I would definitely expect this one on the shortlist.
I Didn't Talk - Maybe? I would probably shortlist it, but there are long discussions of education that other readers might see as tangents when I see them as integral.
Some more that I've read from 2018:
Tomb Song - maybe. I did not enjoy it, but I see the value in it.
The Tidings of the Trees - I would definitely expect this one on the shortlist.
I Didn't Talk - Maybe? I would probably shortlist it, but there are long discussions of education that other readers might see as tangents when I see them as integral.

I believe Hilbig has two books out this year. Either way, I'll be reading Tidings of the Trees before longlist announcement. Also, thanks for the recommendation of I Didn't Talk. I'm starting to realize I should just cut my losses and read everything New Directions puts out; I really enjoyed what I read of theirs last year.
Eric wrote: "I'm starting to realize I should just cut my losses and read everything New Directions puts out."
This year I just went ahead and read all the new Feminist Press books, after seeing how often they appear on the shortlist.
This year I just went ahead and read all the new Feminist Press books, after seeing how often they appear on the shortlist.

Was browsing some stuff on Twitter and noticed that the 2019 BTBA juries have just been announced: http://www.rochester.edu/College/tran...

Once again, absolutely no interest in readers. I'm the only person who year-in, year-out reads the 25. For everyone else, it is a matter of trying to read the shortlist. Fifteen days is barely enough time to receive the books (unless you order ebooks), let alone read them!
Why?

Oh wow, Sofia Samatar is a judge! She became less active in social media in the past few years but before that, I loved hearing her commentary on books. Even when I don't like a book she recommends, it's usually a book that challenges me in some way, and I appreciate that.
I'll ping the BTBA and Chad's twitter account to ask about the timing if no one else has.
I'll ping the BTBA and Chad's twitter account to ask about the timing if no one else has.

Should this book be longlisted? Yes.
I finished reading this a couple of days ago, and with time the book divides into three separate, and not particularly well integrated parts in my mind.
Those of us who have been reading My Struggle for years think we know our Karl Ove. Ever striving to remember what happened and to properly, honestly, place himself in the middle of what he is describing. And a core feature of Karl Ove is his insecurity. Whether it is the relationship with his young students as an apprentice teacher, a student in the writing school and particularly in the relationship with his father, he is self conscious and has low self-estimate.
As Volume 6 starts he and his publisher have decided to publish My Struggle as six volumes, all with Norwegian government sponsorship. Before the first book goes to the publisher he sends it to those most directly mentioned in the book, including his paternal uncle. That uncle goes ballistic, threatening to sue everyone and to ensure that the libelous book is never published. In particular he bombards the publisher with a long list of the book's factual errors, particularly the physical description of his grandmother's house after his father died, and how long the father had been living there.
If you haven't read any of the previous five volumes, I would strongly suggest reading volume one before tackling this book. Volume one centers around Karl Ove trying to come to terms with his father, and the scene where he enters his grandmother's house after his father dies is one of the most searing scenes I've ever read. Absolute filth and an alcoholic's nightmare existence in a home that filled his childhood with order and middle class comfort. Well, the uncle says that entire scene was a lie. None of the filth and decay existed. This makes Karl Ove question many things core to the whole project that is My Struggle, and his insecurity and fear around the escalating anger and accusations of the uncle rings so true to the Karl Ove we've been living with for years. The uncle goes on to say Karl Ove has always been a worthless loser, a liar, thief, drug user...And then part one ends.
Part two is several hundred pages of essay. And for the first hundred pages I couldn't get over the feeling that this was Karl Ove showing his uncle how wrong he was. Look, I'm an intellectual who can throw around concepts and name-check with the best of 'em. The ideas were somewhat interesting and somewhat relevant to the first part of the book, where he transitions from thoughts on use of names to the I-we-it in various contexts, from a Paul Celan poem to Mein Kampf (the original My Struggle). And this is followed by a long dissection of Hitler's early years and how those years have been interpreted, and misinterpreted, by others. In general not my cup of tea. I prefer facts (history, biography) or fiction. Philosophy, criticism, not so much. So I'm not the best person to judge the essay portion of the book. But I did think it was so long that parts one and three, which are closely related, became much more separated by the inclusion of the essay in between.
The last two days have mostly been spent trying to let my anger over part three dissipate. But it hasn't. Karl Ove received a storm of criticism in Norway when these volumes appeared because of his intimate discussion of real people. Not famous people, just every day people who he came across during various periods in his life. I thought that was rather over-blown because in each instance the emphasis was Karl Ove and his description of his own life. He was the key, and because he exercised unrelenting honestly in his portrayal, details of others were quite minimal compared to Karl Ove, the ever present center of everything. This changed in part 3.
Karl Ove and his wife Linda have a difficult marriage, and in increasing detail we are told that Linda is the problem. She is completely selfish and controlling. Karl Ove is the only person earning any money, yet he does half of the child care for their three small children, plus 100% of the housekeeping, plus he isn't even allowed to leave the house for business, let alone for pleasure. This was very, very uncomfortable to read. This is Karl Ove whining to the reader, and getting us to side with him in this marital spat. And she gets more and more selfish until she simply refuses to do anything at all. Then all of a sudden it dawns on him that the situation isn't one of willful selfishness. It is severe mental illness. At that point he does a typical look-how-clueless-Karl-Ove-is, he misunderstood everything. But it is too little, and for this entire part 3 he is on the sidelines, it is really all about Linda's mental illness. She goes into a local psychiatric hospital, and Karl Ove is now doing 100% of everything. Then eventually Linda returns to the family (after a hospital nurse firmly tells her that it is time to return to her husband and children). And then the book ends. It felt like a massive overwhelming invasion of Linda's privacy. And the privacy of their now four children. The rawness of her mental state. It just seems very, very wrong, and an unsettling way to end a wonderful and important series of books.
I still think this book should be longlisted, but I do wish part 3 had been handled differently.

