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CONTROL (Anton Corbijn, 2007, UK) A great directorial debut from music video auteur Anton Corbijn with a stellar cast and taught script. Corbijn smartly films in glorious black and white, which takes us back to the formative sonic youth of Joy Division's Ian Curtis telling this tragedy in a straightforward chronological order. Sam Reilly really captures Curtis' quicksilver energy and emotional apocalypse, which ultimately leads to his self-destruction. The live performances are great and the actors must have practiced at length because there are no gimmicky quick cuts or flashy editing to hide the fact that they're really playing the songs! I don't know much about Joy Division so I think this film is accessible to any fan of thought provoking cinema. We are really able to connect to Curtis' struggles that are mostly his own but partly instigated by the onset of his epileptic seizures. His music is a way of externalizing this conflict and his Jim Morrison-like groan and the music's gothic flourishes swirl and devour the audience. A killer soundtrack includes vintage Iggy Pop, David Bowie, Buzzcocks, and Sex Pistols to name a few. Based on the novel by his wife Deborah Curtis, we get to see his story from a feminine perspective and are not allowed to glorify or condone his selfishness; we get to see how his love tears his family apart. Joy Division's music is not reserved for the terminally depressed and gothic crowd, but accessible to anyone who is moved by passionate and honest songwriting. (A)


Control as a film was pretty good, but I've always found Ian Curtis to be pretty pathetic and this definitely didn't sway my opinion. I did like the numerous references to The Fall in the movie, though. "At least you're not the lead singer of The Fall." I bet Mark E. Smith got a good laugh out of that. Or just didn't see it (which is probably more likely).






I often find myself spending more time peeking than reading! It's frustrating, but until I find a way to tape the book shut without damaging them, I can't seem to stop!


In the extras you also find out that the actors playing the band members actually play the songs in the movie, and that Riley sings - they wanted to do this to give a live feel to the songs, rather than just using Joy Division's albums (which Corbijn was originally going to do). This movie was clearly a labor of love. It is sad to watch an actor playing someone who will ultimately end their life at such a young age, but at the same time it helps to understand why such a gifted person would act the way they did.