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Sunday Conversation Topic - 2/17/19
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Even with romance books I’m always looking for something apart from the romance itself to interest me. For instance I adore Georgette Heyer’s Regency romances, but it’s the comedy, the sense of period, relationships with a wider cast of characters, and a romp of a story that matters far more than the two main characters finally heading for the altar. It’s Eve’s friendships and exploration of how characters develop and change, plus the police procedural elements, that keep me coming back to the ‘In Death’ series, not just the core love story with Roarke (though that’s delightful, it isn’t enough on its own).


While, I am interested in relationships, the romantic ones may not be central to the story. I am also interested in overcoming obstacles and growth and change, so survival, coming of age and survival are often key elements to books I read.
There was a time when romance was an element, I looked for in a novel, but if a description says the book is romantic, I am most likely not going to read the book.
The last romance book, I read, I thought was pretty terrible.

Relationships are the most important part of a story to me many times and not just the romantic kind. My favorite authors are ones that, at the core, write about relationships. Backman and Moriarty are examples. Their relationships are real, complex, and deep.
A romantic relationship for the sake of a subplot frustrates me.

I agree with Kate that I do gravitate to fiction books with some kind of relationship: spouse, parent, child, sibling, friends, coworkers, or one’s own self. They can be healthy relationship or dysfunctional relationships. But, honestly, I think most fiction books have some kind of relationship or else what would the author be writing about?!
And, Jason, I totally agree that the romance subplot of suspense novels (unless they are specifically romantic suspense books) can feel awkward and like it is shoehorned in. The Bourne series is a great example. Really, any book that just throws in a random romance subplot annoys me.

The last thriller I read, The Death of Mrs. Westaway (highly recommend), did not have any romance at all. The main character was strong, independent, and I hadn't thought about it, but it was nice there was no mention of a love interest past or present... not the case for another important character.
I do like a good romance subplot though...
Favorite couple!? That is tough. Nothing comes immediately to mind, so I'll have to think about that.


When a book has its romance at its centre I prefer for the romance to be interesting rather than perfect Wuthering Heights and Love in the Time of Cholera are two good examples of this

I am an unabashed fan of romance novels. That said, I do not need some meaningful love story to be a subplot in every book I read. I also like my romance novels to have more to them than just boy meets girl, boy and girl hop into bed and it is love ever after. I like humor, character, suspense sometimes, a sense of place.
I also love mysteries, and I in fact get a little ticked off if a romance subplot gets thrown in between the main characters that does nothing to further the plot. Well, except as a set up for a long slow development of a relationship during a series. Then it is fine because in truth, the relationships of the main character offer you an important perspective on a recurring character.
One of the Christmas romances I read in December ended up having the romance be a pretty minor part of the plot; Holly Chamberlin in Home for Christmas is really about the time of transition in a family's life -- divorced mom facing an 'empty nest', considering seriously dating for the first time, and reconnecting with someone from her past who is in town on a promotional tour for his latest book, eldest daughter suddenly questioning whether marriage is what she wants now that she is graduating college. The romance(s) were critical to the plot but not the center of it, nor could they easily have been left out. Those types of romantic concerns are part of life which I guess is what I really want to read.
But then there was A Christmas Party - Heyer did not need to throw that romance into it at the end. Not at all. And it frankly ticked me off.

I remember many on PBT deeming the romance in Before We Were Yours to be necessary. In this book and a few others, I found the historical part very good and interesting and the fiction to be cheap and poorly done.



LOL-and I love the yo-yoing with Ranger and Joe.....probably because I hate romance novels, and I do not want to see Stephanie give in..😊 Oh yeah and things are still the same...just finished the latest last month

*snort!* I knew it!
In truth, I did not want her ending up with either, even temporarily. Give Grandma the yo-yo romance between 2 men and just have Stephanie bungling here way through her career as a bounty hunter for her scurrilous cousin.
Books mentioned in this topic
Before We Were Yours (other topics)Home for Christmas (other topics)
A Christmas Party (other topics)
Wuthering Heights (other topics)
Love in the Time of Cholera (other topics)
More...
Authors mentioned in this topic
Janet Evanovich (other topics)Holly Chamberlin (other topics)
Do you feel a love interest for the main character is a necessary element for a story.
What are your favorite "couples" in books? Can you think of a book where the main character does not have a love interest? Is it realistic that intense adventures or stressful moments in life creates a romantic relationship with person you go through it with as many stories depict?