Should this book be longlisted? Yes."
I'm confused. I thought these books were non-fiction (which would mean it isn't eligible for the BTBA. (I read about 100 pages of Vol 1 before abandoning it, and it sure seemed like non-fiction to me.)

Fiction is in the eye of the author. They get to define it, and these days I read a number of books that in a prior epoch would be called autobiography.
Antonomasia-
Thanks, but I'm more comfortable in my own sandbox.


Fiction is in the eye of the author. They get to define it, and these days I read a number of books that in a prior epoch would be called autobiography."
Good grief! One more reason I'm glad I stopped reading it. I don't mind if an author writes a book that is actually true and calls it fiction, but if he does that he doesn't then get to go around talking about the book as non-fiction. Besides, if readers all take it as non-fiction and you are getting sued by the people named and described in the book, it's only pretentiousness to call it fiction.

I didn't want to include this as part of my 'review' but I was also disturbed by the confluence of Part 3 with what happened after the book ends. At one point in the book Linda says that Karl Ove will leave her and live with someone functional, who has her own career, her own identity outside of Karl Ove and that this new person will be able to let him come and go. Well, that is exactly what has transpired.
The claustrophobic world of small children and a wife who is mentally fragile. He bailed. I know he spends every other week with the children, I realize he isn't a complete flake, but the invasion of privacy that is part 3 is particularly hard when you know he simply absented himself from the whole thing later.

I didn't want to include this as part of my 'review' but I was also disturbed by the confluence of Part 3 with what happened after the book ends. At one point in the book Linda says that Karl..."
I'm sorry to break in when your comment was addressed to Paul, but I wanted to let you know that I appreciated your comments. I've read Books 1-5 and Spring (the unofficial 7). Part 3 sounds very much like Spring. I found his callousness and neglect to be stunning in that book, which was weirdly marketed as "life affirming." That he has repeatedly exploited his ex-wife's breakdowns for his books is so galling to me, but I agree with you that he's not a complete fake. And on a positive note, I've read Linda's novel, The Helios Disaster, which depicts mental illness (though it is not autobiographical per se), and I admired it. It's quite surreal and poetic, with a wonderful cadence.

