Works of Thomas Hardy discussion
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Lines To A Movement in Mozart’s E-Flat Symphony
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I never recalled reading this one because I think the alliteration would have remained in my memory. Perhaps others know better then me — does this Mozart symphony have a musical pattern that calls to mind alliteration?

I listened to Movement 1 of Mozart's Symphony No 39 in E-flat major on youtube. It's very bold and exuberant. Several times during the beginning of the first movement, Mozart repeats two notes around ten times in succession on different parts of the scale. That brings to mind the two-syllable groups of five alliterated words. I enjoyed both the poem and the music!
https://www.youtube.com/watch?v=H0x_d...

https://thelistenersclub.com/2021/01/...


Which one was Thomas Hardy referring to? He would have been 8 years old (1764) for the first one, which is not saying it wasn't wonderful and new: it was. But it was small in scale and intended for private music rooms. This really eliminates it as the one Thomas Hardy would have heard.
Symphony No. 39 in E-flat Major was finished in 1788. It was certainly a more ambitious and expansive in scope and style than his first symphony! It was designed for the large orchestral hall. By the time Mozart had written Symphony No. 39, the size of an orchestra would have more than doubled, yet still be small by modern standards. When heard by Hardy, the symphony would have probably had no more than 30 - 40 players.
Sym. No. 39 was described as being a "gently good-humored and mostly cloudless" composition. (Jan Swafford , in Mozart: The Reign of Love. How awkward to pick a small section of a symphony, without specifying WHICH movement, and declare your poem was evoking "Lines to a Movement in Mozart's E-flat Symphony"?
I know I will be stepping on toes here, and my apologies to all, but I would go so far as to declare Thomas Hardy's comparison of his poem to a grand Mozart symphony as pretentious!


https://www.jstor.org/stable/45272230

I will see if I can get access through my last university to JSTOR. I used to be able to open journals through Austin Seminary. It is too frustrating not to be able to read this entire article!!
I am quite familiar with Mozart, and have loved and even played a number of his pieces when I was younger. And I fought my way through Jan Swafford's 900 page biography of Mozart! But I obviously will have to read this article and seriously consider Connie's thoughts before drawing any conclusions!
It would be fun to know the answer, but he certainly was vague in his title....maybe he was challenging us because he was sitting there listening to the music and KNEW what he was describing, or maybe really he was just showing off!

Since I was looking at the lines of five alliterated words, the first movement seemed to fit. But looking at the poem as a whole, the concept of a minuet (the third movement) fits better. A minuet is a slow, graceful, stately dance for two people, and does have repeated movements.
J.O. Bailey writes that the manuscript has "Minuet" for "Movement." "Critics have admired the technique of the poem: the parallel stanzas, each beginning 'Show me again' and continuing like a movement in a minuet, the alliteration in each fourth line, and the repeated theme, 'Love lures life on.'" He also writes that the poem seems to be about Hardy's courtship of Emma.
Poetry of Thomas Hardy: Handbook and Commentary by J.O. Bailey
Of course, we can just enjoy the poem for itself since the experts don't really seem sure which Mozart symphony Hardy was referring to.

