Goodreads Choice Awards Book Club discussion

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Inferno
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Inferno (Robert Langdon, #4) - October 2014
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So who's still reading the series?
How do you rate this book against the others in the series?
Do you think this should have won the Mystery & Thriller category? If not, which book do you think should have won?
https://www.goodreads.com/choiceaward...
How do you rate this book against the others in the series?
Do you think this should have won the Mystery & Thriller category? If not, which book do you think should have won?
https://www.goodreads.com/choiceaward...


I absolutely loved The Cuckoo's Calling (and The Silkworm) .. so to me that clearly should have won (without having read Inferno).
I'll come back once I've actually read it .. won't start it for a while though.
Cuckoo's Calling was my choice also Janina (not that I've read this book, but I couldn't even get past the first book)


My SO and I listened to the audio book while traveling, and I have to admit that at first I was making fun of the book. I was mocking the danger Landon found himself in yet again. Once I had more context, I actually was okay with it.
(view spoiler)
I voted for The Cuckoo's Calling as the top book of this category. I confess that had not read many, since I am not up to date on most the books that are part of a series and I am pretty Type A about reading in order. But, I did think it was worthy of a nomination.


I would agree with you, Cathy.
WARNING - SPOILERS NOW ALLOWED
Book discussion questions:
(Questions found on litlovers - http://www.litlovers.com/)
1. Before reading Dan Brown's thriller, how familiar, if at all, were you with the The Divine Comedy and its "Inferno" Cantica? Have you come away with a better understanding of the work? What are the ways in which the author uses Dante's great classic as a framework for his thriller?
2. Robert Langdon and Sienna Brooks race to save the world from a crazed scientist who plans to unleash his solution to the world's overpopulation. To what extent, if any, do you (secretly) agree with the Bertrand Zobrist in his desire, if not his methods, to control overpopulation?
How do you feel about this statement by Brooks:
As a species, humans were like the rabbits that were introduced on certain Pacific islands and allowed to reproduce unchecked to the point that they decimated their ecosystem and finally went extinct.
To what extent is overpopulation a real-life global problem? You might do a bit of research on overpopulation and look at some of the countervailing predictions, suggesting that the global population will actually begin to collapse after 2050.
3. Talk about the real possibility of a worldwide epidemic. How plausible is the threat as portrayed Brown's book?
4. Talk about Transhumanism. What is it, and does it pose a boon—or a threat—to the future of humanity?
5. At the end of the book WHO Director Elizabeth Sinskey says, "We’re on the verge of new technologies that we can’t yet even imagine.” Those technologies come with dangers but also with hope.
Sienna Brooks adds this about Transhumanism...
One of its fundamental tenets is that we as humans have a moral obligation to participate in our evolutionary process...to use our technologies to advance the species, to create better humans—healthier, stronger, with higher-functioning brains. Everything will soon be possible.
She then says...
If we don’t embrace [these tools], then we are as undeserving of life as the caveman who freezes to death because he’s afraid to start a fire.
What do you think?
6. Have you traveled to any of the three sites of the novel: Florence, Venice, or Istanbul? If so, how accurate is Brown's depiction of these cities? If you haven't been to Italy or Turkey, does the author bring the cities to life? Are they places you would like to visit?
7. Is this book a page-turner? Did you find yourself unable to put it down? If so, what makes it enthralling? If you didn't find Inferno an engaging read, what put you off the book?
8. Brown uses a 4-part pattern for the episodes in his book: 1) Langdon is presented with a clue he must interpret, 2) he has a "eureka" moment, 3) he is pursued by villains who make a sudden appearance, and 4) he escapes after a hair-raising chase. Try going through the book to identify the pattern in various episodes.
9. What about the book's ending? Do you find it predictable ... surprising ... shocking ... frightening ... satisfying?
10. Have you read other Dan Brown thrillers? If so, how does this compare?
Book discussion questions:
(Questions found on litlovers - http://www.litlovers.com/)
1. Before reading Dan Brown's thriller, how familiar, if at all, were you with the The Divine Comedy and its "Inferno" Cantica? Have you come away with a better understanding of the work? What are the ways in which the author uses Dante's great classic as a framework for his thriller?
2. Robert Langdon and Sienna Brooks race to save the world from a crazed scientist who plans to unleash his solution to the world's overpopulation. To what extent, if any, do you (secretly) agree with the Bertrand Zobrist in his desire, if not his methods, to control overpopulation?
How do you feel about this statement by Brooks:
As a species, humans were like the rabbits that were introduced on certain Pacific islands and allowed to reproduce unchecked to the point that they decimated their ecosystem and finally went extinct.
To what extent is overpopulation a real-life global problem? You might do a bit of research on overpopulation and look at some of the countervailing predictions, suggesting that the global population will actually begin to collapse after 2050.
3. Talk about the real possibility of a worldwide epidemic. How plausible is the threat as portrayed Brown's book?
4. Talk about Transhumanism. What is it, and does it pose a boon—or a threat—to the future of humanity?
5. At the end of the book WHO Director Elizabeth Sinskey says, "We’re on the verge of new technologies that we can’t yet even imagine.” Those technologies come with dangers but also with hope.
Sienna Brooks adds this about Transhumanism...
One of its fundamental tenets is that we as humans have a moral obligation to participate in our evolutionary process...to use our technologies to advance the species, to create better humans—healthier, stronger, with higher-functioning brains. Everything will soon be possible.
She then says...
If we don’t embrace [these tools], then we are as undeserving of life as the caveman who freezes to death because he’s afraid to start a fire.
What do you think?
6. Have you traveled to any of the three sites of the novel: Florence, Venice, or Istanbul? If so, how accurate is Brown's depiction of these cities? If you haven't been to Italy or Turkey, does the author bring the cities to life? Are they places you would like to visit?
7. Is this book a page-turner? Did you find yourself unable to put it down? If so, what makes it enthralling? If you didn't find Inferno an engaging read, what put you off the book?
8. Brown uses a 4-part pattern for the episodes in his book: 1) Langdon is presented with a clue he must interpret, 2) he has a "eureka" moment, 3) he is pursued by villains who make a sudden appearance, and 4) he escapes after a hair-raising chase. Try going through the book to identify the pattern in various episodes.
9. What about the book's ending? Do you find it predictable ... surprising ... shocking ... frightening ... satisfying?
10. Have you read other Dan Brown thrillers? If so, how does this compare?