Thanks for your comments, and you certainly aren't breaking in! I've not read, or even heard of, Linda's novel. I'll give that a look. I started to fall off my Karl Ove obsession with the football book. When a publisher puts out something like that you know the author has reached rock star status.
I've dipped into the 4 season books but, again, think they were only published because he was Karl Ove. He made a big deal of saying that when he finished My Struggle he would give up being a writer, and part of me thinks that he has.


The Bottom of the Sky (Rodrigo Fresan/Will Vanderhyden) was not for me. I'm curious to know what other admirers of The Invested Part made of this one.
Sorry RoC judges, I didn't find much to enjoy about Blue Self-Portrait (Noémi Lefebvre/Sophie Lewis). My least favorite 2019 BTBA eligible book I've read this year.
T Singer (Dag Solstad/Tiina Nunnally) saved this last batch. I'd like to see it shortlisted.

And I think I will be skipping the new Fresan. Still recovering from the last one!

Still, smart decision to skip Fresan's book if you weren't a fan of the last one.
Has anyone read Fox by Dubravka Ugresic?
The Three Percent post about the NBA translation longlist says "leaving off Fox by Dubravka Ugresic is a straight up crime, and I will not back down from that" which would seem to reflect that Open Letter think (or at least Chad Post thinks) it's the best of their books this year.
I've read a couple of books of her essays, which I didn't feel were anything special (I remain baffled as to what people see in them over and above the work of dozens of other columnists and bloggers) but I haven't read any of her fiction. This seems to be an experimental fiction that is somewhere in between standard fiction & non.
The Three Percent post about the NBA translation longlist says "leaving off Fox by Dubravka Ugresic is a straight up crime, and I will not back down from that" which would seem to reflect that Open Letter think (or at least Chad Post thinks) it's the best of their books this year.
I've read a couple of books of her essays, which I didn't feel were anything special (I remain baffled as to what people see in them over and above the work of dozens of other columnists and bloggers) but I haven't read any of her fiction. This seems to be an experimental fiction that is somewhere in between standard fiction & non.

I would say all of her books are basically the same, whether short stories, essays or novels. Ugresic trying to find her place in a world where she doesn't belong.

I've read four Open Letter titles this year and Fox is far and away the best of these. It was my first Ugresic. I'd be very surprised to not see it on this year's BTBA shortlist.
Eric, I didn't see your mention of it upthread earlier, sorry about that.
Lascosas, will be interested to read your review.
Lascosas, will be interested to read your review.

I'm very glad to hear you thought so highly of Fox. I have always found it slightly odd that Open Letter publishes more Dubravka Ugresic than any other author. I appreciate it, but I find it an unusual business decision.

Which other 2018 Open Letter have you read? I intend to read all of their 2018 books (incl the Ugresic essay collection), but so far I've only read Fox and Olafsson's Narrator. I'm not an Olafsson fan, and Narrator didn't change my opinion.
Lascosas wrote: "I have always found it slightly odd that Open Letter publishes more Dubravka Ugresic than any other author. I appreciate it, but I find it an unusual business decision."
I wonder if, as well as their obviously being fans, it's a kind of (somewhat risky) investment because they believe she may one day win something big, like the Nobel. If she does they will already have her back catalogue in English and get plenty of sales from it. Goodness knows what will happen with the literature Nobel now, but she did win the Neustadt a couple of years ago.
I wonder if, as well as their obviously being fans, it's a kind of (somewhat risky) investment because they believe she may one day win something big, like the Nobel. If she does they will already have her back catalogue in English and get plenty of sales from it. Goodness knows what will happen with the literature Nobel now, but she did win the Neustadt a couple of years ago.

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