What an interesting choice John, and an interesting discussion so far too everyone!
Yes there are 4 Mozart symphonies in E♭ major: nos. 1, 19, 26 and 39. I agree with Lee that it wouldn't be #1, as that would be juvenilia (and I can't bring it to mind at all!)
By far the most famous is #39 K. 543, as that comprises one of the very famous final three. They were all written very quickly within 2 months (July and August 1788) and #40, called "The Great" (or the Great G minor) is the one that everyone knows! #41 is almost as popular; it's in C major and is called "The Jupiter". Some critics argue that these 3 symphonies should be regarded as a unified work.
The symphony preceding this one is called "The Prague", but sadly #39 doesn't have a name. I had wondered if perhaps I didn't know it but the first theme was instantly recognisable 😊 Like the other two which comprise the final three, it is often performed nowadays, so I suspect it also was in Thomas Hardy's time. He loved music and associated it with the years he spent in London, so perhaps this symphony was a favourite from there.
The alliteration stumped me, so I looked at two books of analyses I have of symphonies, which might have helped. One is Sixteen Symphonies by Bernard Shore. It's an excellent and detailed book, but which of Mozart's Symphonies did he chose to include? ... that's right, the Great C major, #40. Just missed by one 😃
There is an analysis of Mozart's symphony #39 in E♭ major K. 543 in the first volume of [book:The Symphony TWO VOLUMES Vol. 1 (One) Hayn to Dvorak Vol 2 (Two) Elgar to the Present day by Robert (editor) Simpson - (another indispensible book which is available as a Pelican). It's 5 pages, which I read carefully, as it goes through the form and orchestration, but has nothing I can relate to literary alliteration.
Thomas Hardy's words: "surging, swaying, sighing, swelling, shrinking" describes the orchestral music perfectly though 😊
And the key of E♭ major is often associated with bold, heroic music, although this is partly because of Beethoven. His "Eroica" Symphony, "Emperor" Concerto and Grand Sonata are all in the key of E♭ major. (Mozart had a powerful influence on the works of Beethoven.)
Sorry if this repeats anything in the links. As soon as I saw "permission to allow cookies" I stopped, as my computer is slow anyway, and Goodreads has fallen over a few times today already. It will do tomorrow as well, going by past history. 🙄
Linking now, and thank you for hosting all these choices John. Just a heads-up that next week Donald will begin a short season of poetry choices.
Yes there are 4 Mozart symphonies in E♭ major: nos. 1, 19, 26 and 39. I agree with Lee that it wouldn't be #1, as that would be juvenilia (and I can't bring it to mind at all!)
By far the most famous is #39 K. 543, as that comprises one of the very famous final three. They were all written very quickly within 2 months (July and August 1788) and #40, called "The Great" (or the Great G minor) is the one that everyone knows! #41 is almost as popular; it's in C major and is called "The Jupiter". Some critics argue that these 3 symphonies should be regarded as a unified work.
The symphony preceding this one is called "The Prague", but sadly #39 doesn't have a name. I had wondered if perhaps I didn't know it but the first theme was instantly recognisable 😊 Like the other two which comprise the final three, it is often performed nowadays, so I suspect it also was in Thomas Hardy's time. He loved music and associated it with the years he spent in London, so perhaps this symphony was a favourite from there.
The alliteration stumped me, so I looked at two books of analyses I have of symphonies, which might have helped. One is Sixteen Symphonies by Bernard Shore. It's an excellent and detailed book, but which of Mozart's Symphonies did he chose to include? ... that's right, the Great C major, #40. Just missed by one 😃
There is an analysis of Mozart's symphony #39 in E♭ major K. 543 in the first volume of [book:The Symphony TWO VOLUMES Vol. 1 (One) Hayn to Dvorak Vol 2 (Two) Elgar to the Present day by Robert (editor) Simpson - (another indispensible book which is available as a Pelican). It's 5 pages, which I read carefully, as it goes through the form and orchestration, but has nothing I can relate to literary alliteration.
Thomas Hardy's words: "surging, swaying, sighing, swelling, shrinking" describes the orchestral music perfectly though 😊
And the key of E♭ major is often associated with bold, heroic music, although this is partly because of Beethoven. His "Eroica" Symphony, "Emperor" Concerto and Grand Sonata are all in the key of E♭ major. (Mozart had a powerful influence on the works of Beethoven.)
Sorry if this repeats anything in the links. As soon as I saw "permission to allow cookies" I stopped, as my computer is slow anyway, and Goodreads has fallen over a few times today already. It will do tomorrow as well, going by past history. 🙄
Linking now, and thank you for hosting all these choices John. Just a heads-up that next week Donald will begin a short season of poetry choices.

Connie, please forgive me! I create rabbit holes wherever I go and it drives me and everyone else crazy. I am ADHD personified.
Back to your lovely poem, and I will put Mozart back into the music section and out of poetry!

Yes, please do, John. He was such a joyful and happy young man, and he truly loved everyone. He was outrageously irrepressible! The biography I quoted from is subtitled: "The Reign of Love". His music has been described as "effervescent", and I would add to that: unforgettable. I do hope you take some time to explore Mozart, John, and that in itself would be a gift Hardy made to his readers!

Yes there are 4 Mozart symphonies in E♭ major: nos. 1, 19, 26 and 39. I agree with Lee that it wouldn't be #1, ..."
How exciting to learn that you too are a musician!

