Georgette Heyer Fans discussion

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Beauvallet
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Beauvallet October 2021 Group Read SPOILERS Thread

and the Shakespearean (and other) insults
"an eater of broken meats, a very pungent rascal"
"dawcocks"
"pigeon-livered"
and one I think I will start using:
"fat-wit"

I loved the action and find it very suspenseful even after multiple reads since the Spanish Inquisition is so frightening.
I love the humor most of all, including all those great insults!

I am at the exciting escape from prison part now.
This book is so suspenseful, I am nervous of posting anything in the non-spoiler thread!

I feel that whilst GH could produce an authentic voice and feel for her Regency and Georgian books - she never succeeded in doing that with her other historicals. Beauvallet seems so much more dated than the books set 2/300 years later, and which I love.
Her characters feel like stereotypes to me, and I'm afraid I never come to like the heroine.
Sorry but this one always disappoints, and I won't be reading it again.
I read this every now and again, but not often. It's quite exciting and a moderately amusing way of passing the time but I do find the supposedly C16th mannerisms irritating and I don't find the central romance very realistic. I suppose heroines who don't do much but get rescued just jar on me, however 'spirited' they are: give me Sophy, Venetia or Arabella any day!

Yes - I think you've hit tthe nail on the head!




thank goodness Joshua Dimmick is on the outside, beagling out the horses that will be needed.


You put my thoughts so much better Abigail - 'just too stylised, all the characters feel like poseurs' - that is absolutely it! I totally agree.

Well, of course it is!
But no reader likes to see one of their favorite characters described as a "poseur"! (sniff, sob!)
However, I do agree that Joshua Dimmock is the character who is closest to being a real human being--which makes the critical reader wonder how he slipped into a book full of characters straight from Hollywood's Central Casting!


I thought it meant more like 'fear not' as well, and the way he uses it
"The Inquisition? It doesn't matter"
amounts to about the same thing - he is so brave, who cares about the Inquisition? Well everyone should be afraid of the Inquisition, so maybe you really are mad!
All I hear whenever he says it is my Father teaching me to drive "Wreck not! Wreck not!"

She just cannot be bothered with anything other than what she wants! What made her into that? If Dominica had never met Beauvallet, would she have turned toward that? Being raised helpless, and with constant judgement about your actions, paired with reinforcement that you are better than most other people is a toxic combination.

I just finished it and, as always, enjoyed the Happy Ending. I think telling it from the POV of Joshua worked very well.
Donna Beatrice is an excellent villain while her son is contemptible. the best part of the book is Sir Nick's insouciance and everyone else's reaction to him. love the jailbreak!
there really isn't anything for our Heroine to do but be rescued and be fearless herself, or act as though she is. Merrily, Merrily!
I think next time I should listen to the audible version to hear all the slang.

the hard winter – harder than any I remember, was it not, my lord? – tried me sorely. At the New Year I had the sweating-sickness. Then, at Candlemas, an ague seized me, and was like to have carried me off, methought.’ ‘But the spring comes, and you grow strong with it,’ suggested Nicholas. She looked doubtful. ‘Indeed, Nicholas, I trust it may be found so, but I have the frailest health, as you know.’
and, while Dominica is waiting for the household to go to sleep so Nick can climb up to her window, we have what I think is one of only two mentions of a bathroom in a Heyer, the other being in (view spoiler)
But Don Diego must needs go into his closet, and stay there for what seemed an interminable time to his impatient cousin. At length he came out, and went across the hall to his bedchamber.

Margaret wrote: "Actually "reck" is closer to "heed" than anything else. Someone who's "reckless" can also be called "heedless", and the Shakespeare phrase from Hamlet "and recks not his own rede" means, "and doesn..."
Exactly! 'Reck Not' effectively means 'Be Reckless'!
Exactly! 'Reck Not' effectively means 'Be Reckless'!
Jackie wrote: "we have what I think is one of only two mentions of a bathroom in a Heyer, the other being in [ A Civil Contract (hide spoiler)]
But Don Diego must needs go into his closet, and stay there for what seemed an interminable time to his impatient cousin...."
I don't think a 'closet' means that in Elizabethan English - I think they would have said 'privy' if that's what was meant. And it wouldn't have been 'his' closet if it was, because they didn't have private facilities like that. I think a closet is any private room not actually a bedroom - like a study, or dressing room. The Oxford English Dictionary seems to agree.
But Don Diego must needs go into his closet, and stay there for what seemed an interminable time to his impatient cousin...."
I don't think a 'closet' means that in Elizabethan English - I think they would have said 'privy' if that's what was meant. And it wouldn't have been 'his' closet if it was, because they didn't have private facilities like that. I think a closet is any private room not actually a bedroom - like a study, or dressing room. The Oxford English Dictionary seems to agree.


