The Extra Cool Group! (of people Michael is experimenting on) discussion
Off-Topic, Reading Related
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True Grit




Me too. My husband and I picked up a copy after we saw the trailer for the new movie. I haven't had a chance to read it, but my husband was not impressed.
I remember seeing the John Wayne movie at the drive-in with my parents when it came out. I liked it when I was little, but it doesn't survive adulthood very well.






i love No Country but i haven't watched it a second time yet. usually i watch them multiple times, but that one was a little painful. i'll get to it soon though.

Fargo is my all-time favorite, but I've never forgotten Blood Simple and I saw it back when it first came out on VHS. And I really, really like No Country for Old Men.


No Country for Old Men haunted me for days. Javier Bardem is one creepy dude!

Fargo was like nothing I had ever seen before. That is a perfect movie from start to finish.

No punctuation? That's ridiculous. It's available for a reason - proper communication. Thanks for the heads up.


I think that is the reason this is done, by McCarthy and other authors. But this rationale does not make it less annoying; I would like to decide for myself how fast to read a book, and not have the author dictating that his/her work is extra-important and deserving of my time.

This is interesting. In the case of The Road, I felt like it sped the work up instead of slowing it down.

I agree. I quit The Road because I thought it was distracting and it was annoying to have to puzzle out sentences. Charlie Huston doesn't use quotes on dialogue and just starts the line with a - and that's about as much as I can handle.

I'm not a big Coen brothers fan, but my husband is. Raising Arizona is one of my favorites, and I really liked O Brother, Where Art Thou?. I can't say I've really liked much else they've done.

Of course, Jim. But since I saw the movie first and remembered the dialog very well, that's how I saw it when I tried to read the book.
I have never been a John Wayne fan. Don't think he can act at all.

I agree with the exception of his work in The Searchers and Red River. And The Long Voyage Home but that's not totally fair because he wasn't "John Wayne" then.

Oh, Tressa, no! Say it ain't so! ;) I could put together an emergency John Wayne Appreciation Pack for you on a moment's notice so just let me know!


It can, but I don't like too much of it. It's not that I'm a total fan of rules nor do I mind playing with punctuation occasionally to make a point, but to consistently ignore it just wears me out, much the way gratuitous violence, sex or other bad behaviors do in a movie or a novel. For instance, some profanity is fine, but constant profanity loses any shock value or emphasis & just makes the character & the writer seem stupid, completely lacking in vocabulary & imagination.
Punctuation, capitalization, spacing & such are all very important parts of the structure of writing that make it understandable. When I have to read over a sentence several times to make sense of it because a comma is missing, that annoys me. I won't read an entire short story like that, much less a book. Hence, the author has failed to communicate to me at all. I like logic puzzles, just not in the structure of my reading. YMMV & that's fine.

Hah! Love it. I like a lot of John Wayne's movies & couldn't agree with you more. Like several others here, I agree that he couldn't act & didn't. He was him &, if the rest of the movie fit around him, then all was good - rarely great, but I found his movies entertaining. IMO, the part of Rooster Cogburn fit him like a glove.

I do enjoy some variations. Roger Zelazny, my favorite author, often played with punctuation & the layout of words to convey a lot of feeling. (He really wanted to be a poet & wrote a lot of it, but made his money writing fantasy & SF, usually so meshed together that no one was sure which it was & he wouldn't say.) Other books I've enjoyed have played around with some aspects of speech & punctuation in places, too. I just object to too much of it.
It sounds as if McCarthy does know the rules & has some system for breaking them that appeals to you. I agree that to successfully break the rules, you have to know them exceedingly well. Just breaking them out of ignorance sucks, as you said. I read a fair few ARCs & help correct them occasionally. That's one reason why I know that missing or misplaced punctuation can drive me nuts.
"Let's eat, Jane."
"Let's eat Jane."
There's a world of difference due to that comma.
;-)

