EVERYONE Has Read This but Me - The Catch-Up Book Club discussion
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Nora
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Oct 26, 2020 06:36PM

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The Silence of the Lambs
The Godfather
Rebecca - the 1979 version made for TV
To Kill a Mockingbird
Misery
Dolores Claiborne
Hamlet (the Mel Gibson version)
Romeo and Juliet (the Zefferelli version)
Much Ado About Nothing (the Branagh version)

Jane Austen’s Northanger Abbey (2007)
Sense and Sensibility (the 1995 Emma Thompson version is my favorite but the more recent mini series is good too),
Dracula with Bela Lugosi,
The Witcher Netflix series,
Babe (the sheep pig)
The Lion, The Witch and The Wardrobe and Prince Caspian,
The Color Purple,
A Wrinkle In Time,
There are tons of adaptations of Emma, and they all have their good points.
Likewise, there’s tons of adaptations of Little Woman and most of them are good



All three of the films based on Stephen King’s
Different Seasons
novellas were good. (I don’t think anyone has ever made a film of the fourth.) Honestly, I think two of them—Stand by Me, and The Shawshank Redemption—were better than the novellas. Apt Pupil was also good, though not better.


Which versions of Jane Austen are you liking best?

Oh I love Emma 2020. It's everything, though it is enhanced by having read the book for sure. I like how complete and faithful to the source the BBC miniseries is, but I didn't FEEL it as much and I prefer Anya Taylor Joy's version of Emma better. And 2005 Pride & Prejudice, of course.

Sense and Sensibility
Double Indemnity
The Postman Always Rings Twice
The Big Sleep
In a Lonely Place
Laura
(Noir books translate really well to the screen)
A better question is when was a movie better than the book. That one is easy: Field of Dreams. The wife in the movie is amazing. The one in the book is a bloody drip. I'd kill myself if I were that much of a limp rag.

My only complaint with the Godfather was Al Pacino. The guy had only one facial expression for intense emotions. He looked the same seeing Apollonia for the first time as he did when he was telling that guy in Vegas "you get nothing," as when he was slamming the door in Kay's face.
Gorgeous man, but his range has sometimes been on the narrow side during his career.
The best performances in the Godfather films were Marlon Brando, Robert Duvall, and (surprisingly) James Caan in the first film, and in the second, DeNiro, DeNiro and, oh yeah, DeNiro. He simply dominates the sequel.
The film of The Talented Mr. Ripley was better than the book. I find the plotting in the film more complex, and more interesting. The characters and their relationships, as well. I’m ticking through them in my mind, and every single character is more interesting in the film. Ripley is more sympathetic, Dickie is a much fuller character, the triangular relationship among them & Marge is more interesting, etc. Philip Seymour Hoffman’s portrayal of Freddie Miles is one of the all-time great examples of a character actor at his peak. Then there are other characters who don’t—or barely—show up in the novel. Meredith Logue, Peter Smith-Kinsley. I assume they might be characters from later books in the series or something, but they do add quite a bit to the film.
I haven’t seen the original French film adaptation, Plein Soleil (Purple Noon), but since I know it has some of the same elements (not to mention Alain Delon), I suspect it might also beat the novel for me. Come to think of it, I will make an effort to watch it and see.
I haven’t seen the original French film adaptation, Plein Soleil (Purple Noon), but since I know it has some of the same elements (not to mention Alain Delon), I suspect it might also beat the novel for me. Come to think of it, I will make an effort to watch it and see.

Books mentioned in this topic
Different Seasons (other topics)The Perks of Being a Wallflower (other topics)
The Help (other topics)
Arrival (other topics)
Authors mentioned in this topic
Kathryn Stockett (other topics)Ted Chiang (other topics)