True about the chamber pot--but in wealthier households it was enclosed in a piece of furniture known either as a 'close stool' or a 'commode'. (It was made to be sat upon, usually with a lid to close it off when not in use). That piece of furniture was usually in the bed chamber, but it could be in a smaller room.
Susan--I vaguely remember seeing such as room referred to as a 'close closet', but I can't track down a reference. Am I imagining that?


I tried to pick out my favorite scene--the most satisfying was probably the final meeting between Dona Beatrice and Nicholas.
Jackie wrote: "well, heck, here I thought I knew what was going on! but, no."
I do rather like the thought of Beauvallet's daring rescue being foiled - or at least held up - by Don Diego's constipation, though.
I do rather like the thought of Beauvallet's daring rescue being foiled - or at least held up - by Don Diego's constipation, though.

Am I right in feeling we're all finding it a bit hard to say much about this book? Would it be fair to say there's not really enough in it for much of a discussion?

This story is a bunch of impossible situations thrown together, with a lot of chance for things to go wrong. A bit of a stressful read if you are immersed in the story.

I much prefer her Georgian and Regency stories to her other historicals, or her crime novels.
I just don’t enjoy Beauvallet and cannot engage with the characters and nor do I feel she captures the era.

yes, unlike Susan I did engage with the characters at least enough to feel afraid for Sir Nick, trapped in prison, just a whisker away from The Inquisition.
the plot is sort of ridiculous when there was really no valid reason for him to have left her in Spain. He clearly should have just dropped off her father and taken her home with him, but then the book would have been way too short.
I have been able to forget that and enjoy the story anyway, but I don't think I did the first couple reads.

For me, it seems so cinematic--the book begs to be filmed! I have no trouble picturing Errol Flynn as Nick.
I also view it as an example of GH experimenting. The books she wrote in the 1920s were a very mixed bag! A few gems (These Old Shades, Masqueraders), but generally speaking, she was still polishing her craft, finding her comfort zone. The books we all think of as "GH books" date from the 1930s or later.

For me, it seems so cinematic--the book begs to be filmed! I have no trouble picturing Errol Flynn as Nick.
I also view it as an example of GH experi..."
Yes, I agree and I think that's why I don't like Beauvallet even whilst i can appreciate the good points in it. She was still finding her niche.
One of my favourites is 'These Old Shades.' It was only her third book and yet she demonstrated her mastery of the genre in it.
I don't think she had the gift of understanding other eras quite as well as she did the Georgian and Regency periods.
One thing that strikes me, that I think struck GH too after the event, because she fixes it in subsequent books, is how thoughtless it was of Beauvallet not to have brought any luggage for Domenica! He knew he was going to snatch her up and run, but leaves her to undertake the whole trip back, not to mention her wedding, in what she happened to be wearing at the time. She was lucky it wasn't her nightie!
In other books where there is an elopement or abduction, this matter is always addressed and either the gentleman provides new clothes or allows an opportunity for shopping or the lady herself, forewarned, makes provision.
In other books where there is an elopement or abduction, this matter is always addressed and either the gentleman provides new clothes or allows an opportunity for shopping or the lady herself, forewarned, makes provision.


I think the opening is brilliant
In other books where there is an elopement or abduction, this matter is always addressed and either the gentleman provides new clothes or allows an opportunity for shopping or the lady herself, forewarned, makes provision.
I'd never noticed that before!


A fellow fan! Glad you liked it.

that's good! aren't the villains great? the Mother more than the son, of course.


I own a very old edition with a family tree. It is really wide, so this is just part of it.

What did you think? Did you enjoy this swashbuckling adventure?