Thank you, John, for pulling me into Hardy's poetry! I see I have some exploring to do myself!
Like you I have a piano diploma Lee 😊 (I think you've just forgotten). I did learn the violin but only scrape away, and am nowhere near as proficient as Thomas Hardy's family.
And please do look at our list of poems (everyone). There are over 20 more threads you can add to, each with a poem at its head. It's easy to miss one now and then!
And please do look at our list of poems (everyone). There are over 20 more threads you can add to, each with a poem at its head. It's easy to miss one now and then!
This poem is a lovely reminder of how important music was to Hardy. We talked about that when we read the short story, “Fiddler of the Reels” over the summer. I am enjoying all the comments and speculations from everyone. I too suspect the poem is written in response to Mozart symphony 39 (one of my favorites and well worth listening to in its entirety).
My son is a young violinist, and two days ago we took him to hear our local symphony play Beethoven’s 9th symphony. Whenever I listen to these master symphonies played in person, it always elicits emotions and feelings from me. The next day I read this poem, and I felt a kinship with Hardy. These are his feelings written down after experiencing some awe inspiring music. It’s really lovely.
My son is a young violinist, and two days ago we took him to hear our local symphony play Beethoven’s 9th symphony. Whenever I listen to these master symphonies played in person, it always elicits emotions and feelings from me. The next day I read this poem, and I felt a kinship with Hardy. These are his feelings written down after experiencing some awe inspiring music. It’s really lovely.
Bridget!!! I'm so glad you found this thread. 😊 I was thinking about you as I know you are very musical, leading The Fiddler of the Reels for us while you were at your son's violin summer camp (is that right?)
The story you led was such a great experience, and deserved more attention. Could you link to it - and the poem too perhaps please? Then people can read them and add their thoughts.
The story you led was such a great experience, and deserved more attention. Could you link to it - and the poem too perhaps please? Then people can read them and add their thoughts.
Jean, you have a wonderful memory! Yes, I was at my son's violin camp while leading "Fiddler of the Reels", a delightful short story by Hardy. Here is the link to that thread.
https://www.goodreads.com/topic/show/...
I will go to the thread and link to this poem discussion as well. By the way, towards the end of our discussion about "Fiddler of the Reels" we talked about the poem, "My Father's Violin". Can't remember if we've discussed that poem already but thought I would mention it as "Lines to a Movement in Mozart's E-Flat Symphony" brought it to mind for me.
https://www.goodreads.com/topic/show/...
I will go to the thread and link to this poem discussion as well. By the way, towards the end of our discussion about "Fiddler of the Reels" we talked about the poem, "My Father's Violin". Can't remember if we've discussed that poem already but thought I would mention it as "Lines to a Movement in Mozart's E-Flat Symphony" brought it to mind for me.
Thanks for the two links, Bridget! Yes, "My Father's Violin" was the poem I was thinking of, but now I see that it is in the list as still upcoming (for you to lead some time soon please 😊)

Connie, please forgive me! I create rabbit holes wherever I go and i..."
Please don't apologize, Lee. I'm finding the discussion quite fun, and have been known to go down lots of rabbit holes myself when I get on the internet.


Thomas Hardy As Musician by Eve Mary Grew
Music in TH's Life and Work by Elva Sherman
Poetry and the Fiddler's Foot in TH's Work by Vilma Raskin Potter
Hardy's Poem " Lines to a Movement in Mozart's E Flat Symphony-Which Symphony? by Colin Boone
Bionic Jean wrote: "Thanks for the two links, Bridget! Yes, "My Father's Violin" was the poem I was thinking of, but now I see that it is in the list as still upcoming (for you to lead some time soon please 😊)"
I'd be happy to lead "My Father's Violin" sometime. It's a wonderful poem. Sorry it took me so long to respond, I got distracted by life.
I'd be happy to lead "My Father's Violin" sometime. It's a wonderful poem. Sorry it took me so long to respond, I got distracted by life.
I'll look forward to it sooner rather than later this year, thanks Bridget!
Donald - is there any way you could link to those articles please? They sound spot-on - especially the last one!
Donald - is there any way you could link to those articles please? They sound spot-on - especially the last one!

https://www.jstor.org/
If you have either an Amazon or Google account, you can log into JSTOR with it, search the article and download it. Tell me how that goes. (Before I found that out, I was getting in by referencing my Local Library which has a subscription.)
Ah, I should have thought of that. Sorry!
I have occasionally read articles, but it seems fiddly and just finding each of those would take me some time.
I have occasionally read articles, but it seems fiddly and just finding each of those would take me some time.

requested document came out near the bottom of the list.
"In an article in the Thomas Hardy Journal, Colin Boone mentioned that Hardy's love of music was not only confined to religious, folk and popular music."
Here is the thesis on "Thomas Hardy’s Philosophical Influences in his Poetry" which this came from:
https://api.pageplace.de/preview/DT04...
Here is the thesis on "Thomas Hardy’s Philosophical Influences in his Poetry" which this came from:
https://api.pageplace.de/preview/DT04...
Books mentioned in this topic
The Symphony TWO VOLUMES Vol. 1 (One) Haydn to Dvorak Vol 2 (Two) Elgar to the Present day (other topics)The Fiddler of the Reels (other topics)
Sixteen Symphonies (other topics)
Poetry of Thomas Hardy: Handbook and Commentary by J.O. Bailey (other topics)
Mozart: The Reign of Love (other topics)
More...
Authors mentioned in this topic
Thomas Hardy (other topics)Thomas Hardy (other topics)
Bernard Shore (other topics)
Robert (editor) Simpson (other topics)
Jan Swafford (other topics)
More...
When in the Junetide's prime
We flew by meads and mountains northerly! -
Yea, to such freshness, fairness, fulness, fineness, freeness,
Love lures life on.
Show me again the day
When from the sandy bay
We looked together upon the pestered sea! -
Yea, to such surging, swaying, sighing, swelling, shrinking,
Love lures life on.
Show me again the hour
When by the pinnacled tower
We eyed each other and feared futurity! -
Yea, to such bodings, broodings, beatings, blanchings, blessings,
Love lures life on.
Show me again just this:
The moment of that kiss
Away from the prancing folk, by the strawberry-tree! -
Yea, to such rashness, ratheness, rareness, ripeness, richness,
Love lures life on.