Then We Came to the End
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Sherry
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Apr 29, 2008 10:03AM

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But it just didn’t work for me. To vault directly to the ending, that in particular let me down. Big fat gimmick. If that was one of the main purposes for the use of the first person plural, then I felt somewhat like the victim of a shaggy dog joke.
At first, the first person plural seemed fine with me, but ultimately I think what it did was, instead of involving me as a participant, as part of the “we,” it distanced me from the book. On reflection, I think it was because we are never given a glimpse of who the “I” is behind the “we.” When someone says “we,” it is an individual speaking even if in so doing they represent the collective “we.” I never had a feeling that things were different here, that “we” was a true collective voice, yet I was never given the slightest glimpse of who this representative of the collective “we” is. Instead, for me, the voice of “we” became an impersonal outside observer instead of a participant in the story.
At first I thought the book was funny, well, amusing anyway. But I tired of all the smartass wisecracks. I can see where Ferris made an effort to go deeper, with his implied criticism of Cubicle World, and with the section on Lynn’s cancer. These were the only things that redeemed the book in my eyes, but nevertheless I thought they were weak.
It may be that I am the wrong person to critique this book, having never been exposed to this world at all. There may have been all sorts of cues I was missing. Nevertheless, I thought it was a young man’s book, similar to many young men’s art debuts, so interested in surface form, in trying to be hip or beyond hip, that the bubble is stretched so thin it breaks with only a faint pop.



But overall I agree with Ruth - this felt like a young man's debut that fell short. However, there were some parts that were surprisingly touching - I was moved at times by the character with the missing daughter and the man who saved the totem pole that was willed to him.
I haven't yet gotten to the author's short story in the New Yorker - I would read something else by him. but I would not feel the need to rush to it.

I had no preconceptions about how hilarious it was going to be, so I wasn't disappointed. I did chuckle aloud often, but I thought the humor was always tinged with a bit of melancholy. The whole thing was very visual to me, and I could see it playing out it my head. I really enjoyed it.

The negative for me was that I never really fully engaged with the people or the situation. It's possible that I need more of an individual point of view.

I laughed out loud exactly twice. I don't remember the first one, Steve, but the second came when he was discussing the "Yop and Woo" tribe. As I was laughing, though, I was also thinking, "How is any non-Midwesterner unfamiliar with the Kickapoo tribe going to get that joke?"

This book , for me, was about people who were becoming untethered. They knew that layoffs were coming, they were barely working, but yet they didn't want to leave voluntarily and face uncertain prospects. So they behave largely like children without enough work to keep themselves occupied - they gossip, they play tricks on one another, etc. I thought that the lack of individuality in the workers was one of the things that Ferris did very well. The workers themselves could barely differentiate between their colleagues - they are constantly trying to identify one another by some quirk or habit.
I felt their collective loss of direction keenly. So much of the way that we perceive ourselves depends on our work. We (and I did like the 1st person plural viewpoint) easily become lost when that part of our identity is taken away.

**********Full of spoilers*****************
One of the characters that I liked was Tom Mota. At times, he could be a real jerk, but at other times, he was a kind person. I loved the scene where he climbed up on the billboard and painted over the photo of the missing girl so that her mother wouldn't have to look at it every day. Tom also intervenes when the office workers take turns to spy on Janine (the woman whose daughter is killed) at McDonald's. He asks Joe to make them stop and Joe does.
I have a question about the section about Lynn. Is it really "true'? It is Hank's story, we find out at the end. Is there really a Martin? Lynn died of ovarian cancer, not breast cancer, we find out. I had the feeling that Hank made the whole thing up when Lynn didn't go to the hospital the first time. It is his explanation of why she is at the office instead of in the hospital.
Jane


The ending especially captured the nature of office friendships perfectly - they are so important to your day-to-day existence at work, but when you leave a job, they vanish. Ferris gets at that ephemeral network in a really elegant way, I think.

Perhaps Ferris has suffered from the hype for this book: we're led to expect more than is there. That said, I thought this was a great first effort and hope he'll write more as he matures and not be a "One-book Wonder."

I now like the book even more than before.

I felt that Benny was the glue to this book. Everyone listened to his stories, and he seemed to be everywhere.


I agree that Ferris captured the quality of work relationships. It is pretty much all on the surface. I remember when I was teaching that retired colleagues would come back, and those of us still working would not really have time to talk for long. I went back once after I retired to donate some books to my department, and I felt like an outsider even though I had just retired the previous spring. I think that this book has a lot to say.
Jane