Although I thought the novel was fast-paced and he is an OK writer, I am kinda over this formula and I am guessing it will be the last book of his that I read.

And since I know quite a bit about virology or genetics, there were just too many errors and insanities to make it thrilling. I couldn't take anything serious that was happening after the "Oooo shocking" revelation that the bad guys were actually the good guys/WHO. And the whole story about the virus, its spread and all the other nonsense just was completely hilarious. I really don't get why people try to write books about topics that they clearly don't understand at all. Why not write a SciFi novel set in an alternate universe .. then you can write whatever you want .. even an airborne virus that can be detected by PCR without a primer encountering no innate defenses or unaffected individuals and entering germ cells able to incorporate in a precise chromosome location, but getting expressed selectively and thus leading to sterility yet without natural selection working on all of this (aka making the world flat again and creating fear of dropping over the edge).



I'm with you - same old , same old. As I read it, I could just picture Tom Hanks running through the streets . I'd watch a movie of it , though .



I have not been to any of the cities mentioned in the book but the way the art and places are described I want to visit those cities. I have already put them on my list of places I want to visit someday :)
Eventhou Brown has the same basic formula in every book I still enjoyed this book because the cases are never a like and the bad guys are always different.
When I started to read this book I had heard of Dante’s Inferno and The Divine Comedy, I had the basic knowledge, what you learn in school ;) I feel I now have a better understanding of the work but I still can’t say I know much. I have no knowledge of virology so I can’t comment on any problems in the “facts”. I was not bothered with the “teaching” style of writing like some others in here but I guess it I down to that I don’t have basic knowledge in these things so I’m just glad to learn something new :D
In recent years there have been a couple of global “health scares” in the bird flu and swine flu (I don’t know if that is the official name but that is what it was called in Finland ) so I guess it is possible that we would have a global epidemic but I can’t see it spreading like it is portrayed in the book but who knows…
Books mentioned in this topic
The Da Vinci Code (other topics)Angels & Demons (other topics)
The Cuckoo's Calling (other topics)
Inferno (other topics)
Book Summary
In the heart of Italy, Harvard professor of symbology Robert Langdon is drawn into a harrowing world centered on one of history’s most enduring and mysterious literary masterpieces . . . Dante’s Inferno.
Against this backdrop, Langdon battles a chilling adversary and grapples with an ingenious riddle that pulls him into a landscape of classic art, secret passageways, and futuristic science. Drawing from Dante’s dark epic poem, Langdon races to find answers and decide whom to trust . . . before the world is irrevocably altered.