Q&A with Margaret Atwood discussion
Oryx & Crake/TYOTF/MaddAdam
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I was just curious as to whether, while writing Oryx and Crake, you had TYOTF in mind? Did you write Oryx and Crake with the intention of writing a parallel novel later? They just f..."
Interesting, isn't it? I'm wondering if The Year of the Flood was part backstory that grew legs and begged to be written. Having just finished The Year of the Flood I'm dying to read Oryx and Crake again, better put it back in the huge bookpile.
Thankyou, Margaret.

Ooh! I listened to YOTF! It was an excellent experience - probably the best audiobook I've ever listened to. Bringing the songs to life helped to bring the story to life.
I didn't realise Oryx and Krake was perhaps supposed to be read first though, but perhaps it doesn't matter. I certainly didn't feel like I was missing anything.

Christine, I loved that about the books to!
I read O&C first and then TYOTF and its not like you had to read the one before the other, if you read them indivisually you'd still get the idea and picture of what Margaret was trying to get at...
I cant wait for more books on this topic
I read O&C first and then TYOTF and its not like you had to read the one before the other, if you read them indivisually you'd still get the idea and picture of what Margaret was trying to get at...
I cant wait for more books on this topic


I read YOTF first, then O&C. I didn't realize until only recently that they take place during the same time period, they're just different parts of the same story--or am I wrong? Does anyone know if that is correct? Now I can't remember why I think this, or where I heard it.

Toby and Ren and Amanda were refreshing and wonderful. I was upset that Oryx did not get the same treatment as say, Amanda, that is: rescued from Jimmy's sludgy brain and resuscitated as a whole human. She remains elusive. We never even learn her real name, although we get to know Crake some more in MaddAdam. Even Pilar ends up getting a back story. But Oryx...? Further, I was a bit bothered that Rebecca, in addition to being the only (? Right? Did I miss another?) black woman in the group, seemingly has no hopes, dreams or desires beyond cooking for everyone. I mean, I wanted HER to get a boyfriend or a girlfriend or both and have some drama and get more of a back story than "worked with Toby."
I suppose this isn't a question, and I am really hoping not to have offended Ms. Atwood, but I needed to say it.

I was just curious as to whether, while writing Oryx and Crake, you had TYOTF in mind? Did you write Oryx and Crake with the intention of writing a parallel novel later? They just fit together so well, it's hard to read them and not think that you had the whole story worked out from the beginning (even the night club bass heard by Snowman is accounted for!). And the same question applies to your novel-in-the-making, MaddAdam.
I've often read that you don't consider your work to be Science Fiction, but rather Speculative Fiction, and I know there is another topic on that issue so I won't ask about it further (or perhaps I don't wish to insult my favourite author with my arguments!). However, I did want to thank you, because whatever kind of SF you write, your novels, especially The Handmaid's Tale and Oryx and Crake, introduced me (being of the younger generation) to the wonderful world of dystopic fiction.
Speaking of The Handmaid's Tale, I have to ask, is the impending demise of human civilisation as we know it a recurring thought for you? Both Oryx and Crake and The Handmaid's Tale are so wonderful in their own right, and I just love how different they are, but ultimately they are a result of human failings (or perhaps successes if you take a different standpoint). Is this how you see humanity playing itself through, or is the idea just a topic of interest for you?
There are a thousand things I'd love to say, and even more questions I'd love to ask, but I'm having too much fun reading the rest of the posts, so I'll simply leave with a thank you for the wonderful work and inspiration. You make reading a joy, and writing a dream.
Cheers,
Katey.