I loved it and learned a lot, blogged about it earlier. I liked Late Wife and Pinion even more, for gripping language and images, but I appreciated the close look at girls and women in this book--in a girls' school, in a community, and as individuals who could be somehow perceived in glimpses.
Also loved how woman-as-object is accomplished here--with gentleness, irony, and fact--for instance, in poems about a mannequin and some anatomy models. Loved the epigraphs at the beginnings of sections, including one from Jane Eyre, about girls "[r]anged on benches down the sides of the room,...motionless and erect." Chilling.
In a hurry to 1) get my review up before the end of the year in this Poetry Readers Challenge group and 2) return this book to its rightful owner!
Now that I have found her, I will read anything by Claudia Emerson.
Also loved how woman-as-object is accomplished here--with gentleness, irony, and fact--for instance, in poems about a mannequin and some anatomy models. Loved the epigraphs at the beginnings of sections, including one from Jane Eyre, about girls "[r]anged on benches down the sides of the room,...motionless and erect." Chilling.
In a hurry to 1) get my review up before the end of the year in this Poetry Readers Challenge group and 2) return this book to its rightful owner!
Now that I have found her, I will read anything by Claudia Emerson.