While I found Then We Came to the End to be just about perfect, I can thoroughly understand the disparity of view. It is for a VERY specific audience. If you haven't worked in an office - more accurately, if you haven't worked in an office with this type of atmosphere - this simply won't be funny or interesting to you. Someone indicated that they had problems because the characters were faceless and interchangeable. That's because office workers ARE faceless and interchangeable. There is no difference from any one of us to any other of us. We are identical cogs in an extremely large, impersonal machine. We clock in, we count down until 5pm (if we're lucky enough to get out at 5pm) and then we escape. We need the office work, and we are relieved when someone else is fired instead of us, but we loathe the mechanics of it nevertheless. I can tell you that the nicest people worked in my old offices. When they were gone a week, they were forgotten. I'm sure that was true of me when I left, as well. It's painful, or should be, to come to the conclusion that the work done simply doesn't matter and that we are interchangeable, but the sad fact is that it is true. Nobody in 100 years is going to look back and say "wow, you know, that Graceann sure typed a heckuva form letter - she changed the World." It occurred to me one day last week when I was putting together information for a bid, that I could no longer remember the names of my co-workers from the job I held two years ago (and I'm speaking of my office manager and the woman at the next desk). I don't even know if I'd recognize them on the street.
My thoughts on the book at large, taken from notes written as I was reading. This is full of spoilers, if you're still reading the novel:
Boy, can I relate to the description of office life in the introduction. This is JUST what my experience was.
- stolen articles from desks
- resenting the hours caged in the office (I never left the office at lunchtime because I was legitimately afraid that I wouldn't come back at 1pm)
- the VERY occasional days when all goes well
- the company shirt that everyone owns but nobody wants to be seen wearing (I used to have a drawer full of them - they got used as scrub rags when I left my last home. There was some real satisfaction in using them for that purpose.)
- days crawling - except weekends. Painfully accurate.
Petty arguments over who owns what ("my legitimate chair!") So hilarious and so true. I remember when I first started at my last job. My desk didn't have a chair so I borrowed one from an empty desk. I was sitting there for MAYBE five minutes when a secretary came to me to say "that's MY Chair!" Well, actually, your chair is at your desk, and nothing in this place is actually YOURS, anyhow.
Hating someone and worrying that the reason you hate them is not that they're a jerk but that you're racist. There was a paralegal I used to work with - she was a flaming incompetent who happened to be a minority. When she was called on mistakes or bad behavior, she always played the race card. I could definitely relate to workers' feelings about Karen Woo - except that Karen actually has the chops.
"'Creative creatives creating creative creative,' a use of the English language just too absurd to contemplate." Do you have any idea how much time lawyers spend coming up with just such nonsense? I didn't realize that law and advertising had so much in common until I read this book.
The sequence with Lynn, Martin and the blindfold was very sweet and moving. I totally understand the fear - if she doesn't confront the hospital, it isn't "real." A great love of my life had exactly that attitude about diabetes. He determined that if he didn't get his blood checked, he didn't have it. Total nonsense of course, and he almost died. I do believe that Lynn actually had cancer - a lot of women who start with breast cancer die of a different one later on, sadly. I lost my beloved Sally Dumaux (an amazing author, mentor and friend) in just this way.
It's no accident that the majority of this book is set in the halcyon days leading up to 9/11. The economy was already getting dubious, but 9/11 pushed it over and employers *loved* having "the terrorists" as an excuse to trim fat from their payroll. My review was barely six weeks after 9/11, and I was given a minimal raise with that event as an excuse. Six weeks after THAT, the lawyers who were partners in the firm were given the biggest bonuses in the firm's history. That money came directly from the paychecks of the underlings.
FIVE YEARS LATER:
Tying in the endings to Lynn's and Tom's stories was brilliant. Beautifully done.
I love the Marcia's haircut, which was new in 2001 and caused much comment, was "dated" at the end of the book.
Other people have commented on the random kindnesses more eloquently than I could have - the bit about the billboard and about the mother of the murdered child sitting at McDonalds were written in a particularly skillful way.
I found this one to be a winner in a big way. Having said that, it is NOT a universal story. You have to come from a very specific set of experiences in order to appreciate and enjoy it.

But all this personal stuff aside, Ferris really captured a bizarro side of American culture.

Yes, I agree that it can be appreciated even if you didn't work in this kind of office, but I've seen some *scathing* reviews (at Amazon, for instance) and got a deep dose of pity from someone on one of my book groups who loathed Then We Came to the End with every fibre of her being. She's going to be flummoxed when she finds out I loved it, and she's the kind of person who thinks you're stupid if you don't agree with her in every instance.
I find reading these books to be more interesting than the ones that are universally beloved. If there's that much variance in readers' enjoyment, then there's going to be a particularly good discussion, and plenty to think about. I was a bit concerned, but so glad that I let the negatives deter me from this one.
I happened to meet my best friend at the office, as well, but we did our bonding on the weekends, not at the water cooler. There simply wasn't time. When I first started as a legal secretary, each attorney had their own secretary. By the time I retired, the standard was three attorneys to a secretary, and in some cases, five. I've never been happier to walk away from something as I have that.

Another thing that was so real: today's urgent project gets completely reversed, and is now twice as urgent.
SPOILERS:
The part that got me lol was when Carl, when being dropped off at work by his physician wife, had to call her on her cell phone to get her attention even though he was sitting right next to her. She thought he was nuts. Then he stripped off his clothes, and proved that she was right.
I loved the way Carl turned out to be so happy and successful at the end of the book. That was not a predictable outcome.
I also have some very good friends from my office. Although, ironically, I did not always see eye to eye with these same friends in the office. I like to think that if something big happened in my life post-work (like Hank's book reading) that a few stalwarts would show up for me. Let's not forget that Hank was the character who copied library books on the copier then pretended to read work papers all day long. Sound lovely, but in reality, a practice that would get him fired in most any office.


I met my best friend at work (also met my husband at work, oddly enough), but that was an exception of inverted twin souls meeting by chance. I keep in touch with about five people, and barely remember the rest...and I'm sure they barely remember me. Sad, ins't it; you spend so much time with these folks but really it's all on the surface. Hmmmm....

There were two reasons that I thought that Lynn's story was really Hank's novel. 1) Lynn died of ovarian cancer. According to my friend who is an oncologist, if you contract breast cancer and it spreads to other parts of your body, it is still considered breast cancer. 2) If you read the lines that Hank read at his reading, they are the same as the "Lynn" section of the novel.
That's my story, and I'm stickin' to it.
Jane

Most of the time, I am the one who is wondering, "Why didn't I see that?" It is good that I gave some of you something to think about.
Jane

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