Possibly that's a personal failing on my part - impatience, I suspect - but I've never cared much for too much of that in prose. A little bit goes a long way for me. I don't care much for poetry in general, either. Limericks or lyrics are more my speed.
;-)
Then again, I may have just set him up and will incur his wrath—casting me out of the Cormac McCarthy fan club,
Well, I suppose you can stay in, as long as you can verify the secret handshake and recite the pledge.
Actually, that's a term I hadn't encountered yet. But, it's definitely something I've noticed in both McCarthy's work and in poetry--both writing it and reading it.
I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
There's a visual difference when you're looking at a poem; there's also a visual difference when you're looking at the page of a Cormac McCarthy book (compared to the page of an author who uses normal punctuation). I find his punctuation decisions make the reading go faster for me, and in the dialogue I VERY RARELY have issues with following who is talking--after all, it's McCarthy's job, if he's not going to use quotations, to make it damned clear who is talking.
Poetry usually baffles me—why the hell can't they (the poets) just say whatever it is they believe they have to say?
Do you believe the goal of the prose writer is also to just say whatever they have to say? A lot of my favorite writings are open to interpretation.
Well, I suppose you can stay in, as long as you can verify the secret handshake and recite the pledge.
Actually, that's a term I hadn't encountered yet. But, it's definitely something I've noticed in both McCarthy's work and in poetry--both writing it and reading it.
I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
There's a visual difference when you're looking at a poem; there's also a visual difference when you're looking at the page of a Cormac McCarthy book (compared to the page of an author who uses normal punctuation). I find his punctuation decisions make the reading go faster for me, and in the dialogue I VERY RARELY have issues with following who is talking--after all, it's McCarthy's job, if he's not going to use quotations, to make it damned clear who is talking.
Poetry usually baffles me—why the hell can't they (the poets) just say whatever it is they believe they have to say?
Do you believe the goal of the prose writer is also to just say whatever they have to say? A lot of my favorite writings are open to interpretation.

I'd add, "or at least evoke an emotion or a strong visual." Maybe that's part of meaning?
I vaguely recall a class in school about poetry & that there were some standards that had evolved to mean certain things; rhythms, specific forms & words. It all seemed very obscure to me, but then most of the English courses in school did. Although I loved reading, I pretty much detested English as a course of study. Teachers seemed to go out of their way to find the worst things for us to read & to come up with odd & illogical trivia to test us on.


so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.

I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold

Let me guess: Maciek hated On Chesil Beach and Mike loved it.

Possibly it was English teachers, not poetry itself. It took me years to enjoy Steinbeck after having "The Red Pony" shoved down my throat 3 times. I'm a contrary, stubborn person. When something gets my back up, I stay mad a long time. (One time I didn't cut my hair for 6 or 7 years because my mother & wife nagged me to get it cut once too often.) Since the poetry class was probably 35 years ago, it's probably about time to give it a second chance, though.
;-)
Seriously, like Mike, I just don't normally get it. I'm a real fan of Zelazny's prose & really try to get his poetry. It bores me, goes right over my head - usually both. Ditto with Whitman & he's another I really tried to read. There's even some of his stuff that I like a bit, but not enough to ever make it through "Leaves of Grass". Kipling is more my speed. His stuff I understood & liked, especially Gungha Din which Jim Croce made into a great song.


With my own kids, I encouraged them to read anything they wanted & never worried about whether it was a 'good' book or not. Usually, my wife or I had already read the book or would, so that we could discuss it with them. We keep a couple of thousand books around the house & the kids used to ask me for help picking out a book. I always tried to make it enjoyable & now they all love to read.
A love of reading is the main thing a teacher should instill. The quality of the books will follow naturally after that & most 'classics' require life experience & a patience that was beyond what I had when they were forced on me. That did nothing but turn me off & could have ruined a life-skill that should be enjoyable. It did for many of my friends.


ah, mrs. durham, rest in peace. forgive me for pouring superglue in your classroom keyholes! i will always appreciate her for introducing me to Light in August.

Mike, you poor soul. You didn't stand a chance.

http://www.newsweek.com/2010/12/09/di...