The Mystery, Crime, and Thriller Group discussion
Twist or no twist
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Ed
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May 09, 2022 05:14PM

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characters or the twist are meaningless


Books over-loaded with characters (like Agatha Christie and Graham Greene) and too much dialog are not for me.
A good example is Robert B, Parker.
I love the Jesse Stone TV movies with Tom Selleck, they contain a lot of atmosphere.
However, when I tried to read the first Jesse Stone book (which after all describes his journey from L. A. to Massachusetts) it had too many dialogs and hardly any action, let alone atmosphere.
However, books with a handful of characters and not too much dialog, but descriptions of the landscape, the woods, the lake etc fascinate me. Like Laird Koenig, Peter Watson, Peter Robinson, Patricia Highsmith.
Highsmith can create a certain atmosphere with few sentences which most authors can't do.


I think the link below is a great read that explores the tropes.
https://cltaylorauthor.com/2020/09/23...
Characterization is key. If a twist works, it works because the reader is invested in the characters.
Frankly, while a good twist is entertaining, the resolution of some very good books is apparent almost from the beginning of the story and its inevitability is gripping in much the way one can't look away from an imminent car collision.
Frankly, while a good twist is entertaining, the resolution of some very good books is apparent almost from the beginning of the story and its inevitability is gripping in much the way one can't look away from an imminent car collision.
